Exhibition Reviews

Utah Exhibition Reviews published in 15 Bytes, Utah’s art magazine, including reviews of local Utah artists, regional artists, group exhibitions and traveling exhibits of national and international artists.

Exhibition Reviews | Visual Arts

Side by Side, Partnered Artists Exemplify One of Art Access’ Most Successful Programs

“Scruples,” a mixed-media collaboration by mid-career artist Namon Bills and promising neophyte Tyler Pierce, demonstrates the possibility that two very different artists, working side by side, can produce a coherent work of art. Appropriately enough, its design might be described as a Rococo Yin-and-Yang: a rectangle divided by […]

Exhibition Reviews | Visual Arts

“A Promise to Nature Around a Monument to the Way We Were” in Downy Doxey-Marshall and Heidi Moller-Somsen’s Collaborative Exhibit

We’ve come a long way from the days when abstract expressionist Ad Reinhardt, famous for justifying his paintings in witty cartoons, explained that a sculpture is something you bump into when you back up to look at one of those paintings. The popular admission of women artists to […]

Exhibition Reviews | Visual Arts

Negar Monaghy’s Expressive Figurative Works Inspired by Being an Exile in One’s Homeland

Together, two paintings hanging side by side in the Alice Gallery illustrate the paradoxical nature of language in general and titles in particular. Each features a large, single figure juxtaposed among smaller ones, and each is identified by a particular word. In “Society,” scale separates the lone figure […]

Exhibition Reviews | Visual Arts

David Hartt’s Unexpectedly Familiar and Surprisingly Plangent Views

When I remember my favorite movie scenes, it’s often because of something particularly revealing that an actor does. But in the hands of a really good director, there is always another actor in the scene whose work I may not remember — may not even consciously notice — but whose work precedes those I do notice and may be far more telling. Perhaps the camera holds a shot for a several seconds, until I become aware that through its lens I am fixated, staring at something. Then it wheels about and fixes on something else, and I understand what the character sees and how they are thinking. The camera in those minutes reveals itself as the most important actor.

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