At this show, you’ve really, for all effects and purposes, been invited into Brent Godfrey’s studio. Postponed for over a year by the pandemic, the exhibit contains Godfrey’s social-statement (“social studies”) paintings, enormous abstracts, small and large figurative paintings, woven canvas pieces, works on paper. Called Matter of […]
Last Saturday evening, Cat + Fish Dances showcased a night of calm strength despite the abrupt storm outside. Held in the quiet space of the Missio Dei Church, the concert was a traditional, black box-style dance performance of three works-in-progress. After a run across the parking lot through […]
A mola is a hand-assembled textile conceived and made by the Guna people of Panama, in Central America, and Colombia, in South America. These vividly colorful, highly geometric, stylized plant and animal portraits are a popular trade item, and discerning travelers to the Guna’s homelands study, purchase, collect, […]
The award-winning writer and photographer Andrew Romriell writes about queerness, religion, body image, gender identity, and sexuality. Here we present his Alchemic-like: 16 Ways to Look at Transformation.
For many years, Laura Durham, then director for the visual arts program at the Utah Division of Arts & Museums, was editor for our “On the Spot” feature — a series of short questions and answers directed towards art professionals in our community as a way to get […]
Space is a commodity with resounding significance as of late. The isolation necessitated by the Covid-19 pandemic has made more immediate the symbolic power of spaces — home, work, school among them — and the perceived absence or overindulgence of one, which may drastically alter our relation to […]
A drive — or better yet, a stroll — through the South Salt Lake City neighborhood just south of downtown, along Main Street, will treat the observant eye to mural after mural from one building to the next. Natural scenery has returned to this commercial district in the […]
“This is not safe,” is a caution we should attend to, but might feel we can overlook. “This is not safe, and it can’t be made safe” is another matter. A threat that cannot be neutralized is a threat indeed. In 1940, during the lull in the storm […]
Looking ahead to retirement some years down the road (her husband’s, that is; artists just don’t), Trent Alvey knew that the office building the couple had invested in near West High in Salt Lake City’s Marmalade District would go on the market and the massive amount of her […]
The title piece of Taylor Wright’s collection of ten paintings at Bountiful Davis Art Center is The Bell That Never Rings, a verbal paradox that labels a visual riddle. To be sure, there is a heavy brass bell, its shiny surface reflecting the view out a window where […]
There was a pleasant pervasive hum throughout Ballet West in the Garden at Red Butte Garden Amphitheater last Friday evening. Not from the bees that earlier menaced the company’s onstage mark-through, but rather the audience sprawled across the lawn, emboldened in commentary and conversational asides by the open […]
“The medium is the message.” First coined by the Canadian theorist Marshall McLuhan in 1964, this pithy phrase has dramatically shaped our understanding of postmodern theory, language and aesthetics. For artists like Vik Muniz, however, it is both a creed to uphold and an ideology to subvert. In […]
Retro Furniture Changes Colors — Chroma Gallery
In the late ’80s, Erdmann ran the Salt Lake Contemporary Gallery in downtown Salt Lake where he showed minimalist and color-field art at a time when “Mark Rothko wasn’t a household word.” Reception to the gallery was not overwhelming and it eventually closed down. Since that time, abstract art has failed to achieve a pervasive presence in Utah. The Salt Lake Art Center has had more and more exhibits highlighting contemporary art and Phillips Gallery has survived showing abstract work, but few other venues for abstract art have proven viable…
Nancy Vorm relocated to the Wasatch Front from her native state of Indiana in 2001. Her work is a continual exploration of materials, layers, textures, and color utilizing various media.
My objective is to continue to uncover the possibilities of combining and manipulating different media and mark-making methods to create my non-objective art. Along the way I make discoveries that inevitably challenge me to make creative decisions that may lead to unexpected results. I respond with new elements and processes and observe how each new phase informs the sequence before.”
To discover more artists, visit our Utah Artists Directory
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