UTAH'S ART MAGAZINE SINCE 2001
Published by Artists of Utah, a 501 (c) 3 non-profit organization.

Our monthly edition is published on the first Wednesday of every month and we follow that up with daily bytes posts on this site. You'll find links to artistsofutah's other programming to the right.
Articles
Prairie Wind Through Taut-Strung Bailing Wire: David Lee’s Last Call

Prairie Wind Through Taut-Strung Bailing Wire: David Lee’s Last Call

reviewed by Larry Menlove David Lee will be reading and discussing his work, including the book reviewed below, at four different sites in Utah during October as part of the Utah Humanities Book Festival: 10/8 at the SLC Public Library (4th floor) in partnership with City Arts (with poet Gailmarie Pahmeier); 10/9 Snow College Convocation...

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Being realistic about the future of painting: Joe Carter at Phillips Gallery

Being realistic about the future of painting: Joe Carter at Phillips Gallery

According to Wikipedia: The hippocampus (named after its resemblance to the seahorse, from the Greek hippos meaning “horse” and kampos meaning “sea monster”) is a major component of the brains of humans and other vertebrates. It belongs to the limbic system and plays important roles in the consolidation of information from short-term memory to long-term...

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Ririe Woodbury's Fall Season

Ririe Woodbury’s Fall Season

by Samuel Hanson Featuring the work of three male choreographers, Ririe-Woodbury’s season opener this last weekend had no particular through-line, except perhaps in its attempt to stake a claim for the group on being “contemporary”. The strongest work in the evening, artistic director Daniel Charon’s, was arguably the least au courant, harkening toward solidly twentieth-century...

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When the portrait doesn’t look like you:  SELF_Created at Mestizo

When the portrait doesn’t look like you: SELF_Created at Mestizo

Picasso famously told Gertrude Stein, before embarking on what became one of the most famous portraits of the twentieth century, that she needed to understand that it would not look like her. Picasso taught the world a new way of seeing, though, and his pre-cubist portrait of Stein looks a lot more like her now...

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Utah Chamber Artists: Crossings

Utah Chamber Artists: Crossings

After spending the summer touring the churches and cathedrals of Germany, Austria, and the Czech Republic, the Utah Chamber Artists are ready begin their season at home in Salt Lake City’s cathedral.

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Ruth Ann Garner and Valerie Hollstein at One World Gifts

Ruth Ann Garner and Valerie Hollstein at One World Gifts

by Carol Fulton This month beautiful and inspired glass artwork is on exhibition at One World Gifts and Gallery in Sugarhouse. The two exhibiting artists came to this medium as adults with grown children and  neither had formal training in it. Ruth Ann Garner took art classes in high school, but her careers in technology...

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Reminiscences and Whimsy at Sugar Space

Reminiscences and Whimsy at Sugar Space

Local choreographer and Pilates instructor Courtney Norris has compiled a selection of reminiscences and whimsy for her current Artist-in-Residence program at Sugar Space. The show opened with “Tis a Gift,” a duet created and performed by Norris and Erica Womack. Norris and Womack were lit softly, as if at dusk, their shadows dancing on the...

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Artist Profile: Darryl Erdmann

Artist Profile: Darryl Erdmann

“I would much rather be drawing at my work bench and conceptually doing artwork and listening to music than probably anything on the planet,” says Darryl Erdmann, former drummer, sign-painter, furniture salesman, gallery owner. Above all, though, he is an artist, one with a full belt of tools to accomplish whatever visual concept presents itself....

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InCiteful Clay at the Woodbury Art Museums

InCiteful Clay at the Woodbury Art Museums

Probably the oldest known artistic medium, clay sculptures survive in European caves alongside painted animals and mysteriously carved bits of bone and stone. At the same time, as our contemporary artists demonstrate, clay can be as new as any other medium. Its plastic versatility allows it, in sufficiently creative or knowledgable hands, to mimic—or at...

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Matthew Allred: Clinamen at UMOCA

Matthew Allred: Clinamen at UMOCA

. . . Allred’s fascination with the elemental basics of photography has led him to an expansive exploration of time, space and understanding. The tools of his trade allow him to explore universal ideas, to bring the expansive nature of the universe into the four walls of a gallery or museum. These ideas are powerful...

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In Memoriam: Edie Roberson

In Memoriam: Edie Roberson

In “Tip Top Tours” a vintage bus spurts smoke out of its exhaust as it climbs a hill outside what looks like Capitol Reef. Inside, a host of characters including Mona Lisa and Felix the Cat stretch their heads out the windows, wave flags and snap photographs. It’s a party van, the kind Edie Roberson...

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Lindsay Frei: Borders of Beauty

Lindsay Frei: Borders of Beauty

“I don’t think I’ve come to a resolve,” says Frei about this recent work, and her ongoing exploration of beauty. “But I think I am more comfortable with the idea that I don’t have to be resolved, and that it’s an ambiguous thing.  For a long time I just wanted answers, and that’s not how...

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