Author Archives

Hannah McBeth

Hannah McBeth studied art history, classics, and Mediterranean archaeology before getting a Master's at Cambridge University. She enjoys writing, hiking, and traveling to far-off places. Follow her on Twitter @hannahmcbee.

Personal Essay | Visual Arts

Concrete Lessons in Modernism and Memory at the University of Utah Fine Arts and Architecture Complex

  I learned the feeling of modernism—before I could define it—by walking the Fine Arts & Architecture complex at the University of Utah. Designed around 1970 by Edwards & Daniels Associates, the complex rises in stacked planes and shadowed seams, a 140,000-square-foot maze of studios and galleries where […]

Artist Profiles | Visual Arts

Ryan Harrington is Building a Quiet Architecture of Influence

Ryan Harrington has lived in Utah long enough to watch its creative landscape reshape itself—slowly, unevenly, and often through the efforts of people working quietly in the background. Over the past two decades, he has become one of those people. His art blends the clarity of design with the energy of urban visual culture: his marker and acrylic works are built from clean lines, calibrated color interactions, balloon-lettering structures, and a long-running block-head character that shifts mood with the smallest change in outline. The work is approachable, polished, and distinctly his. But Harrington’s influence extends far beyond the pieces he makes. Through framing, curating, collecting, teaching, and simply showing up for other artists, he has become a connective thread in Utah’s creative fabric.

Gallery Spotlights | Visual Arts

The Salt Lake Art Museum (SLAM) Finds Sanctuary in the Temple

Completed in 1890 for Salt Lake City’s first Jewish congregation, the B’nai Israel Temple carries a depth of cultural memory rare among the city’s remaining historic buildings. Its survival is uncommon in a city where progress has a habit of erasing the physical traces of its own past. Restoring the temple and establishing the Salt Lake Art Museum (SLAM) within it brings into view a narrative that has long remained at the margins of the city’s broader historical accounts.

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