Utah Dance articles published in 15 Bytes, Utah’s Art Magazine.
The performance content of Save Your Own Skin is inspired by questions arising from a prototype of bulletproof skin and other ways that we attempt to shield ourselves from vulnerability. The collaborators of the work include Tanja London, Carloss Chamberlin, Jason Rabb, Nick Foster, Ami Hanna.The performance takes place within […]
Keanu Brady & full cast of a previous performance of You by Graham Brown, courtesy of the Sonder fb page Sonder, a collaborative immersive dance theater experience choreographed and directed by Graham Brown and produced by Sackerson will run for two weekends at the Eagles Hall. This historic […]
Ballet West artists in Oliver Oguma’s 2016 Innovations work “Fragments of Simplicity”. Photo by Dave Brewer, courtesy of Ballet West. Formerly known as Innovations, Ballet West’s newly titled Works from Within has moved to the Eccles Center in Park City. Works from Withinshares choreography from company ranks and 2017’s iteration presented world […]
Backdrop for Utah Regional Ballet’s production of Snow White, by Cassandra Barney. Painter Cassandra Christensen Barney has plenty of experience coming up with costumes and set designs for the characters in her paintings — whimsical females in period dresses, often surrounded by a menagerie of flora and fauna. […]
Attending two performances addressing themes of gender, sexuality, race, and power in Salt Lake City over the same weekend in November was disorienting. UMOCA’s When Flesh Becomes Matter: Bodies Unbounded, by choreographer Yasin (Ya-Ya) Fairley, and the University of Utah School of Dance’s Gender/Power, by Maya Ciarrocchi and Kris Grey alongside U […]
Repertory Dance Theatre’s season opener, Élan, was an eclectic evening of dance which opened with “Handsfree,” a piece commissioned for Britain’s National Youth Orchestra in 2012. The piece tasks performers with creating rhythms by clapping, stamping, singing and beat-boxing, and RDT’s version draws on the talents of both […]
Ririe Woodbury’s 2016 Fall Season presented a re-staging of Tzveta Kassabova’s “The Opposite of Killing” (2010) and Jonah Bokaer’s “Fragments” (created for the company in 2014) alongside the world premiere of artistic director Daniel Charon’s “Elegy.” A thread that linked the three works to each other conceptually was […]
“One…two…three…four…five…six.” We’re at my home in my kitchen with my four-year-old daughter. Tzveta Kassabova is not counting out the moves from her choreography (if you know her well enough then you know that she doesn’t often, if ever, work with counts). She is counting cups of flour. She […]
Dancer stands in black Mouth open yelling no sound the streetcar leaves dusk is coming, clouds backlit, urban landscape another dancer approaches Nomad presented a handful of new works by recent University of Utah graduates Natalie Border, Austin Hardy, and Elle Johansen at the Nomad Network, a collective arts […]
For its fourth show, NOW-ID presented the multi-collaborative performance Exodus to Salt Lake audiences July 27-29. While the company has previously opted for less conventional spaces—the Masonic Temple and Saltair are two examples—Exodus was presented at the University of Utah’s Marriott Center for Dance, and aimed to focus […]
by Liz Ivkovich In Red Lake, presented by Deseret Experimental Opera Company as part of the Great Salt Lake Fringe Festival, Producer/Librettist Luke Swenson, Composer/Performer Stuart Wheeler, and Choreographer/Director Emma Wilson created a post-modern marriage of music, poetry, and dance. Each creator wore multiple hats and multiple layers […]
Alex Bradshaw and Brad Beakes began by holding hands. They slowly but confidently adapted their grip. As their fingers looped and laced the two dancers created a visible and kinesthetic bond. As dancing separated them, the pull they created in that first moment worked like gravity, connecting the […]
Friday night, Ririe-Woodbury continued a multiyear partnership with UMOCA by presenting Interstice, a performance installation featuring choreography by Artistic Director Daniel Charon inside of Jennifer Seely’s exhibition “Supporting Elements.” In the first two summers of this three-year partnership, the dancing, while compelling, was forced into the open spaces […]
The preview performance of SNaked was assuredly like a first kiss — reeling in various exciting directions, sometimes disjointed with a limited scope, but consistently provocative and engaging. Before the lights dimmed, SB Dance artistic and executive director Stephen Brown thanked the audience for offering a preliminary “pucker”—payment […]
Take a warehouse space near Salt Lake City’s baseball stadium, throw in a team of dancers, choreographers, artists and architects and tell them to create a work together. If it sounds a bit like our co-lab series, that’s precisely why we’re excited about it. But whereas we give […]
Ballet West’s annual Innovations series opened this past weekend, showcasing work by company artists alongside Jessica Lang. As always, the evening presents wide-ranging approaches which will expand next year with a new National Choreographic Festival and a move of Innovations to Park City where it will be retitled, […]
Municipal Ballet Co. is a collection of dancers and choreographers, organized by Sarah Longoria, that aims to present ballet in unconventional spaces: sidewalks, libraries, bars and historic buildings. In its own words, Municipal Ballet “collaborates with local musicians and artists because it’s a lot of fun and because everyone’s art […]
In Fall 2013, loveDANCEmore published a performance text by Rosie Trump, a Nevada- based choreographer. Since that time, the text has become fully realized as a performance, Fill in the Blank, to be presented at Sugar Space this month. When asked to describe the performance text in context, […]
While introducing “The Nijinsky Revolution,” Ballet West artistic director Adam Sklute recalled the riotous shock with which much of Vaslav Nijinksy’s work was met. Sklute described the boundary-pushing nature of Nijinsky’s movement and libretti, inviting the modern audience seated in the Capitol Theater on opening night to see if […]
