Emily Larsen is a Utah-based curator and collage artist. She currently works as the Head of Exhibitions and Programs at the Springville Museum of Art and is pursuing an M.A. in U.S. History at the University of Utah.
In a small building in a Provo business park, Kirk Richards recently opened two sister businesses, the JKR Gallery and JKR Academy. In January, the gallery features work from the academy’s students, showcasing their knowledge and progress after its inaugural semester. Looking around at the variety of art […]
Playing off Virginia Woolf’s classic essay, A Room of One’s Own, the BYU Museum of Art’s exhibition A Studio of Her Own: Women Artists from the MOA Collection, honors women artists represented in the museum’s collection who were able to find that proverbial room, time, space, or means to […]
Florence Ware aimed big. A stalwart of the Utah art community in the 1930s and 1940s, Ware was anywhere you looked. She was the first president of the Associated Utah Artists, taught art at the University of Utah and at venues in the community, showed in galleries from […]
The first generations of female Utah artists, those who worked from the end of the 19th century to the middle of the 20th, lived through troubling times including two world wars, the 1918 influenza epidemic and the Great Depression. Times of crisis like these propel people to thoughts […]
Women entrepreneurs were lauded in the Salt Lake Tribune during Women’s Business Week in March of 1935. The paper reported on a national report that read, “These women owners of their own businesses may occasionally be discouraged, but they are never bored. They have found a satisfying medium […]
“Scarce indeed is the smart woman who does not have affiliation with her favorite organization,” Salt Lake Tribune journalist Grace Gether wrote in 1937, reporting on the importance of clubs to the greater Salt Lake City community. Artists were no different, there was “scarce indeed” a Utah woman […]
Utah women artists of the late nineteenth and early twentieth centuries were formidable: they traveled the world, led art movements and artist societies, and advocated for the importance of artmaking and collecting to a broader Utah public. These women were not wallflowers. They were actively engaged in creating community, meaning and transformation through the visual arts.
