Together, two paintings hanging side by side in the Alice Gallery illustrate the paradoxical nature of language in general and titles in particular. Each features a large, single figure juxtaposed among smaller ones, and each is identified by a particular word. In “Society,” scale separates the lone figure […]
There’s something appropriate, even impressive when a newly-minted author chooses to write about auspicious beginnings, as Darrell Spencer does in the stories collected in his first book, Our Secret’s Out. When those stories go on to recount how often such promising openings falter, how anticipation of a grand […]
There any number of ways of looking at the painted world of Russell Case, but perhaps the most important one is that he paints real places. This fact was brought home to me while visiting his current exhibition at David Ericson’s splendid new gallery in the Avenues. First, […]
When I remember my favorite movie scenes, it’s often because of something particularly revealing that an actor does. But in the hands of a really good director, there is always another actor in the scene whose work I may not remember — may not even consciously notice — but whose work precedes those I do notice and may be far more telling. Perhaps the camera holds a shot for a several seconds, until I become aware that through its lens I am fixated, staring at something. Then it wheels about and fixes on something else, and I understand what the character sees and how they are thinking. The camera in those minutes reveals itself as the most important actor.
Working in a digital print medium, Jiyoun Lee-Lodge draws figure outlines — sophisticated cartoons, so to speak — of figures set for the most part in only slightly more detailed settings. Often she borrows the overall composition from an almost too-familiar image, like Edward Hopper’s ‘Nighthawks,’ a Manhattan […]
“Great Salt Lake Sunset” does several things we look for art to do. It immortalizes a dramatic moment in time and space: the setting of a brilliant sun over Antelope Island on a haze-free day, offering an inspiring, spectacular, and always rare event that offers a durable alternative […]
It quickly becomes apparent from her Instagram posts that Terri Froelich takes countless photos of her nautical environment, mostly shot close enough to isolate textures like wood grain, rusty industrial decay, sun-dappling on water and any bright colors that sport unexpectedly on the dull fabric of the everyday. […]
Back in school we learned that a line has one dimension: length. A plane measures two ways: length and width. Space, of course, has three dimensions. Art schools tell us that if it has three dimensions it’s a sculpture, while if it only possesses two, it’s a painting. […]
“Lincoln Park Arboretum,” one of eight multi-part and five single-panel paintings at Phillips Gallery, sets up a paradigm and writes subtext for all 13 paintings. The celebrated arboretum was presumably the focus of a visit to Seattle by both Joseph and Melinda Ostraff, she in her role as […]
Ellen Meloy combines the contemplative life of meditation with being fully engaged in nature: I no longer want to know the names of things. I do not care if I am mute or it my tongue is useless for everything but the taste of salt. The verbal map […]
The homey domestic character of Finch Lane Gallery, with its fireplace and wall of windows, contributes to the feeling that the people Aïsha Lehmann’s presents are our hosts: they’ve invited artist and audience to join them in a uniquely civilized gathering. Surrounded by their colorful, intricate wallpapers, coordinated […]
There is something fundamental that Darryl Erdmann has in common with his mixed-media artwork, “Divinations,” one of the dozen of his paintings currently on view at the 15th Street Gallery. Divinations are visions drawn from life, such as entrails read by priests of old. And just about everything […]
In Claire Sherman’s “Waterfall,” a jet of water spills from a fern-covered rock overhead into a grotto of shaded shrubbery. The stone face display a variety of surface features: jagged in the foreground, smooth along the lip where polished by the rushing water, and cubical underneath the ledge […]
One thing that can probably be said with relative certainty about part-time Utah resident and full-time artist Cara Despain is that she’s not in it for the money. Nothing in her current outing at the Kimball in Park City says “Collectable.” Even the show’s “hood ornament” — […]
Brian Boulton is a man with the courage of his convictions. By this, I mean that, having chosen to work in either reclaimed or man-made materials and to produce non-representational sculpture, he’s resisted the temptation to slip in the occasional pretty bauble or a helpful similarity to some […]
Even though Rachel Henriksen and Carrie Everett sign their art works individually, they show them together, thereby demonstrating a common purpose. Their statement, signed by them both, reads rather like a research proposal: “to understand and process … the physical and emotional transformations associated with womanhood.” Considering how […]
Ever since history’s first public art gallery opened in the city offices — or Uffizi — of Florence in the 1580s, a tempest has raged in the teapot of art concerning what kind of signage should accompany a display. A minority has always detested those informative wall cards […]
One artist I can never get enough of is Alison Neville, so when I saw that she had curated a room full of art at BDAC, nothing could dissuade me: least of all the advance photos. The photos matter because the show in question, CreepyCute, contemplated a familiar, […]
From time to time an artist introduces a new material or technique, typically embedding it in a network of traditional, dependable approaches. In The Availability of Secret Information, Marc T. Wise blows away such caution with a plethora of stunning innovations, each a thrill to the eye […]
