From across the gallery, Noah Eikens’ “Out of Order” presents a puzzle: is this a scale model, a small machine, or maybe a toy? From out of two nested bowls that could have come from a kitchen emerges a tangle of black pipe. It looks kind of like […]
The various laboratories and classrooms of Westminster University’s Meldrum Science Center are where the enterprise of science is both conducted and handed down to the next generation. These rooms are arranged around the rectangular perimeter of the Center, forming squared rings that are stacked into four stories that […]
Tony Smith and Sam Wilson—both men had other names they rarely or never used—died at almost the same time a year ago. The University of Utah, where they taught during what history will almost certainly record as its greatest half century, has mounted a too-brief, two-master exhibition of […]
Back in the days when cameras were simple machines and photographers were expected to make all their own decisions, film came with instructions for how to set the exposure, depending on the ambient light. One of the trickiest conditions was known as “Cloudy Bright,” which meant a hazy […]
No one work of art can “say it all,” but the poster image for Landscape and Identity tells the story that led Jason Lanegan to once again gather a group of artists whose works address some concern they share with him. Unlike curators who start from a notion […]
Nancy Steele-Makasci shares the Front Gallery at Finch Lane with Marcus Vincent in a group show titled Losing Ground. Their work is introduced by one of the longest statements I’ve ever seen on a gallery wall, which makes among the most complete summaries I’ve yet seen concerning the […]
There are some very colorful artists’ books at Finch Lane this month, but two in particular stand out for their bold use of red, white and … black. This trio falls just shy of the colors of the American Flag, the artist’s point likely being that her subjects […]
I have noticed that people are very fond of views out of windows which show the window in the picture. I think the idea that the picture itself is a kind of window, that the view comes readily framed, is part of it. – Peter Campbell, British artist […]
Throughout history, artists in every medium have crafted monuments to those killed in wars, but the 20th century challenged not only their adequacy, but their right to do so. The critic most often cited, Theodore Adorno, summing up all art as poetry, wrote that after Auschwitz, there can […]
He lived every second of his life for acclaim while pretending it was merely this unexpected, unwanted byproduct of his oh-so-authentic and eccentric cutting-edge art. Like he would produce that art whether or not he got the veneration. Bollocks. Everything he did he did to be adored. That’s […]
Most of “The Sound of Many Books” is taken up by the wall of tomes: going on five shelves of them, no two the same, the gaps between them like missing teeth that testify to regular use. This is an avid reader’s library. Who that reader may be […]
Writing for 15 Bytes, the temptation is always to go straight to the art. In the case of the current show at Art Access, that might mean Allianys Pupo Restrepo’s “Royalty Playing Cards”—decks of classic playing cards that have been digitally printed. The actual decks are laid out […]
Not unlike the historical epoch from which it emerged, What Falls Away is a novel that looks back in anger, while it looks ahead with hope. As in our lives, the anger is aimed at a greedy, patriarchal order that refuses to yield power, while the hope is […]
It’s well known that sensations like flavors, odors, and sights tend to be unpleasant on first encounter—a mechanism that protects individuals from unknown dangers—but that with further experience they may come to seem neutral, even positively delightful. Captured in a single image, the phenomenon might take the form […]
For much of the 20th century, painting and photography felt like mortal enemies. Any history of Modernism will explain how the camera forced artists into the varieties of Abstraction, among other things. That the schism has now healed is shown by Maggie Davis in her “Windowpane Poppies,” a […]
If there isn’t a narrative illustrated by “Flight of the Oculus,” viewers can be excused for inventing one. The appropriately highest panel on the wall depicts something that earlier generations would have pegged as science fiction: a drone floating in air on four spinning propellers. To the side, […]
A large drawing—large by most standards, but not by comparison with others hanging nearby—titled “Hazel’s Room” places an ancient symbol of menace, a wolf, at large in an up-to-date child’s bedroom. It’s every bit the nightmare image it appears: Hazel is the artist’s daughter, still an infant when […]
There will always be artists who start out by looking closely at the world, then by copying it in one way or another. Doing so makes sense, after all, since appearances are often where knowledge begins. Later, it may become necessary to look beneath the surface, to the […]
Now on view at Finch Lane Gallery, “Life, Death, Decay (Olympic Peninsula) and Greenhouse” consists of a shadow box, the back of which depicts the Olympic Rainforest, the closest mainland USA comes to a tropical wilderness. In front of this dense forest of huge trees springing from lush […]
