A perennially repeated yet mythical image of the artist holds that each is a solitary figure, working and even living entirely in isolation, whether because unable to get along with others or having no desire to. In reality, the successful artist often resembles more the CEO of a […]
There’s only one thing more enjoyable for an arts writer than discovering a fresh young artist (usually just escaped from one or another splendid college program and shyly showing off inventions they’ve been misled to expect no one will be thrilled by)—that even greater, if only because less […]
When we care about our message, no matter what it is, we will also care about its delivery. —from the exhibition statement by Jason Lanegan There are times when a viewer can stand before a work of art and see that it’s real, yet be unable to understand […]
In 1986, I toured a pair of museums on Trafalgar Square in London: the National Gallery, possibly the finest collection in an international field marked by many superb contenders, and the National Portrait Gallery, where I encountered a modern portrait that came to haunt me over the years. […]
There’s something familiar about this landscape, but it’s not quite right. Yes, the verdant, green foreground and the rounded, purple mountains in the distance speak of an abundance of water because, unlike the hard-edged verticals of the red rock, mesa country of southern Utah deserts, northern Utah took […]
If air is colorless, how is the sky blue? During the pandemic, faced with isolation, some people turned to television for companionship, while others got a dog. Artists tend to be loners, a useful skill for the solitary hours they must put in, but even their survival skills […]
Susan Klinker’s assemblage, variously titled “Scarab Piece” or “Desert Transformation,” recounts what she describes as her “transformative experience during a desert meditation” while she was “on a three-day prayer retreat at Christ in the Desert Monastery, Abiquiu, New Mexico.” The work initially seems to resemble a rugged, weathered […]
This essay was published in conjunction with Frank McEntire’s exhibit Through a Narrow Window: our impact on the environment, Snow College Art Gallery, Aug. 29 – Oct. 14, 2022. All images: installation views from the exhibit, courtesy the artist. These jars were provided by scientists, artists, philosophers, historians, […]
When Mary Hutchings arrived at the Utah Cultural Celebration Center on March 4th to deliver a handmade landscape she’d been invited to show, titled “The Banks of the Susquehanna River,” the gallery was full of artists dropping off their own pieces, which would eventually number more than 50 […]
A small animal’s skeleton is visible from inside a domed sphere at the center of an elaborate golden frame. The adornment evokes the gilded macabre of a medieval Christian reliquary. Throughout And No Birds Sing at Nox Contemporary, one sees Frank McEntire’s love of interesting and unusual found […]
Sixteen months ago, art galleries were among the social venues that shut down in the face of the Covid pandemic. Now they’re successfully reopening, primarily for small or solo shows. More challenging is a survey, like Face of Utah Sculpture, now in its 17th edition, which presents logistic […]
No self-respecting dramatist would set a Biblical Apocalypse in the parking lot of a shopping center; it’s too mundane, too much a whimper and not a bang, to produce the proper sense of doom. Yet today it’s a routine event to carry the groceries out to the car, […]
Despite appearances to the contrary, group exhibitions of art are the norm, and should be. A theme, familiar or exotic, or a location, a medium, even a gender can provide the opportunity to compare how different artists handle the same materials: physical, emotional, contextual. From landscapes featuring Mt. […]
The Greeks had a word for it. They called it Symmetry, which today often means a mirror-image. For an older society, one less needing to simplify an overly stimulating world, it meant balance. A symmetrical composition presented a balanced image. They may have found this concept in the […]
Half a century ago, the children of Frank McEntire’s generation studied science in classrooms that self-consciously resembled laboratories: microscopes stood on tables and gas jets protruded from black, plastic-topped counters. On the walls hung graphic summations of fundamental scientific knowledge: evidence of taxonomy, the original business of sorting, […]
[dropcap]When [/dropcap]the towers—there were more than two—of the World Trade Center fell on 9/11, emergency medical personnel anticipated an avalanche of critical injuries. While the survivors on that day were never counted, responders knew from experience what to expect: eight years before, when a bomb exploded beneath one […]
Curation is always difficult. It involves hours of work and focus with the added combination of a keen eye and a strong will. More often than not, it means accepting that in the eyes of some you’ll be a hero and a genius, while for others, you might […]
People tend to see something one way until someone shows them another. —Frank McEntire Anyone who knows the art of Frank McEntire, whether sculpture, mixed media, or assemblage, will have witnessed his technique of bringing together found objects, often in the presence of natural materials like stone […]
