Utah Exhibition Reviews published in 15 Bytes, Utah’s art magazine, including reviews of local Utah artists, regional artists, group exhibitions and traveling exhibits of national and international artists.
Let’s be honest, Utah lacks a world-class art collection (whether that be due to historical circumstances or financial means is a subject for another time); which means that for the non jet-setting citizens of the state it is to traveling exhibitions that one must turn to experience […]
It feels somehow fitting that Price’s Gallery East should inaugurate its pristine new space on the campus of Utah State University Eastern (formerly the College of Eastern Utah) with an exhibition of works concentrating on the worn and the rusted. Opening this week in the newly built—and blandly […]
Constable is known for depicting the British sky more accurately than his rival Turner: He painted it gray. It is true that there is a great deal of ‘grey’ in British painting . . . some even downbeat,” writes Salt Lake City artist and gallery owner Karen Horne […]
In the 1870s, LDS Church leaders became increasingly worried about the commitment of the second and third generations of Mormons, those born too late to have remembered or witnessed the church’s formative days outside of Utah. In the decade after the completion of the transcontinental railroad, several factors […]
The right title can do a lot to empower an exhibition. The best name on a show in recent memory belongs to Lizze Määttälä’s exhibit in the Artists-Working-in-Utah gallery at UMOCA, which she calls Uphill / Both Ways. Of course the phrase isn’t original, having started life in […]
How one perceives the world, and how one is perceived by those in the world, constitutes much of one’s sense of being-in-the-world. One’s sense of reality can often be dependant on one’s inner states of being, determined by the physical, cognitive, emotional and spiritual self. At the same […]
In the century and a half since photography rose up to challenge painting as an image source, artists have invented countless strategies for incorporating photos into their working methods. Some use snapshots to replace the traditional sketch book. Others primarily paint things they could never see in person, […]
There’s a hint of cruelty in the Rio Gallery’s choice to devote August, a month most people spend wearing as little as modesty permits, to the subject of clothing. Among the nine artists here, there are enough heavy garments, long-sleeved shirts, and gloves to bring a suggestible viewer […]
In Yolande Harris’s current exhibit at the Woodbury Museum of Art the artist uses sound, light and installation to upend the senses.
The weeks of August are truly the doldrums for art exhibitions, no less in Utah than elsewhere. For whatever reasons—the population crowding their vacations into what’s left of the summer, the colleges that house many of the nonprofit galleries being between semesters, perhaps some artists already looking ahead […]
On July 16, in the Harris Fine Arts Building, a traditional showcase for BYU student projects, senior Katie Marie Liechty installed what might have been intended to be three separate ensembles, although the complete installation also works well as one compound work. Given the subject matter of this […]
We’ve all been guilty of it — visiting an exotic locale, taking a few shots of its iconic attractions, and feeling like we’ve captured the essence of the place. If we’re alert, we come home and realize that everyone else has a shot of Venice’s gondolas from St. Mark’s Square, or the winding streets of Montmartre (and that all the people in the shots are tourists) and wonder if there wasn’t something more to be discovered. Our backyard is such a locale for millions of tourists from across the country, many of whom visit the national parks as quickly as we might Rialto and St. Mark’s. Those of us who live here, though, know what the place looks like from within — the myriad attractions tucked away into cliffs and canyons far from the motorist’s gaze…
Our country is increasingly becoming a place of hyphenated identities, in which we speak of ourselves in relation to the countries or continents our ancestors came from — African-American, Italian-American, Korean-American. This increased focus on cultural and ethnic identity is double-edged: the hyphen acts as both a bond, […]
Aesthetic theory has always been a subset of Philosophy, a body of human thought that modern science has essentially rendered obsolete. The problem is that philosophers, be they Plato or Kant, want to legislate reality: to say, not Is this beautiful? but rather, What is beauty? The process […]
It’s hard to predict what thoughts and experiences will affect an artist’s work, but major life changes — birth, death, marriage, divorce — almost always surface in the work of creative individuals, whether explicitly or implicitly. One such example can be found this month at the Sweet Branch […]
The gallery titles this show Round Trip, a reference to life’s having taken Haworth from western America to Britain and back. Aside from the two bracelets and “Jewels and Ring,” a freestanding set of fabric jewels, Haworth, if she chose to follow Cindy Sherman’s example, might well call most of the works “film stills.”
Perhaps the most important question that should be asked of any new work of art is this: So What? A work can do all sorts of things, some of them even unprecedented, but unless doing so serves a purpose, the accomplishment may be no more than a stunt. […]
Though you won’t expect to find the owner of a Harley, custom-finished with devilish skulls, running in similar circles as the owner of a delicately rendered redrock landscape, they both may be getting their art from the same source: Brian Lindley. After a decade working as an […]
The art world is full of strange processes, from the rituals artists use to give themselves ideas, to the crafts they employ in bringing these inspirations into being, and so on to the necessary habits and innovations employed by audiences in sorting out the results. One of the […]
