Obstruction, Destruction & Construction in Ririe-Woodbury’s Traces
Ririe-Woodbury Dance Company’s Traces includes a sharp, stylish duet by company artistic director Daniel Charon as a prelude and Ann Carlson’s evening-length “Elizabeth, the dance,” originally created for the company in 2017. My pet word is almost always “effective” when I critically appreciate and evaluate a production. But, […]



















































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