Browse Artists of Utah’s articles published in 15 Bytes arranged by article type.
Showing at 15th Street Gallery until March 14, the works of Douglas Smith and John Collins contrast with each other, the former exploring the bounds of abstraction and title while the latter explores—literally—the forests and rockscapes of Utah in figurative displays of changing light. They offer viewers a […]
“It is better by far to remain silent and be thought a fool…than to speak and erase all doubt.” This popular paraphrase of Proverbs 17:28 has nothing to do with the art of Hunter Bailey, now showing at Bountiful Davis Art Center, but it does support an element […]
For Springville Museum of Art director Emily Larsen creating exhibitions is about forging connections between people and the larger human experience. It’s a philosophy rooted in a life-changing moment at the Pergamon Museum in Berlin. As an LDS-missionary facing a mental health crisis, Larsen made the difficult decision […]
You never know where an exhibition might take you. For Jessica Kinsey, Executive Director of the Southern Utah Museum of Art, an exhibition experienced in Oklahoma ultimately brought her to Utah. Originally from Oklahoma and raised in Indiana, Kinsey returned to her birth state to study art history […]
When Kasey Lou Lindley visits an exhibition she looks at it through the eyes of both an artist and a curator. A multidisciplinary artist based in Salt Lake City, Utah, Lindley approaches her work through the lens of intersectional ecofeminism, addressing place-based issues with a focus on nature, […]
“I heard him say, ‘The bigger the brush the bigger the rush.’ ” John Erickson presents the statement for his current show at Phillips Gallery as a conversation between his family cats, Emmaline and Cecily. Speaking of the artist’s creative struggles as they witnessed them from underfoot—endeavors that […]
Work and Wonder: 200 Years of Latter-day Saint Art—on display now at the Church History Museum and organized by the Center for Latter-day Saint Arts—is touted as the “largest and most comprehensive attempt to show the variety of works by Latter-day Saint artists around the world from the […]
For Janalee Emmer, the transformative power of exhibitions remains at the heart of her curatorial philosophy. Whether engaging with medieval altarpieces, contemporary landscape photography, or Renaissance sculpture, she sees exhibitions as portals into other worlds, capable of reshaping how we see and experience art. Emmer, director of the […]
“Doomscroller invites viewers to reflect on whether our compulsion to engage with constant data streams is a survival strategy or a path to self-destruction.” These words, which conclude the introduction to Doomscroller, an exhibition currently at Ogden Contemporary Arts, posit an intriguing dilemma. The audience will likely identify […]
In Europe, art enthusiasts occasionally come across dismantled fragments of some major, long-gone work of art in a museum or gallery. Often these are surviving parts of some noteworthy, even famous architectural commission from a building that was subsequently damaged in war or otherwise demolished. This might include […]
Walking into Finch Lane Gallery, one is immediately struck by the sheer scope of Carel Brest van Kempen’s work, by what feels like a lifetime of meticulous observation and dedication to painting. BIODIVERGENT presents an extensive range of pieces, oscillating between hyperrealistic renderings of wildlife and surreal, metaphor-laden […]
When asked about artistic influence, Courtney Derrick doesn’t turn to the history books or international art stars, but to someone closer to home: Randall Lake. After earning her BFA in Painting and Drawing from the University of Utah in 2002, Derrick left the state and worked for a […]
In The Second Sex, her indispensable survey of the status of women, Simone de Beauvoir dispenses with the romantic notion that once upon a time women ruled the world, pointing out that men were always larger and stronger, and a less civilized time in history than ours was […]
Once confronted with the name “Copper Ouroboros,” many might think of a serpent swallowing its tail, or a never-ending cycle, a symbol of infinity. But for others, copper evokes something different: a utilitarian resource, essential yet often overlooked, a material tied to industry, infrastructure, and, crucially, environmental consequence. […]
For much of its history, and even today in many places, art has been considered a craft and not a profession. Now, our artists are required to provide themselves with the benchmarks of professional status. One of the details in such an artist’s resumé is where the individual […]
The Southern Utah Museum of Art’s Salt Lines exhibition places the fragile state of Great Salt Lake at its center, not through advocacy or policy-driven rhetoric, but through poetic, immersive, and deeply sensory works that settle into the mind like salt into the seams of everyday life. If […]
For Vanessa Romo, art is more than a discipline or a profession; it is a way to navigate and understand the complexities of life. Her inspirations—Frida Kahlo, Louise Bourgeois, and Maryann Webster—act as pillars that inform her artistic practice, influencing both her subject matter and her approach to […]
Clay is elemental. Ancient. Intimately connected with humanity’s development. It is the stuff of creation myths, from Mesopotamian to Mesoamerican. Gods mold clay and animate it with the breath of life. Meaghan Gates’ sculptures seem to embrace this lineage, embodying a vitality that makes them feel like living, […]
