{"id":38010,"date":"2017-09-11T22:19:38","date_gmt":"2017-09-12T04:19:38","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=38010"},"modified":"2018-09-20T22:20:36","modified_gmt":"2018-09-21T04:20:36","slug":"when-geologic-time-becomes-human-eyeknee-coordinations-drypp","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/when-geologic-time-becomes-human-eyeknee-coordinations-drypp\/","title":{"rendered":"When Geologic Time Becomes Human: EyeKnee Coordination\u2019s DRYPP"},"content":{"rendered":"
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Photo of DRYPP, courtesy of EyeKnee Coordination.<\/p>\n<\/div>\n

En route to\u00a0DRYPP<\/em>, I passed people taking photos of the sun diffused by haze caused by smoke blown into the Salt Lake Valley from fires as far away as Los Angeles and the Pacific Northwest. I thought about my family and friends who are recovering from Hurricane Harvey and also inhaling toxic air caused by leaking petrochemical plants, hastily shut down before the storm. I thought about Bangladesh, India and Nepal where monsoons have caused the deaths of 1,200 people. We are in the midst of many natural disasters occurring much faster than the shift of tectonic plates. In\u00a0DRYPP<\/em>, Einy \u00c5m Sparks investigates \u201cgeological time\u201d in relation to \u201chuman time\u201d through movement and media with her company, EyeKnee Coordination. I arrived at the show with a sore, smoke-filled throat as well as a heightened sense of \u201cgeological time\u201d moving at a rapid pace, at the rate of \u201chuman time.\u201d<\/p>\n

I peered into the Leona Wagner Black Box Theater to see crinkled white paper that, as I ventured further into the space, quickly became a rock formation and I rounded the corner to see more floor-to-ceiling paper-rocks looming around every wing of the stage-scape. I felt like I was going into Timpanogos Cave. Stephanie Sleeper and Kevin Ho were planted onstage already, wearing loose red outfits designed by Sleeper. They were lying down with their legs up, the tops of their heads facing the audience, at rest as if they had been there for eternity.<\/p>\n

A drop of water fell in our ears and the dancers began. They moved upstage with a series of intertwining leg and arm movements executed on their backs until they rolled away from each other, while still gesturing toward each other and then reconnecting. Einy \u00c5m Sparks entered, her black oxford pumps click-clacking over the sound of rain falling. In her cameo scene, she protected herself from the rain with a red coat that served as a potent symbol throughout the piece. It protected, it was coveted, then it was a shroud trapping its wearer. The red coat could be seen as another dancer in the piece as it was animated by the way the human dancers moved with and around it.<\/p>\n

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Photo of DRYPP, courtesy of EyeKnee Coordination.<\/p>\n<\/div>\n

Scenes of the Arctic Circle were projected and woven into the performance of\u00a0DRYPP<\/em>. Both Sparks and Sleeper dance in the films, and their live movement was frequently in dialogue with that of the film. The film spilled onto the stage. This expert integration of film and live dramaturgy created a sense that even though the footage was shot primarily in the Arctic Circle, the landscape of\u00a0DRYPP,\u00a0<\/em>performed Sept. 6-7, was universal and transplantable.<\/p>\n

The same can be said of the efficient, released, and persistent choreography. All three dancers moved fluidly alone, together, or with the filmed version of themselves. There were a few moments when one dancer crawled through a space created by a dynamic, geological-looking position of their partner. They played with the weight of their limbs, lifting their legs as if they were very heavy and then flipping onto one another as if they were weightless.\u00a0DRYPP<\/em>\u00a0is a mesmerizing interplay of weight-play, film and live-performance play, and sonic provocation. The sound designed by Eddie Segi, Mike Wall, Yngve \u00c5m, and Kristy Dodson was vital in driving\u00a0DRYPP<\/em>\u00a0forward, with piercing violin concertos, silence, and distorted drips.<\/p>\n

DRYPP<\/em>\u00a0reminded me that disparate communities of people on earth are ecologically connected despite sociopolitical initiatives toward separatism. Watching this work was a meditative experience amidst a hectic and somewhat ominous time of natural disaster throughout the world. I left the theater feeling like I had taken a breath of fresh air.<\/p>\n<\/section>\n<\/article>\n

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Photo of DRYPP, courtesy of EyeKnee Coordination. En route to\u00a0DRYPP, I passed people taking photos of the sun diffused by haze caused by smoke blown into the Salt Lake Valley from fires as far away as Los Angeles and the Pacific Northwest. I thought about my family and […]<\/p>\n","protected":false},"author":1545,"featured_media":38011,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-38010","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dance"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2018\/09\/drypp2.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-06-08 12:49:48","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/38010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/1545"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=38010"}],"version-history":[{"count":1,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/38010\/revisions"}],"predecessor-version":[{"id":38012,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/38010\/revisions\/38012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/38011"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=38010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=38010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=38010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}