Bernard Meyers has shown original and evolving approaches to photography at the Alice Gallery and now at UMOCA, but he always has something useful to say about it, as well. At his 2014 exhibition in the Alice, his statement began, “I love ambiguity.” In a medium where most […]
Any art is at its best when it’s new, when there are no rules as yet and everything waits to be done, rather than everything having been done already. Whether that is also true of the career of the artist is another matter. David Raleigh, whose Push and […]
“Here” is always “between there,” just like now is always between then and anyone is between others. Whoever seeks an explanation of what John Sproul’s art says is making a categorical error. It doesn’t render judgments; it illustrates possibilities. Not what is but what could be. Not all […]
To contemplate “Waniya,” or any part of Excess, Kathryn Knudsen’s mixed media show at Bountiful Davis Art Center, is to see clearly just how far art has come since the Abstract Expressionists put America on the world art map in the years following World War II. Then, the […]
Tobias Fike has filmed what it feels like … not to die, but a related experience we never have for ourselves. Most of us know what it is like to lose a loved one, a dear friend, or even a stranger we admired above all others. We know […]
Surgeons and airline pilots probably shouldn’t pretend to know more than they do. But is it wrong when an art critic does? After all, what we do is hardly dangerous, or even, for that matter, important. But it may still matter, if for example an artist knows something […]
One thing 15 Bytes editor Shawn Rossiter neglected to mention in his recent and invaluable introduction to the medium of silkscreen was that the highest price ever paid for a 20th-century “painting” — $195 million paid in May for Andy Warhol’s “Shot Blue Marilyn” — was actually paid for […]
To approach the figure portraits of Pamela Beach, on view in the main gallery at Bountiful Davis Art Center until September 10, you must pass a crowded assortment of colorful and often familiar-looking objects drawn from the era of Pop art, which can distract and detain the casual […]
If there’s such a thing as a leading strategy among Utah artists in the 21st century, it most likely has to do with working in layers: physical, metaphorical, conceptual. For some it’s the traditional array, from primer coat to underpainting and so on through glazing. For others, it’s […]
A pair of photographs includes a full-page copy of a hand-written letter. Dated “Sat” at the top of the sheet, it’s addressed “Dear Jackson,” followed by travel notes of a visit to Paris, with added plans to continue to “the South of France” before continuing on to Venice. […]
If the number of selfies taken beneath it at the opening is any measure, the most appreciated work in the 18th Face of Utah Sculpture survey must be Nic Corry’s “Reach,” a giant hand that projects from the wall as if it were somehow passing through it. Cracked […]
As a general rule, masks are intended to conceal the wearer’s identity. Why, then, does Hakeem Olayinka routinely conceal the faces of his Nigerian subjects from view? Nigeria is a country that has seen its environment destroyed by outsiders seeking petroleum, even as its own government murders citizens […]
“Sandwich” a shower into your week! At first, this sounds like rather tepid encouragement in the interest of hygiene, but further investigation reveals it to mean something altogether different. Trudy White, the late and sorely lamented grandmother of Alise Anderson — the Artist in Residence who titles this […]
One title, “Coffee Cake with Salmon Cream Cheese,” conjures in the mind’s eye a painted plate, an appetizing dessert, whether on a breakfast table or an inviting café setting, a sweet slice of crumbly baked goods supporting a thick layer of creamy pink frosting. Instead, though, while there […]
Photography brought many things to the visual arts, like permission to cut a figure in half at the edge of the canvas, or leave some undesirable empty space, neither of which was done much, if ever, before the camera made them necessary and convincing visual facts. The shutter […]
As it happens, the root meaning of the word “design” is to mark. That could be because designers do a lot of drawing, but it’s just as likely to be because what designers want is to leave their marks on the world. That might explain the significant changes […]
The cover of a chaise lounge looks more like a painter’s canvas than an invitation to lie down. One plant shades it, but another grows right through it. Yet it appears someone has succeeded in drowsing here, and further that whatever troubled their sleep has left a record: […]
In the foreground of “I Dreamt I Could Help You,” a large oil and acrylic painting on canvas by Eli Kauffman, two young persons confront each other through the open, driver’s side window of a bright, flame red car. We see the driver through a spiderweb of cracks […]
These must be some of the least iconic images of Utah ever to grace the walls of the State Capitol building. In place of, say, that monument to eons of slow erosion, Delicate Arch, an isolated monolith standing in a virtual sea of bare red rock, “Azure Stream” […]
