Browse Artists of Utah’s articles published in 15 Bytes arranged by article type.
Getting people to your show is one of the hardest parts of exhibiting—and one of the most important. Artists can spend months making the work. Galleries and institutions spend time shaping the presentation, installing it, writing about it, and putting their name behind it. Then the doors open […]
Clinton Whiting’s Veiled Support, showing in an upstairs gallery at the St. George Museum of Art, walks us through time, asking us to reflect on fleeting moments and intimacies, the people we come from and who we are. Whiting uses a Japanese style in his stroke—simple ink brush […]
Most photographs aren’t begging to be turned into paintings. The things a camera captures effortlessly—busy detail, awkward smiles, a split-second expression—can become stiff or even unbearable once translated into brushwork. But Kirsten Holt Beitler has a rare ability: she can take the casual, unpolished image and make it […]
In the 21st century, it’s not necessary to be a feminist in order to see how the deck is conventionally stacked against women. While some of these inequities are right up to date—pregnancy, contraception, autonomous healthcare among them—others date all the way back to the beginning of Time. […]
Photographers spend their lives recording other people’s stories—weddings, events, news, the fleeting moments that make up someone else’s memory. But they rarely turn the focus on themselves. For longtime Utah photographer Steve Coray, that inversion became both a creative challenge and a reckoning. His recently self-published photo book grew […]
Fans of Aaron Sorkin’s The West Wing may remember the show’s famous jab at the Mercator projection, a map so ubiquitous we mistake it for neutral. Little could those viewers have known, back in the George W. years, how much that same projection would come to shadow a […]
“We choose to go to the moon and do the other things, not because they are easy, but because they are hard.” —John F. Kennedy, September 12, 1962 Witness to the activities of modern humanity has led to any number of tempests in ever-so-many teapots. Was 9/11 a […]
Those of us of a certain generation will be familiar with this refrain (and may have repeated it ourselves so often that it feels like a truism): Utah supports the performing arts much more than it does the visual arts. There are historical reasons for that belief: Unlike […]
Maureen O’Hara Ure’s work has long felt like a private language, built from fragments of art history, accumulated marks, and creatures that seem to emerge from some half-remembered medieval imagination. This makes her paintings immediately recognizable, and if you’ve followed her work over the years—especially her solo exhibition […]
One of the disappointments at the semiannual Poor Yorick Open Studios is the absence of James Charles. He occupies prime real estate at the crease in Poor Yorick’s B-wing, operating out of a large, enclosed space that you can catch glimpses of in our video profile of the […]
When Alli Harbertson first walked into the Andrews home, it was the paintings that stopped her. “They’re everywhere,” Harbertson recalls. The living room—where Karen Andrews’ hospital bed had been placed—was filled with artwork, paintings covering the walls and leaning against furniture while ceramics, blankets and small sculptures covered […]
Someone who glanced through the door at Carol Sogard’s Finch Lane exhibit wouldn’t be entirely wrong to assume that what they were seeing was not art, but science. Fossil Remains deliberately partakes of both activities. Sogard’s extraordinarily good-looking and impeccably well-organized exhibition reminds us that all true knowledge […]
There are two populations avidly discussing Artificial Intelligence, or AI, of late. One is the group that created it and promotes it while anticipating soon becoming rich, or at least finally making some money. The other is the rest of us, who have heard a lot about it […]
Park City’s public art program started with an accounting error. David Chaplin was going through the books of the Park City Arts Foundation when he came across a felicitous accounting error. Chaplin, an avid skier, professional artist and instructor at the high school and college level, had moved […]
Emily Plewe enters 2026 amid a significant shift in how—and how much—she is able to work. After a career change and a move that brought both her home and studio into new alignment, she says, “I am now working full-time in the studio,” a change that’s allowing her […]
Some of the most visible arts experiences in Salt Lake City—the SLC White Party, the Urban Arts Festival, and Dreamscapes: Salt Lake City’s Immersive Art Experience—share more than spectacle or scale. They are part of a longer arc of creative entrepreneurship shaped by Derek Dyer, whose work has […]
Salt Lake’s public libraries have in common more rooms than strictly needed, but which are not wasted. Each branch has at least one art gallery, and the main library, which has its own TRAX stop and a row of shops that curl around its plaza like a sleeping […]
When Jo Roper came to Utah in the early 1960s, she was already an accomplished sculptor. Trained at Southwest Missouri State College and at Cranbrook Academy of Art, she had spent more than a decade teaching, exhibiting, and working across the Southwest, particularly in New Mexico, where she […]
In 2003, when we first wrote about Gallery 25, it was a hopeful experiment on a still-scruffy stretch of Ogden’s Historic 25th Street. Dubbed “A Northern Utah Artists Cooperative,” the gallery had been founded the previous August, when a local merchant bought a building to open a frame […]
