{"id":35728,"date":"2018-01-27T15:29:42","date_gmt":"2018-01-27T21:29:42","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=35728"},"modified":"2023-11-20T09:57:25","modified_gmt":"2023-11-20T15:57:25","slug":"rdt-dancers-emerge-as-choreographers-in-companys-annual-showcase","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/rdt-dancers-emerge-as-choreographers-in-companys-annual-showcase\/","title":{"rendered":"RDT Dancers Emerge as Choreographers in Company’s Annual Showcase"},"content":{"rendered":"
\"Dan<\/a>

Dan Higgins and Natalie Border in Higgins\u2019 \u201cDenizen.\u201d Photo by Sharon Kain.<\/p><\/div>\n

Repertory Dance Theatre is a collection of noticeably varied talents. Its company members possess distinctive personalities that can be glimpsed regularly in all RDT productions, no matter the program or how seamlessly they may move as a group. The second year of RDT\u2019s\u00a0Emerge<\/em>, a choreography showcase for the company\u2019s dancers, gave us a chance to see those individual interests continue to develop. The program on Jan. 5-6 presented eight works that, while formally unconnected in content and style, all benefited from RDT\u2019s acutely personal approach to the work. Below is a small window into each.<\/p>\n

THE SUM OF NONE
\nSet to a Philip Glass score, Lauren Curley\u2019s choreography was a complex study in pattern and numerical manipulation. Six identically clad dancers performed sweeping athletic movements that multiplied and varied as they traveled along parallel and intersecting trajectories. The movement built up from simple walking and continued at a steady pace, adhering like clockwork to the unending and obfuscating evenness of the music\u2019s rhythm.<\/p>\n

BLUE SUN
\nA solo for the lovely and intense Tiana Lovett, \u201cBlue Sun\u201d by Tyler Orcutt was well crafted and even better performed. Lovett is a clear and technical dancer, suited to the fast and rolling fluidity of Orcutt\u2019s style, and she sold the frenetic emotional drama of his contemporary-lyrical work perfectly. Chronicling a story of coping with an unavoidable \u201cending of a cycle,\u201d Lovett shook and thrashed and fell to the floor over and over in passionate protest. The piece ended in silence and with a fade-out as she continued to jerk and twitch, suggesting any measure of peaceful acceptance might be out of reach.<\/p>\n

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Dancers in Lauren Curley\u2019s \u201cThe Sum of None.\u201d Photo by Sharon Kain.<\/dd>\n<\/dl>\n
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Tiana Lovett in Tyler Orcutt\u2019s \u201cBlue Sun.\u201d Photo by Sharon Kain.<\/dd>\n<\/dl>\n
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Lacie Scott and daughter Shae in \u201cJammies\u201d by Scott and Jaclyn Brown. Photo by Sharon Kain.<\/dd>\n<\/dl>\n<\/div>\n

JAMMIES
\nCue audible squeals and cooing from the audience \u2013 newborn Layla Brown and small, giggling cherub Shae Scott accompanied Jaclyn Brown and Lacie Scott onstage in a testament to the life of dancing mothers, and what was very likely the cutest thing ever presented onstage. Drawing inspiration from the games, rocking, bouncing, and cradling of real life to create the choreography, the two mother-daughter pairs sweetly bobbed and capered around the stage to the tune of Bob Marley\u2019s \u201cBe Happy.\u201d Their hijinks were punctuated by a section for the mothers alone who danced a weaving duet, nodding to the compound layers of identity that come with motherhood.<\/p>\n

DENIZEN
\nDan Higgins\u2019 choreography for \u201cDenizen\u201d depicted an intense relationship between a pair of strong and violently entwined forces. Natalie Border was tremendous and compelling in her uncompromising intensity. Brooding and moody, Higgins battled her. The exact nature of their spiraling relationship remained unclear, alternating between roaring aggression and something that was not quite tenderness, but maybe the insular comfort of familiarity. She got in his way and he attacked, neither able to extricate themselves or eliminate the other.<\/p>\n

DOORS
\nJustin Bass has been with RDT for four years now, and recently announced this season will be his last. \u201cDoors,\u201d likely one of his final pieces with the company, reflected this dawning life-shift, exploring themes of change, saying goodbye, nostalgia, and keeping faith in oneself, communicated through a spoken monologue by Bass that played over soft instrumentals. Four dancers stood apart, oriented toward each of the stage\u2019s four corners. They performed subtle movements, sometimes in unison but holding the distance between them. While each dancer was lovely and interesting to watch alone, the choreography of the piece as a whole underwhelmed when paired with Bass\u2019s personal, moving, and deftly crafted poem.<\/p>\n

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Dancers in \u201cDoors\u201d by Justin Bass. Photo by Sharon Kain.<\/dd>\n<\/dl>\n
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Ursula Perry in \u201cI\u2019m OK, I Am Okay\u2026I\u2019m Still Here.\u201d Photo by Sharon Kain.<\/dd>\n<\/dl>\n
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Tyler Orcutt and Tiana Lovett in Efr\u00e9n Corado Garcia\u2019s \u201cCollateral Beauty.\u201d Photo by Sharon Kain.<\/dd>\n<\/dl>\n<\/div>\n

I\u2019M OK, I AM OKAY\u2026I\u2019M STILL HERE
\nUrsula Perry\u2019s work is always a personal favorite and often a revelation; nearly every time I see her perform I learn something that feels astounding and vital. (Perhaps a hyperbolic statement, but it feels true.) Her technical skills and power are beautiful and unforced. \u201cI\u2019m OK\u2026\u201d displayed a devotedly tended and honed strength, bowing and cracking under the weight of a pain the body can\u2019t expel. A story of treading water, of keeping the surface intact while the inside roils, trying to glimpse the thing that used to make you feel joy when the world keeps tossing salt in your eyes. Twisting and flaking into the most beautiful and fragile shapes, Perry\u2019s solo was devastating.<\/p>\n

COLLATERAL BEAUTY
\nEfr\u00e9n Corado Garcia\u2019s \u201cCollateral Beauty\u201d was a lighthearted duet, simple and sweet, danced by Orcutt and Lovett and accompanied by Michele Medina on violin. The piece gave me the sensation of watching a ballet \u2013 something neoclassical, attuned only to music, lightness, appealing lines and a shimmering feeling. A little goes a long way with that kind of ebullient frivolity; the willful obliviousness and oversaturation of it in my own balletic background can feel exasperating, but it\u2019s very refreshing in smaller doses. I particularly enjoyed the moment in which Orcutt won over Lovett with some jellyfish-esque grand pli\u00e9s. The two flirted, they dipped, swooped, darted, and brushed softly into each other without allusion to any world beyond.<\/p>\n

THE COLOR OF SAND
\nFollowing last year\u2019s model,\u00a0Emerge\u00a0<\/em>came at the end of RDT\u2019s Winterdance Workshop and utilized the final piece as a showcase for the workshop\u2019s participating dancers. This year\u2019s workshop, unlike last year, was also an audition for the company. This seems to have drawn a larger group than previously: a good thing, but one that made for a somewhat uncomfortably tense viewing experience. The dancers did an admirable job with the crowded space and choreography that appeared overly tricky for a large group of newly acquainted people to pull together in several days, but the \u201cthey\u2019re-looking-at-me\u201d tension was viscerally palpable. A more informal, workshop-dedicated showing might have been more appropriate, and still could have offered dancers a chance to both prove their abilities and partake in a rewarding performance experience.<\/p>\n

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Winterdance Workshop participants in \u201cThe Color of Sand.\u201d Photo by Sharon Kain.<\/p>\n<\/div>\n

This article is published in collaboration with\u00a0loveDANCEMORE.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Repertory Dance Theatre is a collection of noticeably varied talents. Its company members possess distinctive personalities that can be glimpsed regularly in all RDT productions, no matter the program or how seamlessly they may move as a group. The second year of RDT\u2019s\u00a0Emerge, a choreography showcase for the […]<\/p>\n","protected":false},"author":1545,"featured_media":37349,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[2595,1739,1738,3146,3149,3147,1626,3148,1740],"class_list":["post-35728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dance","tag-dan-higgins","tag-efren-corado-garcia","tag-justin-bass","tag-lauren-curley","tag-layla-brown","tag-natalie-border","tag-repertory-dance-theatre","tag-tiana-lovett","tag-ursula-perry"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2018\/01\/denizen-1.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-05-06 16:27:26","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/35728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/1545"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=35728"}],"version-history":[{"count":5,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/35728\/revisions"}],"predecessor-version":[{"id":71959,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/35728\/revisions\/71959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/37349"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=35728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=35728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=35728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}