I have to admit it: I had no idea landscape arches vibrate and thus create sound (albeit through frequencies inaudible to the human ear). Learning this fact alone makes attending Displacing Vibrations, on view at Nox Contemporary through April 5, worthwhile. Ambitious in its scope and message, the […]
Internationally acclaimed artist Danielle Agami is a considerate host. Agami is also the founder and artistic/executive director of Los Angeles-based dance company Ate9, in addition to being a renowned choreographer, a Batsheva Dance Company alumna, a Gaga movement research instructor, and a masterful, incredibly expressive dancer. Each of […]
After finishing Look Both Ways, I found myself recommending it to friends based on its ability to cause me to rethink imagination, history, and gender. It’s an imaginative book, self-imaginative. It’s a biography/memoir by Katharine Coles that centers on her grandmother, Miriam Wollaeger Link, and their respective journeys around the […]
What if women were the pioneers of the West? Would our relationship with Native Americans be different? What about our impact on the environment? What would our society look like today had our region been founded under a matriarchy? These are a few questions raised by Jennifer Nehrbass’ […]
Pareidolia: It’s a term we rarely use for a process we frequently employ — the tendency to see forms in random, abstract patterns. It’s likely a survival instinct, since it is better to believe you see animals in the forest that are not there than not to see […]
READ LOCAL First represents Utah’s most comprehensive collection of celebrated and promising writers of fiction, poetry, literary nonfiction, and memoir. This week we bring you Stefene Russell, a St. Louis-based poet, writer, editor and actor. She is a Salt Lake City native and graduate of the University of Utah where, she […]
“A one-inch grid covering a square. Within each of the one-inch squares 1) Vertical black lines 2) Horizontal yellow lines 3) Diagonal right red lines Or 4) Diagonal left blue lines As many lines as are desired, but at least one line in each square. Colored pencil” These […]
In Matt Flint’s paintings, creatures —owls, wolves, bears, horses, swans — emerge from the gloaming, the twilight thicket. Gloam, meaning the making or growing of twilight or dark, now called “an archaic Scottish verb,” was drawn from Old English glom, for “twilight,” and glowar, which meant “glow.” […]
Planning is useful. It provides structure, focuses energy. But, as Zachary Proctor’s new works at Park City’s Terzian Galleries attest, getting lost in the work has its advantages as well. In Destinations Unknown, Proctor is exhibiting with longtime friend and past exhibition partner Lane Bennion. The pair usually […]
Daisy Blake has waited 15 years for this role. It’s not an iconic one — Lady Macbeth or Blanche DuBois — nor even a lead; but it’s one she says is on her theatrical bucket list, the one she has chosen to embrace after a 5-year absence from […]
The conundrum: dirt is bad; dirt is sometimes beautifully dramatic. Dirt and dust make sunset beautiful, many-veiled: that’s the magic particulate richness of dust. We’re alive due to excess, things leftover: cast-off matter forms planets; stars are globbed accumulations of recycled matter. We are of dust/dirt, as […]
Suburbia: a term which not only refers to the outer parts of a town stereotyped for its comforting (or discomfiting) uniformity but descriptive of a way of life associated with the people who occupy its margins. Both isolation and collective community can be found in these ubiquitous spaces. […]
NORA ECLLES HARRISON MUSEUM OF ART WELCOMES BURTON COLBURN AS CURATOR OF COLLECTIONS AND EXHIBITIONS
Bolton Colburn has extensive curatorial and museum leadership experience. Colburn specializes in American art in the western United States, particularly in California art. Most recently he served as editor and guest curator for NEHMA’s Collecting on the Edge exhibition and catalogue. Other projects in recent years include supervising the development of the facility and permanent exhibition for Heroes Hall, a new museum in Orange County California focused on the stories of our veterans.
He has held posts as Executive Director of the Surfing Heritage Foundation, Director of the Laguna Art Museum, Senior Curator of the Laguna Art Museum and Senior Curator of the Orange County Museum of Art. His publications and exhibitions include Best Kept Secret: UCI and the Development of Contemporary Art in Southern California; Kustom Kulture: Von Dutch; Ed “Big Daddy” Roth, Robert Williams and Others; Across the Street: Self-Help Graphics and Chicano Art in Los Angeles; Surf Culture: The Art History of Surfing; In the Land of Retinal Delights: The Juxtapoz Factor; and In Nature’s Temple: The Art and Life of William Wendt.
UMOCA WELCOMES LAURA HURTADO AS NEW EXECUTIVE DIRECTOR
The Utah Museum of Contemporary Art (UMOCA) Board of Trustees has announced that they have selected Laura Allred Hurtado to serve as the Executive Director of the museum.
Hurtado was the global acquisitions art curator for the Church History Museum. She has published broadly, including two books, has worked and/or curated exhibitions in New York City, San Francisco, and throughout Utah, at such places as San Francisco Museum of Modern Art, Nox Contemporary, The Granary Art Center, The Utah Museum of Fine Arts, CUAC Contemporary, Riverside Church, the Rio Gallery, Columbia University, and the Utah Museum of Contemporary Art.
UMOCA board President Val Antczak stated, “Laura has the combination of knowledge and enthusiasm which will assure that UMOCA continues as a unique, vibrant showcase for contemporary art in Utah. She has been an integral part of the Utah art community for years, while following the contemporary art scene across borders and cultures and will build on our long history of bringing cutting edge contemporary art exhibitions to Utah.”
“For nearly 90 years, the Utah Museum of Contemporary Art has been an aesthetic force and community leader in Utah and beyond. I am honored and humbled to be a part of that longstanding legacy and to join a strong, passionate, hardworking and committed team – of trustees, staff, visitors, volunteers, and supporters,” declared Hurtado. “With a focus on experimentation, exploration, innovation, and community, UMOCA is a refuge for many – a space of community that creates critical dialogue around those issues that matter most.”
Alan Johnson, Director of Church History Museum added, “During her time at the Church History Museum, Laura has been instrumental in identifying and developing well-received exhibitions for our patrons. This experience, along with her innate passion for excellence and knack for innovation, make her an excellent fit to lead the UMOCA team.”
UMOCA’s Board of Trustees are confident that Laura will be an articulate advocate for contemporary art in Utah and look forward to her joining UMOCA on April 1.
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