We expect alchemy from poets and artists. To hear Lance Larsen and Jacqui Biggs Larsen tell it, some of their audience expects more from them. In the text introducing Animal Brilliance, their collaborative exhibit of her paintings captioned by his epigraphs, they report being made to feel they should […]
If you’re still looking for gift ideas you might check out Radio West’s Best Music of 2010 and Holiday Book Show programs. And if you haven’t read the entire December 2010 edition of 15 Bytes we’ll remind you that there are some art-related book suggestions on pages 5 […]
At the end of Shopgirl, a first novel published to cautious praise in 2000 and made into a well-received movie in 2005, Mirabelle Butterfield, a struggling artist supporting herself in a dead-end retail job, makes a vocational leap upwards to selling art in a gallery. A decade later, […]
On the wall opposite UMFA’s entrance, looming over passageways leading to various destinations, the monumental painting Flight Aspiration can be seen almost as Trevor Southey conceived it for the Salt Lake Airport. Four horizontal figures fly from right to left across its surface: a man facing towards us, […]
“In a sense I have become myself . . . .” Trevor Southey in person at U.M.F.A. by Geoff Wichert Trevor Southey, one-time Bad Boy of Utah art, has turned out to be indispensible for anyone wishing to understand why there is—and why there isn’t—a distinctly ‘Mormon’ art. […]
Joseph Brodsky: In the Prison of Latitudes a film by Jan Andrews In 1963, Joseph Brodsky was arrested by the KGB. While most Americans were probably too distracted that year by the arrest in Alabama of civil rights activist Martin Luther King, the ominous news of 80 American […]
While Sperber doesn’t actually belong to any of the now-exhausted camps that have cluttered the landscape of art for the last half-century, she incorporates the raveled threads of their various narratives into a strand she makes by twisting them together, thereby restoring to art the feeling of a unified purpose such as artists and their audiences shared before it disintegrated under the assault of the permanent avant garde….
“Of Two Minds” by Emily McPhie The predicament of art that takes the human figure as subject matter today recalls Dickens on pre-revolutionary Europe: “It was the best of times, it was the worst of times.” On the one hand, with reading on the decline and the graphic […]
“Those Pretty Arches,” a wall-mounted sculpture by Nadra Haffar on view as part of The Face of Utah Sculpture VI, is made of enamel pit-fired onto several long, battered, torn, and twisted strips of galvanized roofing. The use of ‘arches’ in the title tells us that it rises—rather than […]
A successful printmaker and key figure among local artists, Stefanie Dykes insists she doesn’t like to question appearances. Instead of digging in search of concealed causes, she prefers the commonsense approach: assume things are largely as they seem and try to see them clearly. That’s probably why her prints have […]
Take the best line from each of the ten best poems and print them on this page. They may produce ten splendid images in our minds as we read them, but they will not become a poem, and if they do, it will not have anything like the […]
A group show is rarely as popular as one devoted to a favorite artist, but even an assortment of mixed successes can usually beat a uniformly mediocre solo show. While it’s hard to imagine how three rooms full of abstract and representational sculpture that incorporate marble, bronze, clay, […]
Edie Roberson is the sort of painter who would rather not settle for one accomplishment when she can manage three, or six, or so many that viewers may never spot them all, let alone count them, even as she makes an audience feel that far from showing off, she […]
by Kasey Boone, Geoff Wichert, Shawn Rossiter While not everything, context is something in a work of art and these three reviews of current shows in Salt Lake examine various ways in which what goes on once a work has left the studio can influence what we call “art.” Erin Berrett […]
The Art of Obsession, a duet for gallery by sculptor Julie Lucus and painter Jeannie Hatch, will have closed by the time this review goes to pixels, though according to director Scott Waters some of the sculptures will remain in the Sugarhouse Gallery during the next month’s show […]
“Raama . . . lived like a common man, but ordinary men did not live like Raama.” Tantalizing legend: around 1470 the Florentine master Andrea del Verrocchio undertook to paint the baptism of Christ for the Church of San Salvi, assisted by two apprentices. One, Alessandro Filipepi, […]
For most of us in the United States, glamour is synonymous with the Academy Awards. Watching limos lining up to disgorge stars in priceless designer clothes is as close as we get to real celebrity. In the Latino community there are other options. In Long Beach, California, […]
To the Greeks, character was fate. More than accident, and certainly more than willpower, his inborn pattern of action and response determined how a man’s life turned out. The equivalent influence in an art gallery is architecture. At the A Gallery, for example, a featured artist can […]
“Being with me is an act of imagination . . .” —Margaret Fuller I know what you’re thinking because I thought it too: a play about Margaret Fuller, a second-tier member of an exanimate, obsolete, New England American, quasi-religious literary and philosophical movement, itself a mere sequel […]
