Utah Exhibition Reviews published in 15 Bytes, Utah’s art magazine, including reviews of local Utah artists, regional artists, group exhibitions and traveling exhibits of national and international artists.
You can be forgiven if you have a tendency, when visiting a museum, to pivot on your heel and turn around when you come across a projection room. They are becoming increasingly prevalent and the works on display can too often disappoint. Frequently the production quality is low, […]
The works of the late Harry Taylor, now on exhibit at Phillips Gallery, teem with energetic life and vitality. With his unique sense of brevity, playful sense of humor and dynamic skills as a woodcarver (he managed to keep working even after he was diagnosed with ALS), Taylor […]
by Marcela Torres This last Friday and Saturday the Salt Lake City Public Library’s Main Library Branch in downtown Salt Lake City hosted its second annual Performance Art Festival, curated by Utah native Kristina Lenzi. Fifteen artists, split evenly between local presenters and out-of-state artists, participated in the […]
“I love ambiguity,” Bernard Meyers says, and with that refreshingly unambiguous confession, highlights a principal characteristic of his photography. Ambiguity is what makes his photos—unlike the majority of images produced by today’s ever-more ubiquitous cameras—valid additions to our common visual language. Or in other words, works of art […]
Here lies the truth, and that is the secret of the reality of the forest that transcends all, even the forest itself.
Two things are soon apparent on entering the Shaw Gallery. The first is that, to paraphrase The Wizard of Oz, we’re not in Utah any more . . .
Sometimes what an artist most needs to get going, says artist Ron Russon, “is a kick in the butt.” The Lehi artist graduated from BYU in 1996 with a Bachelor of Fine Arts in Illustration and Design and was doing well working on books and magazines and commercial […]
Take a closer look. These paintings aren’t on canvas. Or linen, panels or boards. These luminous, poetically evocative works by Brandon Cook, which fill Finch Lane Gallery with a sense of hushed wonder, have been painted on sheets of metal. With his exhibit Aeonic, a term that suggests […]
According to Wikipedia: The hippocampus (named after its resemblance to the seahorse, from the Greek hippos meaning “horse” and kampos meaning “sea monster”) is a major component of the brains of humans and other vertebrates. It belongs to the limbic system and plays important roles in the consolidation […]
Picasso famously told Gertrude Stein, before embarking on what became one of the most famous portraits of the twentieth century, that she needed to understand that it would not look like her. Picasso taught the world a new way of seeing, though, and his pre-cubist portrait of Stein […]
Across the room, Nuala Creed’s “Lament for Fukushima” looks like a child’s well-worn doll, but up close he’s seen to be an adult: one so rounded and smooth as to be mistaken for a child. He sits on the ground with his legs folded in front of […]
Heliography, the 2013 solo exhibition at Finch Lane Gallery that introduced Matthew Allred to a wide Utah audience, was both revealing and limiting: it revealed an engaged mind with the ability to physically encapsulate abstract spatial and temporal concerns; but that single exhibit could not possibly begin […]
Lindsay Frei’s oeuvre, both past and present, has concentrated on still life and portraiture. It has always had an astonishing sense of reality, a reality that is not simply a technical approach to painting, but a total reality, one that captures the beautiful in the nuances of the […]
A group of faculty members dismissed from Florida’s Rollins College in the 1930s dreamed of a school where, in addition to excellent programs in history, literature and mathematics, students could take classes in dance from the likes of Merce Cunningham, music from John Cage, get lectures in engineering […]
Let’s perhaps take a minute to review how far we’ve come. Late in the twentieth century, a consensus arose that Modernism was dying, if not already dead. This is not as sad as it sounds: the first artist to be called modern was Dante, and he’s also […]
Edmund Burke, at the height of the Enlightenment, the Age of Reason, an era defined by learning and the intellect, began to look at the wonders of nature and considered the value of human sensibilities, not merely as means for scientific or artistic investigation, but for their own […]
‘If love is a story we tell ourselves then I had the story wrong. Or maybe passion is just, and always, a wrong-headed thing.’ — Anne Enright Either it’s becoming increasingly evident as we learn more about our species, or at least it’s become part of the […]
For her inaugural project as associate curator at the Utah Museum of Contemporary Art (UMOCA), Rebecca Maksym envisioned an exhibition that sheds light on a nationality of immigrants not commonly referenced in American migrational history. Rather than a strictly historical chronology, Maksym preferred to think about migration in […]
The nature of perception, the artist’s vision and viewer responsiveness is a topic that concerns all of art, in every facet, from every place and time, from every artist, and from every viewer. From a visitor to a gallery or museum in Salt Lake City to a pedestrian […]
