{"id":46414,"date":"2019-07-20T10:56:05","date_gmt":"2019-07-20T16:56:05","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=46414"},"modified":"2019-07-29T11:02:49","modified_gmt":"2019-07-29T17:02:49","slug":"cat-fish-forge","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/cat-fish-forge\/","title":{"rendered":"Cat + Fish: Forge"},"content":{"rendered":"
\"\"<\/a>

Photos by Zach Nguyen<\/p><\/div>\n

Dancing is this big ongoing thing. More than anything else, it continues \u2013 past the blackouts, wings, and curtain calls \u2013 far beyond where the bodies come in and out of view.<\/p>\n

I think about such ongoingness when I see a show like Forge<\/em>, presented at Westminster College July 19 & 20 by Cat + Fish. Artistic Director Cat Kamrath\u2019s contributions to the evening form a suite \u2013 Strong Back<\/em>, Soft Front,<\/em> and Wild Heart<\/em>. The mark of the university as a container for dance \u2013 a recent historical phenomenon \u2013 is strong in these works. It might be easy to criticize these pieces for the straightforwardness of how they use basic compositional tools. It might be easy to criticize the bodies getting tossed in the air based on a logic common to dances made to make better dancers. But, here indeed are strong, vivid, well-trained but still human performers. They feel their way through what they\u2019re doing with a presence that\u2019s more than academic. They don\u2019t leave you feeling left out of a secret. The pleasures are infectious and intended to be available.<\/p>\n

The dancers even swim upstream a little. Micah Burkhardt, Madaline Maravillas, and Ursula Perry make a striking, unexpected threesome in Soft Front<\/em>. Mostly, the way they touch each other is exactly what I expect, but there are junctures where the script seems to fall away. Daniel Do, Mar Undag and Emma Sargent have solos in which I see a much freer practice that I imagine belongs to each of them privately.<\/p>\n

I do find myself wondering if Camrath\u2019s use of sound as wallpaper is what\u2019s keeping these pieces from transcending their context. She might do well to take risks with music that would make real choreographic demands, or to play with more silence.<\/p>\n

Daniel Do\u2019s work Fortitude, <\/em>though at times melodramatic, gestured toward such an approach. Performed by Kamrath, who\u2019s more unorthodox as a performer, Fortitude <\/em>seemed to be about a woman in search of a self-knowledge available only through sweat, trial, and error. Five lonely balloons shivered eerily in moments when Kamrath paused to reflect.<\/p>\n

Natalie Gotter contributed Anna<\/em>, a duet for Molly Cook and Conner Erickson. Dressed in matching gray and white uniforms, the two drew pictures on butcher paper and eventually on each other. This twinning pair seemed inevitably a couple \u2013 it\u2019s still so hard for us not to imagine a man and women partnering as such. Anna<\/em> had a coldness that somehow put me in mind of science fiction. I appreciated the commentary about how we relate to each other through increasingly banal signs and symbols. By the end, they might have been tattooing each other with emojis.<\/p>\n

\n

This article is published in collaboration with loveDANCEmore.org<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dancing is this big ongoing thing. More than anything else, it continues \u2013 past the blackouts, wings, and curtain calls \u2013 far beyond where the bodies come in and out of view. I think about such ongoingness when I see a show like Forge, presented at Westminster College […]<\/p>\n","protected":false},"author":1649,"featured_media":46416,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-46414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dance"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2019\/07\/Screen-Shot-2019-07-29-at-11.05.19-AM.png","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-05-08 01:23:11","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/46414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/1649"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=46414"}],"version-history":[{"count":1,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/46414\/revisions"}],"predecessor-version":[{"id":46417,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/46414\/revisions\/46417"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/46416"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=46414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=46414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=46414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}