Visual Arts

Utah Visual Arts articles published in 15 Bytes, arranged by category.

Exhibition Reviews | Visual Arts

Bathing in the Uncanny: Madison Donnelly’s Bathhouse at UMOCA

A teacup rests on a saucer, an accompanying spoon at its side. Covered in coarse fur, the seemingly innocuous objects’ deviation from the familiar is jarring and uncomfortable. Swiss artist Méret Oppenheim’s iconic “Luncheon in Fur,” from 1936, is the ultimate Surrealist sculpture, a work that invariably elicits strong responses […]

Exhibition Reviews | Visual Arts

From Desert to Ocean Crossings: Cody Chamberlain’s and Len Starbeck’s Intersections in Nature at the Park City Library

From the high deserts of Utah to the shores and redwood forests of the Pacific, the exhibit Intersections in Nature describes and investigates landscapes that have impacted artists and local residents Cody Chamberlain and Len Starbeck. Both artists use their histories of mixed outdoor employment to inform their […]

Exhibition Reviews | Visual Arts

UMOCA’s Survey of Utah Artists Explores The Possibilities of the Abstract

Abstraction broke onto the art landscape of different countries at different times, but often as a response to disillusionment with the narrative art relied on previous knowledge of religious or mythical stories. Instead, abstraction provided a totally self-referential possibility, where an artist created their own code of line, […]

Artist Profiles | Visual Arts

Tony Smith: We’re All Mad Here

In 2001, after retiring as a professor of art at the University of Utah, Frank Anthony (Tony) Smith also retired from painting — and the art market.

During his 40-year career as an art teacher at the University of Utah and other universities and workshops, Smith succeeded as a dual-career player in the local and national art markets. He is best known for his innovative, illusionist nod to trompe l’oeil through his groundbreaking use of stenciling, cutting, taping, and airbrushing. “He’s fooling you, folks,” wrote Susan Mendelsohn in an undated essay. “These paintings are fancy bags of cheap tricks. They are trap doors and fake bottoms, things up his sleeve and wires and mirrors … It is an invisible experience in the imagination, which shows us how the world looks through Tony Smith’s eyes. Because of his pictures, we can ride piggyback into his encounter with reality. It’s a very remarkable ride.”