{"id":35236,"date":"2016-10-03T00:55:45","date_gmt":"2016-10-03T06:55:45","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=35236"},"modified":"2020-02-21T08:48:42","modified_gmt":"2020-02-21T14:48:42","slug":"trent-alveys-atomic-sublime","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/trent-alveys-atomic-sublime\/","title":{"rendered":"Trent Alvey’s Atomic Sublime"},"content":{"rendered":"

\"alvey\"<\/a><\/p>\n

THE 1-5-B: Trent Alvey and the Atomic Sublime<\/h3>\nhttps:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/10\/trent_alvey_atomic_sublime.mp3<\/a><\/audio>\n

Trent Alvey lived what she calls an idyllic youth in the 1950s, set free in the wilds of the Manti-LaSal National Forest, where her father was a forest ranger. In retrospect, she realizes the thunderstorms that fascinated her as a child might have bathed her in nuclear fallout, and the issues of environmental degradation and range management her father struggled with in the post-war period were just the beginning of what has become a global issue of increasing importance. In a new exhibit curated by Scotti Hill at The Granary called Tourists of the New Sublime, <\/em>Alvey examines her childhood and its relationship to the issues she now explores as an artist. She sat down to speak with us about the exhibit and her experiences as a child of the forest in this first of our new weekly podcasts, The 1-5-B.<\/p>\n

You’ll find our podcast feed at: http:\/\/feeds.feedburner.com\/ArtistsOfUtahs15Bytes<\/a><\/p>\n