{"id":38013,"date":"2017-09-10T22:23:39","date_gmt":"2017-09-11T04:23:39","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=38013"},"modified":"2018-09-20T22:24:56","modified_gmt":"2018-09-21T04:24:56","slug":"natalie-taylor","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/natalie-taylor\/","title":{"rendered":"Natalie Taylor"},"content":{"rendered":"<div class=\"postmetadata\"><\/div>\n<section class=\"entry\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-41523\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2017\/09\/TaylorImage-350x350.jpg\"  alt=\"\" width=\"350\" height=\"350\"  \/>READ LOCAL FIRST\u00a0<\/strong>is your glimpse into the working minds and hearts of Utah\u2019s literary writers. 15 Bytes regularly offers works-in-progress and\/or recently published work by some of the state\u2019s most celebrated and promising writers of fiction, poetry, literary nonfiction and memoir.<span id=\"more-41522\"><\/span><\/p>\n<p>Today we feature\u00a0three poems from Holladay-based Natalie Taylor, author of the poetry chapbook\u00a0<a href=\"https:\/\/www.finishinglinepress.com\/product\/edens-edge-by-natalie-taylor\/\"><em>Eden\u2019s Edge\u00a0<\/em><\/a>(Finishing Line Press), and winner of first place in the 2016 Utah Original Writing Competition. Taylor\u2019s work has appeared in\u00a0<em>Rock &amp; Sling<\/em>,\u00a0<em>The Helicon West Anthology<\/em>, and elsewhere. She will appear with poet Paisley Rekdal, Poet Laureate of Utah, at 15 Bytes\u2019 Read Local reading series in January.<\/p>\n<p>The following poems are from her manuscript-in-progress,\u00a0<em>Past the Minotaur<\/em>, a contemporary retelling of the Greek myth.<\/p>\n<p>Read, sip, enjoy!<\/p>\n<p>*<\/p>\n<p><strong>Maiden 1<\/strong><\/p>\n<p>Without a thread<\/p>\n<p>I followed you.<\/p>\n<p>Lovely game. This way and that.<\/p>\n<p>Musk down<\/p>\n<p>this dank corridor,<\/p>\n<p>rat skull snaps under foot.<\/p>\n<p>Shadow shrinks on the wall,<\/p>\n<p>you must be this way. So I go.<\/p>\n<p>Stone on three sides<\/p>\n<p>above, below,<\/p>\n<p>smooth as a snake.<\/p>\n<p>You must be chasing other maidens.<\/p>\n<p>Chase me.<\/p>\n<p>&nbsp;<\/p>\n<p>I pinch the skin under my arms<\/p>\n<p>to test time. Soon there will be<\/p>\n<p>nothing but bone.<\/p>\n<p>&nbsp;<\/p>\n<p>In a dream, I lick your calloused<\/p>\n<p>hands. Wait.<\/p>\n<p>Strain to hear<\/p>\n<p>you lean a horn to wall<\/p>\n<p>etch a dusty line toward me.<\/p>\n<p>I swallow and rise,<\/p>\n<p>hands flat on the wall,<\/p>\n<p>inching foot by foot until<\/p>\n<p>it turns this way.<\/p>\n<p>And then that way. And here,<\/p>\n<p>light slices through<\/p>\n<p>stone and I imagine<\/p>\n<p>the sea, and the sun<\/p>\n<p>lights my bones,<\/p>\n<p>and I smell fresh as a whale.<\/p>\n<p>And that is enough<\/p>\n<p>to keep me going.<\/p>\n<p>And then, you are here<\/p>\n<p>black hair curls over the<\/p>\n<p>ridges of your extensors,<\/p>\n<p>you reach for me\u2014<\/p>\n<p>bulging veins a map to ruin<\/p>\n<p>&nbsp;<\/p>\n<p>I follow. Find a single coarse<\/p>\n<p>hair from your tail. Roll it between<\/p>\n<p>my thumb and forefinger<\/p>\n<p>until my loins ignite.<\/p>\n<p>*<\/p>\n<p><strong>Youth 2<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><em>Above<\/em><\/p>\n<p>When I was young, I could fit in small spaces.<\/p>\n<p>When my brother was young, he was soft.<\/p>\n<p>I threw stones for him.<\/p>\n<p>&nbsp;<\/p>\n<p>He dug trenches in the earth with chubby fingers as I fed him sardines<\/p>\n<p>and olives and sang lullabies our mother sang to me.<\/p>\n<p>&nbsp;<\/p>\n<p>He bellowed when I hid. I brought him a racket of daffodils, oriole\u2019s egg.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Below<\/em><\/p>\n<p>The maze is ribbed with neon bones glowing<\/p>\n<p>orange and green. Feeble light shines on smiling wolves.<\/p>\n<p>&nbsp;<\/p>\n<p>I do not know how long I will be<\/p>\n<p>buried alive in this deep dark.<\/p>\n<p>&nbsp;<\/p>\n<p>Dirt moons my fingernails. Close enough to smell the minotaur\u2019s breath. Rotten,<\/p>\n<p>like giving up.<\/p>\n<p>&nbsp;<\/p>\n<p>Like being given up.<\/p>\n<p><strong>\u00a0*<\/strong><\/p>\n<p><strong>Youth 7<\/strong><\/p>\n<p>Dawn\u2019s last bat flaps over a night-wet path.<\/p>\n<p>&nbsp;<\/p>\n<p>A high branch creaks.<\/p>\n<p>An owl cries.<\/p>\n<p>The forest beats: It is safe. It is not safe.<\/p>\n<p>&nbsp;<\/p>\n<p>Leaves, radiant underfoot, levitate<\/p>\n<p>like a magic carpet over stones<\/p>\n<p>&nbsp;<\/p>\n<p>rising like skeletal camel humps from sand<\/p>\n<p>or a row of molars lined crag to crag.<\/p>\n<p>&nbsp;<\/p>\n<p>Large mammals rise from shaggy dreams<\/p>\n<p>moving towards blue, a thin stream. Away from me.<\/p>\n<p>&nbsp;<\/p>\n<p>Death is waking to a different story.<\/p>\n<p>#<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-41533\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2017\/09\/Edens-Edge.jpg\" alt=\"\" width=\"159\" height=\"246\"  \/>Natalie Taylor\u00a0was named a\u00a0<a href=\"https:\/\/outsideyourself.wordpress.com\/faculty-workshop-descriptions\/\">2017 Mari Sandoz Emerging Writer: Poetry<\/a>. Her poem,\u00a0\u201cLast Day of July,\u201d published in\u00a0<em>Ellipsis: Literature and Art<\/em>, was a co-winner of the 2000 Academy of American Poets Contest. Follow her blog,\u00a0<a href=\"http:\/\/edenontheedge.wordpress.com\/\">Eden on the Edge<\/a>.<\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>READ LOCAL FIRST\u00a0is your glimpse into the working minds and hearts of Utah\u2019s literary writers. 15 Bytes regularly offers works-in-progress and\/or recently published work by some of the state\u2019s most celebrated and promising writers of fiction, poetry, literary nonfiction and memoir. Today we feature\u00a0three poems from Holladay-based Natalie [&hellip;]<\/p>\n","protected":false},"author":1566,"featured_media":38014,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[35,2513],"tags":[],"class_list":["post-38013","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literary-arts","category-read-local-first"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2018\/09\/TaylorImage-350x350.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-05-18 21:23:24","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/38013","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/1566"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=38013"}],"version-history":[{"count":1,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/38013\/revisions"}],"predecessor-version":[{"id":38015,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/38013\/revisions\/38015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/38014"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=38013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=38013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=38013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}