After finishing Look Both Ways, I found myself recommending it to friends based on its ability to cause me to rethink imagination, history, and gender. It’s an imaginative book, self-imaginative. It’s a biography/memoir by Katharine Coles that centers on her grandmother, Miriam Wollaeger Link, and their respective journeys around the […]
What if women were the pioneers of the West? Would our relationship with Native Americans be different? What about our impact on the environment? What would our society look like today had our region been founded under a matriarchy? These are a few questions raised by Jennifer Nehrbass’ […]
What Edward Bateman does is as much in the realm of science as art — as reminiscent of Leonardo and Edison as of Michelangelo. Which is to say that unless you can grasp what he’s about on his computer, it becomes difficult to explain the results of his […]
Pareidolia: It’s a term we rarely use for a process we frequently employ — the tendency to see forms in random, abstract patterns. It’s likely a survival instinct, since it is better to believe you see animals in the forest that are not there than not to see […]
“Part of what artists do is call attention to things that have been overlooked, and do so in a way that causes people to start noticing on their own,” Jim Frazer said in early 2018 while working on a project in which he transformed the trails of bark-beetle […]
READ LOCAL First represents Utah’s most comprehensive collection of celebrated and promising writers of fiction, poetry, literary nonfiction, and memoir. This week we bring you Stefene Russell, a St. Louis-based poet, writer, editor and actor. She is a Salt Lake City native and graduate of the University of Utah where, she […]
The dynamism of the natural world surrounds us: we are part of systems that grow and decay, process and alter on a continual basis. Nothing is static as matter and substance morph sometimes imperceptibly, and sometimes so dramatically it’s jarring to witness. These changes are at the heart […]
“A one-inch grid covering a square. Within each of the one-inch squares 1) Vertical black lines 2) Horizontal yellow lines 3) Diagonal right red lines Or 4) Diagonal left blue lines As many lines as are desired, but at least one line in each square. Colored pencil” These […]
In Matt Flint’s paintings, creatures —owls, wolves, bears, horses, swans — emerge from the gloaming, the twilight thicket. Gloam, meaning the making or growing of twilight or dark, now called “an archaic Scottish verb,” was drawn from Old English glom, for “twilight,” and glowar, which meant “glow.” […]
By the end of the 1860s locomotives could travel at a rate of roughly 30 to 40 miles an hour. In an age of jet travel and fiber optics this may not sound like much — you may be traveling twice this pace while reading these words — but in the 19th century, this was life-altering speed. Together with photography and telegraphy, steam locomotion was believed to be an annihilator of time and space. Never before in history had humans been able to travel at such a rate, communicate instantaneously over such great distances, and see the entirety and variety of the world in a print. Together these cutting-edge technologies transformed the way humans engaged and perceived the world — a world that now seemed a little bit smaller.
Planning is useful. It provides structure, focuses energy. But, as Zachary Proctor’s new works at Park City’s Terzian Galleries attest, getting lost in the work has its advantages as well. In Destinations Unknown, Proctor is exhibiting with longtime friend and past exhibition partner Lane Bennion. The pair usually […]
Daisy Blake has waited 15 years for this role. It’s not an iconic one — Lady Macbeth or Blanche DuBois — nor even a lead; but it’s one she says is on her theatrical bucket list, the one she has chosen to embrace after a 5-year absence from […]
Utah Business Magazine Recognizes Ririe-Woodbury Executive Director Jena Woodbury as one of their CEOs of the Year
NORA ECLLES HARRISON MUSEUM OF ART WELCOMES BURTON COLBURN AS CURATOR OF COLLECTIONS AND EXHIBITIONS
Bolton Colburn has extensive curatorial and museum leadership experience. Colburn specializes in American art in the western United States, particularly in California art. Most recently he served as editor and guest curator for NEHMA’s Collecting on the Edge exhibition and catalogue. Other projects in recent years include supervising the development of the facility and permanent exhibition for Heroes Hall, a new museum in Orange County California focused on the stories of our veterans.
He has held posts as Executive Director of the Surfing Heritage Foundation, Director of the Laguna Art Museum, Senior Curator of the Laguna Art Museum and Senior Curator of the Orange County Museum of Art. His publications and exhibitions include Best Kept Secret: UCI and the Development of Contemporary Art in Southern California; Kustom Kulture: Von Dutch; Ed “Big Daddy” Roth, Robert Williams and Others; Across the Street: Self-Help Graphics and Chicano Art in Los Angeles; Surf Culture: The Art History of Surfing; In the Land of Retinal Delights: The Juxtapoz Factor; and In Nature’s Temple: The Art and Life of William Wendt.
UMOCA WELCOMES LAURA HURTADO AS NEW EXECUTIVE DIRECTOR
The Utah Museum of Contemporary Art (UMOCA) Board of Trustees has announced that they have selected Laura Allred Hurtado to serve as the Executive Director of the museum.
Hurtado was the global acquisitions art curator for the Church History Museum. She has published broadly, including two books, has worked and/or curated exhibitions in New York City, San Francisco, and throughout Utah, at such places as San Francisco Museum of Modern Art, Nox Contemporary, The Granary Art Center, The Utah Museum of Fine Arts, CUAC Contemporary, Riverside Church, the Rio Gallery, Columbia University, and the Utah Museum of Contemporary Art.
UMOCA board President Val Antczak stated, “Laura has the combination of knowledge and enthusiasm which will assure that UMOCA continues as a unique, vibrant showcase for contemporary art in Utah. She has been an integral part of the Utah art community for years, while following the contemporary art scene across borders and cultures and will build on our long history of bringing cutting edge contemporary art exhibitions to Utah.”
“For nearly 90 years, the Utah Museum of Contemporary Art has been an aesthetic force and community leader in Utah and beyond. I am honored and humbled to be a part of that longstanding legacy and to join a strong, passionate, hardworking and committed team – of trustees, staff, visitors, volunteers, and supporters,” declared Hurtado. “With a focus on experimentation, exploration, innovation, and community, UMOCA is a refuge for many – a space of community that creates critical dialogue around those issues that matter most.”
Alan Johnson, Director of Church History Museum added, “During her time at the Church History Museum, Laura has been instrumental in identifying and developing well-received exhibitions for our patrons. This experience, along with her innate passion for excellence and knack for innovation, make her an excellent fit to lead the UMOCA team.”
UMOCA’s Board of Trustees are confident that Laura will be an articulate advocate for contemporary art in Utah and look forward to her joining UMOCA on April 1.
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