For many of us, “collage” has consisted of either a papier mâché project gone awry or the deposit of clumsily scrunched tissue paper on cardstock our kid brought home from kindergarten that we don’t have the heart to remove from the fridge. With its material mélange, the medium […]
Remapping the Natural World: Elise LaJeunesse, Nancy Steele-Makasci and Matt Kruback at Finch Lane Gallery
One of the key questions art plays with at the present moment can be implied to the five-word phrase it is and it isn’t. Most traditional works of art unambiguously intend viewers to see just what they pretend to be: a visage, a human figure, a moment from life. Kandace Steadman pulled three artists from Finch Lane’s slush pile, the stack of proposals every gallery (like every publisher, whence the term is borrowed) draws from, and juxtaposed them to call attention to three relatively new forms of this ambiguity.
From the clay tablets of the Minoans to the papyrus scrolls of the Egyptians, from the illuminated manuscripts of medieval monasteries to Gutenberg’s Bible and the pulp novels of the 20th century, the book has had a monumental role in the creation of civilization. It is history itself. […]
The new Visual Arts Program Director at the Salt Lake Arts Council discusses her plans for the Finch Lane galleries, how to help artists succeed, and what it takes to fill Kim Duffin’s shoes. Read the article in the July 2013 edition of 15 Bytes 15 Bytes