Choreographer Charlotte Boye-Christensen’s greatest fear about her new work The Wedding is that she doesn’t know enough about the subject matter. In Denmark, where she’s from, “only about eight percent of the population marry . . . so it’s not something I’m terribly familiar with,” she says. She can count […]
In the center of David Ruhlman’s UMOCA exhibition, standing like an altar, there is an ancient card table. The black material of the table is rubbed off around the edges, with the old plywood substructure showing through at the corners and in patches across the surface. Painted across […]
The backpack is ubiquitous in twenty-first century America: it is, in fact, one of the few accessories that comfortably crosses both gender and generational lines. They vary in color and ornament, just enough for you to know your own, but they are close to interchangeable. Yet this one, […]
In the 1990s, a theory gained popular traction — though never professional credence — that in the nineteenth-century quilts were used to help runaway slaves along the Underground Railroad. Hung outside a house or slave shack, the theory went, the quilts were either signals to passing slaves — […]
Contemporary representations of parenthood are rampant in popular culture. Ranging from idyllic to distressing, such portrayals oftentimes generalize a complicated experience. Love Hours, an exhibition currently at the Alice Gallery in Salt Lake City tackles this immensely personal and time-honored experience. As a scholar of feminist art, the show’s curator […]
Walking into the current exhibit at Evolutionary Healthcare, I was struck by the contrast of a large-scale black and white drawing against a Day-Glo Orange wall — a color that signals Warning/Caution and commands passer-bys to pay attention. Regina Stenberg’s drawing of clouds on a truly cloudless day […]
The problem with contemporary art, post-modern art, call it what temporary label you will, the problem with new art is always that it doesn’t look like art. Two of the signature schools of late modernism—found art and assemblage—exemplify this dilemma. How can a jumble, not just of familiar […]
“Cloud,” a public artwork commissioned by Utah Arts & Museums, has been named as one of the 50 best public art projects by the 2013 Public Art Network Year in Review by Americans for the Arts, the nation’s leading nonprofit organization for advancing the arts. Installed at Dixie […]
Occasionally someone will say to me, “I can’t draw a stick figure.” The intended meaning is that they have no artistic talent. This may be true or not, but the real reason is most likely they don’t have the desire to learn or have not been instructed properly. […]
As I read one of the stories about halfway through David Kranes’ new collection, The Legend’s Daughter, I became lost in the language: the tangents, the circle-rounds, the free-form understated bombast. I started to wonder if I might need whiskey flowing in my veins to understand the narrative, to […]
When Kim Duffin passed away in 2012, after serving as the Assistant Director of the Salt Lake Arts Council for 25 years, everyone knew his shoes would be hard to fill. In fact, the Arts Council has had to find two people to do it. As we announced […]
As a silent epidemic, sexual violence is America’s elephant in the room. One is hard pressed to find a citizen unaffected by such crimes. Certainly this topic is not a common one within visual art, nor a student art show for that matter. The predominant silence-or likewise apprehension-to […]
Despite the common perception that dance is most frequently found in performing arts venues, Utah’s dance artists have always stepped outside of theater settings to find new venues for their work. Sofia Gorder’s recent work with inFluxdance at Art Access and Danell Hathaway’s direction of Movement Forum at […]
Somewhere along his path, while growing up in his native Utah or later, studying illustration, painting, and graphic design at the prestigious Pacific Northwest College of Art, Anthony Granato acquired a genuinely idiosyncratic approach to making art. It’s not unusual for an artist to seek out vintage frames […]
by Danell Hathaway In its second installment, loveDANCEmore’s Daughters of Mudson proves to be a viable resource for artists who not only value the investigative nature of choreography, from inception to presentation, but who dare to reexamine and refine their work, allowing the audience to be privy to […]
Is there a market for Mormon literature even among the LDS? Is the goal of writers who, with apologies to Emily Dickinson, see “Mormonly” to seed crossover work for those outside the tradition, or, like the once thriving Yiddish press that spawned Nobel Laureate Isaac Bashevis Singer, simply write and publish […]
To celebrate their 35th anniversary Cannella’s, the Salt Lake City restaurant devoted to good food and good times, has unleashed artist Ben Wiemeyer on the south side wall of their building. Founded in 1978 by Joe and Missy Cannella on the corner of 500 South and 200 East, […]
(please note: Williams Fine Art at 641 East South Temple has changed its name to Alderwood Fine Art. Clayton Williams now operates Williams Fine Art at 132 E Street, Salt Lake City, Utah 84103 | 801-712-7577 – www.williamsfineart.com) Hopping locations is difficult, tedious, and time consuming. Although it […]
The new Whitespace gallery, across Wall Avenue from the Union Station in Ogden, opened with an impressive array of artworks emphasizing noteworthy materials rather than familiar names or genres. For instance, photographer Koh Sang Woo knows that documentary photographs are old news; his digitally manipulated color images, like […]