Public vs. Private: Who Owns the Light? Sean Slemon and Herman Dutoit at CUAC by Geoff Wichert From ten feet away it appears that in Tied Up/Tied Down, Sean Slemon has filled a shadow box with bits of leafy foliage and then overlaid lengths of orange ribbon in […]
Google search Adele Alsop and you will find reviews in the New York Times and national art magazines. Alsop’s artistic heritage includes a long line of painters that extends to her great grandfather and includes her grandmother, mother and several cousins. She has an impressive education and what […]
Art Access is a gallery with a purpose: a mission abbreviated in its name and personified by the photo of collaborating artists Joe Adams and Brian Kershisnik displayed in their foyer. Yet because of the generous interpretation of that goal—a reading as broad-minded as the mission itself—pursued by director […]
The art of the Western world has thrived because it has existed in a generally recognized and appreciated visual vocabulary. Generally speaking, a Carravagio will elicit similar effects from most viewers. A Raphael will allow reverence, a Rembrandt awe and wonder. Poussin is calm. David conveys intense desire to act, […]
by Sean Francis One of the most magnificent works in the retrospective of visionary artist Benson Whittle now at The Museum of History and Art in Fairview is a wooden screen/pierced relief that treats a deep and ancient myth: Apollo’s thwarted pursuit of Daphne. Carved and coaxed out from a […]
I can’t remember the last time I went to an exhibition devoted solely to sculpture (I know it wasn’t here in Utah), and I’m positive I’ve never been to West Valley City to look at art; but I accomplished both this month when I made my way through […]
There’s a relatively new quilt in town. The prodigal granddaughter of a bed quilt, the art quilt (sometimes referred to as textile or fiber art) now graces the walls of galleries, museums and corporate offices. After forty years of struggling for acceptance, the art quilt is now a […]
Laura Boardman recently invited some of her fellow artists to participate in an informal experiment to find out whether women as artists differ from men, and what the differences might be. Those invited were full-time painters with BFA or MFA degrees. Experience ranged from five to twenty-five years, […]
Beautifully articulated color combinations, carefully balanced compositions, credulous perspective, figural accuracy; all are to be found in the art of the Leipzig School, a group of artists trained at the Leipzig Art Academy whose works are now on display at the Salt Lake Art Center. The works in Life After […]
Forty-five years is a lifetime on the job: long enough to stretch from school to retirement. It is also the age of the American studio glass movement, which began in the 1960s with glass blowing breakthroughs by Harvey Littleton at the University of Wisconsin. Since then, increasing control […]
Through the month of June, visitors to Springdale, at the mouth of Zions Canyon, will have the opportunity to visit a restrospective exhibition of works by the late Anton Brent Gehring at the Canyon Community Center Gallery (126 Lions Boulevard). Gehring, who passed away in 2005, was born […]
With the development of sophisticated but user-friendly digital cameras, it seems anyone these days can take a decent photograph. And if they can’t, a few classes at a photoshop workshop will enable them to touch up anything that went amiss in the process of pointing and shooting. With […]
Joshua Luther and Jeffrey D. Winkler are two very different artists with one thing in common: they both doubt the effectiveness of rational thought in enabling consciousness to even approach, let alone make contact with, objective reality. Where they differ lies in how each presents his critique of […]
by Brandon Cook The Eccles Community Art Center is just around the corner from my studio in Ogden, so this past week I put down the brushes for an hour or so to stop in and take a look at the one-person exhibit of Doug Braithwaite. I’ve known Doug for […]
The first thing I noticed when I came through the well-aged door of Bluff’s Comb Ridge Coffee earlier this year (see May edition) was one of J.R. Lancaster’s assemblage paintings. Two rocks, one crescent shaped, the other resembling a distorted bell, appeared to be hanging just inches away from the […]
In the new show of paintings by Cary Griffiths to be exhibited at Palmers Gallery this month, viewers will find themselves confronted with works that may seem familiar — appropriations building upon twentieth-century painters from the New York school such as Pollock, Louis, Frankenthaller, Rothko, and Motherwell. Yet decidedly […]
“Mother and Child” by Paul Nielson The history of the beginning of modern art is often told in terms of a reaction to and discarding of the longstanding tradition of the Academy. The art academy has its roots in sixteenth-century France, coming on the heels of the artistic […]
Some years ago I was standing with a friend, looking up at the night sky, when she suddenly announced that she could see a face in the full moon’s disk. Yes, I replied: the Man in the Moon. Then she explained that in her forties she still thought […]
Chad Tolley & Members Show continues at Saltgrass Printmakers through the end of May. A postcard from SaltGrass Printmakers announcing a members’ show always gets posted by my door: a “must-see” event that by itself justifies a trip to Sugarhouse and the downtown environs. The collective of artists that make up the […]