Utah Dance articles published in 15 Bytes, Utah’s Art Magazine.
BRINE, produced as part of Repertory Dance Theatre’s LINK Series, featured choreography by Sara Pickett, Symmer Andrews, Ashley Creek, Sarah Donohue, and Maddi Jones. The LINK Series has recently presented other local artists Graham Brown and My Turkey Sandwich, providing each group with rehearsal and performance space at […]
Ririe-Woodbury’s Fall Season showcased three dances, two of which were world premieres, this past weekend. Each piece showcased six dancers, the first two with guest Breeanne Saxton, and the last with Alexandra Jane Bradshaw making a return after an injury. The company looked strong, dancing with confidence, nuance […]
This weekend the programming at the Rose Wagner Performing Arts Center alternates between external viewpoints of dance company alumni and an internal glimpse at the creative process of several resident groups. Thursday & Friday are host to Momentum, an annual Ririe Woodbury concert in the Blackbox. Co-directed by […]
William (“Bill”) Evans’ RDT-sponsored solo concert at the Rose Wagner was completely captivating. The dancer was, by turns, nostalgic, frenetic, smooth, effervescent, hilarious, and always, always an outstanding performer just givin’ it his all. What a memorable night for those fortunate enough to have been there. Had he […]
Bill Evans was always so damned cool. I mean the man could dance and he could party. I knew this a long, long time ago in college and I understand that he still is and still does at the age of 75. In celebration of his birthday, […]
Before collaborative was compelling marketing it was embedded in the making of concert dance. In the ’30s Martha Graham worked with Isamu Noguchi on Frontier and he went on to design the seat for Appalachian Spring. Merce Cunningham, who performed as “the Revivalist” in that work, went on to have collaborations from Andy […]
In bringing a cross section of performance to a broad public, the Utah Arts Festival fulfills an important role each summer. Dance is often accused of being one of the more insulated art forms, as audiences find difficulty in analyzing nonverbal ideas and, more specifically, doing so at […]
Stephen Brown, or SB as he is known, has created a local following based on the premise that his work is different in its engagement of adult sensibilities and its challenge to the presumed insulation of concert dance. Audiences have come not just to expect but to desire […]
Ballet West produces Innovations each spring as a platform for the company’s dancers to explore their own choreographic pursuits alongside more established guest choreographers. While a great opportunity, it is still rare nationally to find full evening programs devoted to dancers’ own choreography. Ballet Arizona, Ballet Arkansas, […]
Ballet West’s annual mixed bill presents the work of neoclassical icon George Balanchine (Square Dance), Ballet West’s resident choreographer Nicolo Fonte (Almost Tango), and contemporary ballet pioneer William Forsythe (In the Middle, Somewhat Elevated). While the evening’s program is titled Almost Tango after Fonte’s newest Utah […]
Entering the (relatively new) Sugar Space Arts Warehouse on Friday night was exciting for more than the fact that Norwegian choreographer Kari Hoaas was performing her evening-length work recognizing the continuous global struggle for women’s rights. The venue itself is spacious and filled with possibility and a […]
Ririe Woodbury’s Spring Season was a challenging program exploring abstraction as a method for viewing as well as moving. Artistic Director Daniel Charon’s program note suggested a hope for his premiere to be taken as an experience without a need for definition while visiting artist Netta Yerushalmy suggested […]
We’ve been taking advantage of the “pause” in our state’s cultural programming to take stock — both of our supply of toiletries and our past coverage of the arts scene (i.e. we’ve been working on our archives). We wanted to bring this video from 2015 — about a […]
video by Jeremy Bigelow review by Kate Monson A night of dance in a beautiful intimate setting, in this case the Memorial House, really gets my hopes up. So as I walked through the doors for the recent loveDANCEmore event on March 22 I had one thought on […]
Before the final performance of Municipal Ballet Co.’s “Oh Yeah! A Rock ‘n’ Roll Ballet,” Sarah Longoria, the company’s director, ended her curtain speech by sincerely thanking the uncommonly boisterous and large audience for taking a chance on ballet. The challenge of getting the general public […]
Music and dance have a long history of coexistence; students of dance history learn quickly of the relationship between Martha Graham and Louis Horst, identifying the way in which music is often the lens through which audiences find entry points for movement. And, while ballet companies often have […]
Somewhere a ballet aficcionado is waxing indignant at the idea that a prestigious ballet company should reduce itself to consorting with pop culture icons to gain the notice of an increasingly attention-deficited public. But Ballet West is proudly touting the use of its Swan Lake costumes in Taylor […]
YOU, an immersive, interactive dance production choreographed by Graham Brown is running a total of six times at the Rose Wagner Black Box over this last weekend of January. This performance invites the audience member you, (and me) to enter into the space and play a role in […]
With all the golden anniversaries going on in Utah’s art community, one could only imagine with dread the cultural wasteland Salt Lake City must have been in 1960. There was no Ririe-Woodbury Dance Company, Utah Symphony or Ballet West, all of which recently celebrated their 50th anniversaries; nor […]
