{"id":9525,"date":"2012-03-06T12:34:37","date_gmt":"2012-03-06T19:34:37","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=9525"},"modified":"2019-08-07T16:17:28","modified_gmt":"2019-08-07T22:17:28","slug":"paynes-gray-marci-erspamer","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/paynes-gray-marci-erspamer\/","title":{"rendered":"Paynes Gray: Marci Erspamer"},"content":{"rendered":"
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\"Utah<\/a><\/p>\n

Utah artist Marci Erspamer paints in her studio. Photo by Simon Blundell.<\/p>\n<\/div>\n

\u201cIt is not where I am going to take my work,\u201d says painter Marci Erspamer, \u201cbut where is my work going to take me. I want my life to be simple and to find truth and beauty.\u201d Erspamer, who is showing in March at Sugar House\u2019s Patrick Moore Gallery, is a passionate artist devoted to her work. She is also devoted to children (she\u2019s a nanny), animals (she has two cats and two dogs), and above all else, people. Through her painting Erspamer finds herself able to draw closer and connect with what and whom she loves.<\/span><\/p>\n

Erspamer paints scenes of nature and still life that are utterly distinctive. Her process, one she did not foresee, has developed over time but the raison d\u2019\u00eatre for her painting has always been a spiritual one. \u201cAs I was a kid, \u201c she says, \u201cI questioned God and existence. I wondered about dying and I wanted an answer. Painting is my answer. My work brings me contentment and peace. I feel like I meditate when I am working. I get objective when I paint and I feel outside of my body and this allows me to pay attention to my thoughts and not be attached to them like I would when I am not working. It\u2019s like painting is my breathing and it just sort of happened that way because I am searching for simplicity.\u201d<\/p>\n

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This sense of \u201ccontentment and peace\u201d brought about through painting scenes of nature in her unique approach has the quality of an artist\u2019s journey, a means towards an end, a path in a progression, and in fact, for Erspamer it is.<\/span><\/p>\n

The process is apparent in the works themselves as the artist paints countless segments of unmodulated color in tones that she herself has mixed in compositions only loosely thought out in her mind. This is where the journey begins, and the physical act of painting these shapes of color has a meditative element that is part of the joy of painting for Erspamer.<\/p>\n

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However, this means has a definitive end, this journey has a sure destination. After the segments of color are applied, the artist paints, with the utmost care, in a color called Paynes Gray, an elaborate contour line she calls a \u201cweb,\u201d that connects every segment in the painting. In this step, every isolated fragment, once separate and disjointed, is suddenly brought harmoniously and beautifully together into a state of completion and totality. The painting is thus given life and reaches full fruition.<\/p>\n

The means of connecting every fragment of the canvas fulfills Erspamer\u2019s ultimate aim, which is the fundamental need to feel connected. \u201cEach piece,\u201d she says, \u201cis incomplete and totally unique but together totally complete.\u201d She goes on to say, \u201cI\u2019ve been thinking about my place in the world and how we are all connected. My life is not just my own it affects everyone around me and that\u2019s what this is in the end; I am trying to do that with my work.\u201d<\/p>\n

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The urge to feel connected is a primal impulse. For the passionate Erspamer, this translates to the love she has for the children she nannies, the love and care of her pets, and her intense desire to draw nearer to people she loves and to love and connect with humanity in general. The primal is also very spiritual.<\/p>\n

Drawing from these ideas and looking at specific examples of Erspamer\u2019s work, one can see in them these levels of meaning and truth. In \u201cHere and There,\u201d it is easy to contemplate her spiritual connectivity with children. In the painting, two tall white aspen trees are shown cropped so that neither top nor bottom is\u00a0shown, each with long, winding sinewy branches that seem to reach together and intertwine in a playful game. They are painted against a cold, clay-blue sky with a carefree,\u00a0joie de vivre<\/em>\u00a0manner creating a childlike mood. Then Erspamer\u2019s web of Payne\u2019s Gray gives the work deeper levels of symbolic meaning. That every leaf of the tree is connected, by the line, to every other leaf in the painting suggests we are all indeed related, of the same gene pool, that as children we play and dance like these aspens, but as we age and learn we allow difference and otherness to separate and cause fragmentation and disconnect the actual unity that is in truth a reality.<\/p>\n

A second piece that is beautifully rendered and can be read for the sake of the element of connectivity is \u201cStand Alone.\u201d The painting is four gloriously painted trees that each look something like van Gogh\u2019s cypresses, rendered in exquisite hypnotic shapes of contoured color against a cool turquoise sky on a ground of planes of oranges in differing tones. Although one might not immediately think of animals when looking at this landscape, it is not hard to imagine each form like a proud lion or a tall bird or a wild dog, standing separate yet together \u2014 a den, a flock, a pack \u2014 independent and strong yet ready to hunt, mate or fight together. To consider this painting at a deeper level, that of connectivity, its essential element, it can be understood that these animals share instinct, kinship and common objectives. Take away this connectivity and each animal stands alone at odds with the other, to fight alone, without a mate, and to kill or be killed for what food it can get.<\/p>\n

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\"\"<\/a><\/dt>\n
\u201cHere and There\u201d<\/dd>\n<\/dl>\n
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\u201cStand Alone\u201d<\/dd>\n<\/dl>\n
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\u201cMeet Me Here\u201d<\/dd>\n<\/dl>\n<\/div>\n


\nA final image to conclude, with insight into the conceptual and very spiritual nature of these paintings, is the more unusual \u201cMeet Me Here,\u201d which eschews bright colors for neutral tones: black, white, gray and beige. What we see is a coastal shore with a strip of smooth sandy beach and a rocky embankment. This might reflect the connectivity in people in general, and specifically their relationships, calling to mind the proverb that \u201cwe are all a grain of sand.\u201d Once again the contour web of Paynes Gray parallels this universality, connecting the individual segments and creating an overall unity. Once that connectivity is taken away between people, once ancestry, relationships, commonality and love are lost, disharmony, destruction and ultimately chaos result.<\/span><\/p>\n

\"\"<\/a>These are weighty statements to be drawn from scenes of such natural calmness and simplicity, yet they are rudimentary and relevant and can authentically be taken into consideration with Erspamer\u2019s method and aim if profoundly understood. These scenes are bucolic and hypnotic, pastoral and cerebral while objects of meditation for their own sake.<\/p>\n

Marci Erspamer\u2019s paintings are on exhibit at Patrick Moore Gallery (2233 S. 700 East, Salt Lake City) through the month of March.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Ehren Clark tells us how Marci Erspamer uses one sinewy line of Paynes Gray to connect herself to the world.<\/p>\n","protected":false},"author":850,"featured_media":9526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17,14],"tags":[833,834],"class_list":["post-9525","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artist_profiles","category-visual_arts","tag-marci-erspamer","tag-patrick-moore-gallery"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2012\/03\/marci.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-06-27 21:41:47","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/9525","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/850"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=9525"}],"version-history":[{"count":9,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/9525\/revisions"}],"predecessor-version":[{"id":47075,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/9525\/revisions\/47075"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/9526"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=9525"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=9525"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=9525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}