{"id":64631,"date":"2022-07-26T16:55:45","date_gmt":"2022-07-26T22:55:45","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=64631"},"modified":"2022-08-06T16:22:02","modified_gmt":"2022-08-06T22:22:02","slug":"joe-marottas-paired-photographs-are-nourishment-for-imagination","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/joe-marottas-paired-photographs-are-nourishment-for-imagination\/","title":{"rendered":"Joe Marotta’s Paired Photographs Are Nourishment for Imagination"},"content":{"rendered":"

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Joe Marotta, “Constructive Narratives 11” (courtesy the artist)<\/p><\/div>\n

A pair of photographs includes a full-page copy of a hand-written letter. Dated “Sat” at the top of the sheet, it\u2019s addressed “Dear Jackson,” followed by travel notes of a visit to Paris, with added plans to continue to “the South of France” before continuing on to Venice. Most of the details concern visits to art galleries \u2014 left bank last week, right bank next week \u2014 during the day and dancing in the Latin Quarter at night. A first visit to the Louvre prompts strong emotions: “I can’t say anything \u2014 It is overwhelming \u2013 beyond belief.\u2019 The letter ends, though, on a different note: “the painting here is unbelievably bad,” which comes as a surprise until the signature is puzzled out. “Love Lee.”<\/h4>\n

It\u2019s a letter from Lee Krasner to Jackson Pollock, who in their day were the two most influential artists in New York, which in turn had become the international center of art. Their importance can be measured from the care taken with the letter, which on closer examination is bound, along with its envelope, into a book. Krasner and Pollock were said to have a tempestuous marriage, but her tone here tells a different story: “I miss you and I wish you were sharing this with me” and, squeezed into the margin, “(How are you Jackson?)”<\/h4>\n

This is one side of “Constructive Narratives 11,” one of 21 pairs of photos taken by Joe Marotta, within which he found aesthetic connections that led him to frame them together. Many have a further link in the form of a geometric figure added later. In the case of number 11, the connection may be hard to spot, since the other photo appears blank at first: just a grey texture. But the way it handles light also suggests it\u2019s of a sheet of privacy (or “bathroom”) glass that admits light but blurs the view. Public vs private are also the poles of the letter, which is also a window, one that permits an intimate view into a public relationship. If this reading is even close, the small black square the artist added to the larger grey square reinforces the concept of “window.”<\/h4>\n
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Joe Marotta, “Constructive Narratives 20” (courtesy the artist)<\/p><\/div>\n

Sometimes the connection seems unmistakeable. In “Constructive Narratives 20,” a caf\u00e9 like the one famously painted by Van Gogh tilts to the right, bringing its visual energy into alignment with a European-style road marker \u2014 a painted swoosh \u2014 in the foreground of the other photo. The transparent purple rectangle that couples the two images could be a visual hyphen, or it might connect the three horizontal roadsigns that resemble the Greek letter “xi,” or the mathematical sign for “equivalent,” which is also a photographer\u2019s term, to the hash marks on the road.<\/h4>\n

It hardly matters that the individual works are titled “constructive” while the accompanying signage and statements say “constructed.” The difference depends on which way one looks through time. Having created the pairs, Marotta might say he “constructed” 21 stories, while if they\u2019re seen, as he intended, as raw material for the imagination of the viewer to work with, they are “constructive.” Either way, there are hundreds of everyday details to be found among the places the photographer visits in France and Italy, and so many thousands of potential links. No. 10 juxtaposes a woman\u2019s formal portrait with a studio shot of a camera and backdrop, thus deconstructing her image as was first done by artists like Rembrandt and Vermeer to show its artificiality \u2014 and how it creates a new reality. In no. 13, Jewish memoirist Maria Stepanova\u2019s “In Memory of Memory” is seen through a crystal-clear bookshop window, while in another window, obscured by glare and smears of who-knows-what, an image of the photographer taking a picture of his own reflection can barely be made out.<\/h4>\n
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Joe Marotta, “Constructive Narratives 10” (courtesy the artist)<\/p><\/div>\n

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Joe Marotta, “Constructive Narratives 13” (courtesy the artist)<\/p><\/div>\n

Marotta\u2019s subtitle, “The Plague Years,” further extends his invocation of memory back into history. It needs no explanation, though he does begin his statement with two quotations that bracket his purpose. In one, James Joyce says that he writes so readers can “supplement what they read with their own imagination.” In the other, Roland Barthes describes his work as “rewriting” himself, which could also describe a photographer\u2019s rearranging his pictorial memories to bring out things he didn\u2019t see until later. It comes as no surprise that as popular and celebrated a teacher as Marotta has the precise words on hand to explain his art. One photo is an instant in time: “the exact instant,” according to a century of photographers. Joe Marotta gives his audience two moments, and in the space between them, argues that memories, whatever form they take, are the nourishment of imagination.<\/h4>\n


\nConstructed Narratives 2019-2022<\/em>: The Plague Years<\/em>, featuring work by Joe Marotta, Alice Gallery<\/a>, Salt Lake City, through Sep. 9<\/p>\n","protected":false},"excerpt":{"rendered":"

A pair of photographs includes a full-page copy of a hand-written letter. Dated “Sat” at the top of the sheet, it\u2019s addressed “Dear Jackson,” followed by travel notes of a visit to Paris, with added plans to continue to “the South of France” before continuing on to Venice. […]<\/p>\n","protected":false},"author":847,"featured_media":64656,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,14],"tags":[],"class_list":["post-64631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition_reviews","category-visual_arts"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2022\/07\/20-scaled.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-05-30 10:36:35","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/64631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/847"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=64631"}],"version-history":[{"count":4,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/64631\/revisions"}],"predecessor-version":[{"id":64747,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/64631\/revisions\/64747"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/64656"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=64631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=64631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=64631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}