{"id":91715,"date":"2025-03-28T09:57:32","date_gmt":"2025-03-28T16:57:32","guid":{"rendered":"https:\/\/artistsofutah.org\/15Bytes\/?p=91715"},"modified":"2025-03-31T19:34:21","modified_gmt":"2025-04-01T02:34:21","slug":"clay-witnesses-sculpted-stories-of-the-unhoused-and-mentally-ill","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/clay-witnesses-sculpted-stories-of-the-unhoused-and-mentally-ill\/","title":{"rendered":"Clay Witnesses: Sculpted Stories of the Unhoused and Mentally Ill"},"content":{"rendered":"<div class=\"wp-block-image\">\n<div id=\"attachment_91720\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91720\" class=\"wpa-warning wpa-image-missing-alt wp-image-91720 size-large\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9167_2-1200x900.jpg\" alt=\"Three ceramic relief sculptures mounted on a white brick wall, including a man in a wheelchair with a cardboard sign, a contemplative face resting on hands, and a hooded elderly figure with a Statue of Liberty crown.\" width=\"1200\" height=\"900\" data-warning=\"Missing alt text\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9167_2-1200x900.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9167_2-350x263.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9167_2-768x576.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9167_2-1536x1152.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9167_2-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><p id=\"caption-attachment-91720\" class=\"wp-caption-text\">Three portraits by Suzanne Storer from the Visual Art Institute&#8217;s &#8220;I&#8217;m Roofless, Not Homeless.&#8221;<\/p><\/div>\n<\/div>\n<h4>At the heart of one of the numerous ceramic exhibitions currently in Salt Lake City, as part of the NCECA conference, is a simple but profound premise: to see people too often ignored.<\/h4>\n<h4>\u201cMy art stems from my innate desire to make connection with my fellow human beings,\u201d Ogden-based artist Suzanne Storer<a href=\"https:\/\/artistsofutah.org\/15Bytes\/index.php\/suzanne-storer\/\" target=\"_blank\" rel=\"noopener\"> told 15 Bytes&#8217; Ehren Clark in 2013<\/a>. \u201cLike a lot of artists, I work alone in my studio and it\u2019s very isolating. Maybe I work with the figure to be closer to other people,\u201d she told him. Trained initially as a potter, her early works featured expressive line drawings on functional forms. Over time, those figures stepped off the surface, transforming into complex, three-dimensional sculptures\u2014often intimate high-relief portraits\u2014charged with narrative and emotion.<\/h4>\n<h4>In 2023, <a href=\"http:\/\/suzannestorer.com\" target=\"_blank\" rel=\"noopener\">Storer<\/a> began a series of portraits inspired by stories about her grandmother, who during the Great Depression invited a &#8220;hobo&#8221; to dinner every Sunday. \u201cIt feels like my grandmother is here with me as I work,\u201d Storer says of working on her relief portraits of unhoused people from Ogden and beyond. In all she created a series of 20 portraits, first exhibited at the Eccles Community Art Center in Ogden in 2024 and scheduled to go on a two-year tour following the NCECA exhibition. (First stop: Salt Lake Community College).<\/h4>\n<div class=\"wp-block-image\">\n<div id=\"attachment_91721\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91721\" class=\"wpa-warning wpa-image-missing-alt wp-image-91721 size-large\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9165_2-1200x900.jpg\" alt=\"Wall display of ceramic portrait reliefs in various styles, including a man holding a child, a couple in cloaks titled &quot;In Love Without a Home,&quot; and a framed bas-relief of a laughing man.\" width=\"1200\" height=\"900\" data-warning=\"Missing alt text\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9165_2-1200x900.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9165_2-350x263.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9165_2-768x576.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9165_2-1536x1152.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9165_2-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><p id=\"caption-attachment-91721\" class=\"wp-caption-text\">Several relief sculptures by Suzanne Storer depicting unhoused individuals.<\/p><\/div>\n<\/div>\n<h4>Storer pays her subjects and as she photographs them they often tell her their story. One portrait, entitled &#8220;Perseverance&#8221; is of a gentleman whom she photographed just after he had been kicked out of an Alcholics Anonymous meeting. He had refused to leave his backpack outside. &#8220;All of his possessions were in it and he had nowhere else safe to leave it &#8230; just one example of how the smallest things can make life difficult and precarious for people living on the street,&#8221; she says. When Storer met Myrna, who slept with her husband in a parked car next to one of Ogden&#8217;s parks, she was pleased with her jewelry collection, so Storer chose to emphasize it in the portrait.<\/h4>\n<div class=\"wp-block-image\">\n<div id=\"attachment_91722\" style=\"width: 360px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91722\" class=\"wpa-warning wpa-image-missing-alt wp-image-91722 size-medium\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9170_2-350x488.jpg\" alt=\"Two expressive ceramic relief sculptures mounted on a black grid, one depicting a pastel-colored, wide-eyed man labeled &quot;Apprehension,&quot; and the other showing a seated man in a distorted Nike shirt titled &quot;Passing Time in the Park.&quot;\" width=\"350\" height=\"488\" data-warning=\"Missing alt text\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9170_2-350x488.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9170_2-735x1024.jpg 735w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9170_2-768x1071.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9170_2-1102x1536.jpg 1102w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9170_2-1469x2048.jpg 1469w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9170_2-1200x1673.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9170_2-scaled.jpg 1837w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><p id=\"caption-attachment-91722\" class=\"wp-caption-text\">&#8220;Apprehension&#8221; and &#8220;Passing Time in the Park&#8221; by Suzanne Storer.<\/p><\/div>\n<\/div>\n<h4>\u201cAs I work on each sculpture I think about the person I\u2019m sculpting. I\u2019d much rather draw or sculpt a weathered face that reveals that person\u2019s life&#8230;It\u2019s a beautiful mental space to work in, caring above all else about whether or not the work in progress meaningfully catches another person\u2019s difficult existence,\u201d Storer says. \u201cCreating the illusion of 3-D space on a single surface takes concentration. Of course the clay also must make it through the kiln firings.\u201d<\/h4>\n<h4>Prior to her exhibition at the Eccles, Storer learned about Vancouver-based sculptor <a href=\"https:\/\/louisesoleckiweir.com\/\" target=\"_blank\" rel=\"noopener\">Louise Weir<\/a>, an accomplished figurative sculptor who also chose to bear witness to individuals too often ignored, and invited her to exhibit together. Weir&#8217;s sculptures focus on individuals navigating mental illness, many of whom have also experienced homelessness. Weir\u2019s portraits combine classical techniques with expressive, even forensic, detail\u2014each one shaped through close conversation and deep respect. \u201cI have created commissions for churches and law courts,\u201d she says, \u201cbut this work is some of the most personal I\u2019ve done.\u201d<\/h4>\n<h4>Maggie, who has since passed, was a woman who lived unsheltered off and on for years. Weir would buy flowers from her sometimes outside Vancouver&#8217;s 5th Avenue Cinema. Glenn, she says, \u201chas movie star qualities with his dark eyes, moustache, and twinkle,\u201d but suffers from bipolar disorder, hepatitis C, and a spinal injury resulting from a brutal assault. For three years he slept on the same bench, keeping the area clean by picking up garbage. Another subject, Christopher, suffered from bipolar disorder that disrupted his life as early as high school, and was often unhoused. &#8220;A gentle soul, he understandably found the experience of homelessness to be be very frightening,&#8221; she says.<\/h4>\n<h4>The sculptures are wonderfully individual, offering real people\u2014rendered in clay but full of life and complexity\u2014each one carrying a story that demands to be felt as much as seen.<\/h4>\n<div class=\"wp-block-image\">\n<div id=\"attachment_91719\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91719\" class=\"wpa-warning wpa-image-missing-alt wp-image-91719 size-large\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9175_2-1200x900.jpg\" alt=\"Bust of a man with a mustache and gentle expression displayed in the foreground, surrounded by other busts on pedestals and wall-mounted sculptures in a well-lit gallery space.\" width=\"1200\" height=\"900\" data-warning=\"Missing alt text\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9175_2-1200x900.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9175_2-350x263.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9175_2-768x576.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9175_2-1536x1152.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9175_2-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><p id=\"caption-attachment-91719\" class=\"wp-caption-text\">Louise Weir&#8217;s portriat of &#8220;Glenn&#8221; in the foreground, with works by Suzanne Storer on the wall, at the Visual Art Institute.<\/p><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"wp-block-image\">\n<div id=\"attachment_91723\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91723\" class=\"wpa-warning wpa-image-missing-alt wp-image-91723 size-large\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9171_2_copy-1200x900.jpg\" alt=\"Close-up of a textured clay bust of a woman with wavy hair, shown in profile view, with other sculpted heads in the background on display in a studio setting.\" width=\"1200\" height=\"900\" data-warning=\"Missing alt text\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9171_2_copy-1200x900.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9171_2_copy-350x263.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9171_2_copy-768x576.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9171_2_copy-1536x1152.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9171_2_copy-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><p id=\"caption-attachment-91723\" class=\"wp-caption-text\">Sculpted busts by Vancouver artist Louise Weir at the Visual Art Institute including, in the foreground, &#8220;Maggie.&#8221;<\/p><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><em data-start=\"354\" data-end=\"413\">I&#8217;m Roofless, Not Homeless, <\/em><a href=\"http:\/\/visualartinstitute.org\" target=\"_blank\" rel=\"noopener\">Visual Art Institute<\/a>, South Salt Lake through March 29. Reception: Thursday, March 27, 6\u20139pm.<\/p>\n<p><em data-start=\"354\" data-end=\"413\">I&#8217;m Roofless, Not Homeless, <\/em><a href=\"https:\/\/www.slcc.edu\/exhibitions-collections\/exhibitions\/index.aspx\" target=\"_blank\" rel=\"noopener\">The George S. &amp; Dolores Dor\u00e9 Eccles Gallery<\/a>, SLCC South City Campus<em data-start=\"354\" data-end=\"413\">,<\/em>\u00a0Salt Lake City, April 3-May 28. Reception: Thursday, April 3, 5\u20137pm.<\/p>\n<p>&nbsp;<\/p>\n<p>All images courtesy of the author.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At the heart of one of the numerous ceramic exhibitions currently in Salt Lake City, as part of the NCECA conference, is a simple but profound premise: to see people too often ignored. \u201cMy art stems from my innate desire to make connection with my fellow human beings,\u201d [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":91719,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,4688,14],"tags":[1169],"class_list":["post-91715","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition_reviews","category-nceca","category-visual_arts","tag-suzanne-storer"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2025\/03\/IMG_9175_2-scaled.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-05-09 09:49:05","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/91715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=91715"}],"version-history":[{"count":6,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/91715\/revisions"}],"predecessor-version":[{"id":91749,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/91715\/revisions\/91749"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/91719"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=91715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=91715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=91715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}