For most photographers, finding the right moment to press the shutter is crucial. Dayle Record, whose large, color photographs of the Great Salt Lake, Singular Images: The Lake I Love, are currently on display in Charley Hafen’s cozy, brick-and-glass jewel box of a gallery, handles the critical moment like a painter who first draws her subject, then waits until the sun is right to limn the light and capture the defining moment.
A review of Torben Bernhard and Travis Low’s documentary short about Frisco, Utah, screening this week at the Big Sky Documentary Film Festival.
A review of Steven Fawson’s exhibit of portraits of artist friends at the Gallery at Library Square through March 9.
Remember last year, when yarn-bombing was the thing? People were wrapping trees, signs, bikeracks and other objects in yarn. It culminated in the Random Acts of Art (see our article) yarnbombing at the Utah Arts Festival (see our video post). Well, the other day we were driving in […]
You’ll find this mural on the side of the former home of the Citizen’s Coal Co. on 600 West, also known as Warm Springs Road for the hot/warm springs that were once a place of recreation for pioneer era Utahns, including Brigham Young. Call has painted the letters […]
Are you heading out to the Salt Lake galleries tonight, and wondering what you should check out? Our February edition of 15 Bytes has a number of articles on shows you can catch tonight, including: The opening reception for 24 x 24 at Alpine Art. Sundance’s New Frontier […]
A few of our local partners recently announced new arrivals. The Leonardo At the beginning of the month The Leonardo announced that Holotype, the large-scale installation that takes up a large chunk of the main floor has been completed. When The Leonardo first opened Holotype was merely a […]
The cover story for this month’s edition of Foreign Policy magazine features 13 “out-of-the-box” ideas to save the world economy from some of the smartest people they know. Number 2, from economist Diane Coyle, is to hire everybody. In the long-run she’d like that the private sector be […]
Local architects respond to the newly announced design for the Kimball Art Center expansion and renovation.
This month Park City’s Public Art Advisory Board installed a new public art piece. “Sheltering Aspens,” by Koryn Rolstad, consists of approximately 75 fabricated “trees” and over 1000 “leaves.” Koryn is a Seattle based artist who was chosen by an RFQ to create a piece in the entry of the newly renovated Marsac Building
The Bountiful/Davis Art Center has announced the winners of their annual statewide competition, juried this year by Adrian Van Suchtelen. Ruth Menlove’s horse made out of driftwood took first place. Simon Winegar’s oil painting of a bright yellow engine won the second place award. And Scott Terrill’s photograph […]
Here’s another photograph from the Utah Arts Council archives. Nine more finalists for an Arts Council Fellowship. Can you name a majority? Those look like Allen Bishop paintings in the background.
A video profile of Jimmy and Elizabeth Miklavcic. It’s a love story. It’s also a story about creative passion, technological exploration and what to do with all those ones and zeroes.
Installations by Pam Bowman and Noah Coleman cause Ehren Clark to ruminate on time.
A look at the pottery studio at the Peterson Art Center, where William James spins his fantastical lamps and jars inspired by the mysteries of the Ocean.
A review of three bodies of work by Salt Lake artist Cris Baczek, including motion-activated cyanotypes, large-scale proof sheets and found images from the archives of the UMFA.
A look at Alpine Art’s upcoming 24 x 24 exhibit, a group exhibition of photographs documenting the first twenty-four hours of 2012.
A review of Sundance’s new media exhibition New Frontier 12 at the Utah Museum of Contemporary Art.
A group of vegans, among them artists, teachers and musicians, heads to the hills for communal living where they develop a unique practice of partner sharing. Northern California in the 1960s? No, Juab County, Utah in 1918.
Stewart Seidman creates expressive acrylic works on canvas and with recycled FedEx envelopes that once served as his paint palettes, transforming everyday materials into compelling contemporary art.
To discover more artists, visit our Utah Artists Directory
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