Drawing Together: Cassandra Barney & Brian Kershisnik
A look at Cassandra Barney and Brian Kershisnik’s collaborative drawings now up at Kayo Gallery.
A look at Cassandra Barney and Brian Kershisnik’s collaborative drawings now up at Kayo Gallery.
Far from the display of challenging aesthetic statements that make up many modern art shows, this one is immediately accessible and, in place of consternation, is more likely to generate feelings of pleasure, fun, and even exhilaration.
by Geoff Wichert From the Renaissance on, the theme of history has been expansion: the Age of Exploration carrying adventurers and map-makers to every corner of the globe; the Reformation replacing a monolithic church with religious diversity; philosophy yielding to ideology; capitalism finding the price of everything while […]
Geoff Wichert examines two new shows at the CUAC that explore works that tap into various cultural narratives, from the super heroes of comic books to the mystic shamans of primitive cultures.
by Geoff Wichert I’m suspicious of anything calling itself an art festival. It doesn’t really matter whether it’s Pasadena’s world-renowned Pageant of the Masters, with dressed-up volunteers posed in three-dimensional tableaus based on famous paintings, or the local fair, anywhere, at which children get their faces painted while […]
Read Geoff Wichert’s review of Esperanza Cortes’ and Michael Pribich’s Dollar Daze at Mestizo Art.
Manufactured objects begin their existences already possessing—and possessed by—a history. Even the latest digital wonder evokes a potential deluge of memory: early computers, radios, land lines, and wind-up phonographs are just some of the connections the latest cell phone may make. Earlier machines project memory in both directions: […]
Geoff Wichert muses on decoration, craft, art and life with a review of Ric Blackerby and Mary Boerens Sinner at Art Access.
Geoff Wichert daydreams about Fatima Ronquillo, whose works are on exhibit at Meyer Gallery beginning Friday, March 30.
If you’re wondering what to see during Gallery Stroll this evening, take a look at Geoff Wichert’s preview of the Laura Sharp Wilson retrospective at House Gallery.
by Geoff Wichert What is the FAX machine? It’s a teleportation device. It’s the beginning of the Internet! —Aaron Moulton, Senior Curator of Exhibitions, UMOCA, in an interview on KCPW. Aaron Moulton is wrong about the relation of the Fax, or facsimile machine, to the Internet. While the […]
Geoff Wichert traces the search for form in exhibits by Brian Usher and Teresa Kalnoskas at Park City’s Julie Nester Gallery.
Gallery group shows recall double bills at the movies: if the contrast between artists contributes to a better understanding of each other’s works, or resonances enrich a common sense of purpose, the group show serves artists and audience alike. For the arts writer, though, they present a […]
For most photographers, finding the right moment to press the shutter is crucial. Dayle Record, whose large, color photographs of the Great Salt Lake, Singular Images: The Lake I Love, are currently on display in Charley Hafen’s cozy, brick-and-glass jewel box of a gallery, handles the critical moment like a painter who first draws her subject, then waits until the sun is right to limn the light and capture the defining moment.
A review of Sundance’s new media exhibition New Frontier 12 at the Utah Museum of Contemporary Art.
Throughout history, success has often been linked in the popular imagination with unfair choices: Alexander the Great had to choose a brief life and undying fame or a long life in unending obscurity. Talented women have usually had to choose between art and family. In our era, the […]
Context: from Friday, January 20 through Saturday, May 19, the Utah Museum of Contemporary Art (formerly the Salt Lake Art Center) will be presenting New Frontier 12, an extension of the Sundance Film Festival. During this time visitors will experience the best efforts of today’s video artists to […]
Geoff Wichert reviews Jorge Rojas’ exhibit of wax encased works now up at Mestizo Gallery.
Review of Crooked Creek, the newly published novel by University of Utah professor Maximilian Werner.