{"id":33974,"date":"2016-06-08T22:07:10","date_gmt":"2016-06-09T04:07:10","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=33974"},"modified":"2020-02-15T09:33:07","modified_gmt":"2020-02-15T15:33:07","slug":"katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains\/","title":{"rendered":"Katie Porter and Devin Maxwell&#8217;s Listen\/Space Brings New Music to the Mountains"},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-33974 gallery-columns-4 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains\/devinchild\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/devinchild-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/devinchild-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/devinchild-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/devinchild-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains\/devindrums\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/devindrums-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/devindrums-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/devindrums-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/devindrums-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains\/drums-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/drums-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/drums-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/drums-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/drums-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains\/garage-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/garage-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/garage-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/garage-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/garage-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains\/garagenight\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/garagenight-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/garagenight-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/garagenight-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/garagenight-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains\/katie\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/katie-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/katie-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/katie-1-350x350.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/katie-1-768x768.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/katie-1-1024x1024.jpg 1024w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/katie-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/katie-1-1200x1200.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/katie-1-360x360.jpg 360w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/katie-1.jpg 1536w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains\/records\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/records-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/records-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/records-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/records-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/katie-porter-and-devin-maxwells-listenspace-brings-new-music-to-the-mountains\/xlophone\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/xlophone-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/xlophone-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/xlophone-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/xlophone-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>The year was 2003. Hundreds of sound designers, composers, and musicians were gathering at the Game Developers Conference in San Jose to network and share ideas on the gaming industry and, specifically, game audio and interactive music. The Game Audio Network Guild was hosting its first annual awards and Katie Porter and Devin Maxwell, MFA graduates from the California Institute of Arts who were recently married, had been invited two weeks earlier to open the ceremony with a performance. Devin had arranged some old video game songs for bass, clarinet and xylophone and once they started playing Ms. Pac-Man and Super Mario Bros., the crowd went nuts. While playing this music live on their instruments seemed perfectly normal to Katie and Devin, the audience was hearing the music of their childhood in an unexpected way.\u00a0 The couple became famous overnight and the gig gave them work and a career path they couldn\u2019t have anticipated \u2014 from big money in the ringtone business to an experimental music<a name=\"_GoBack\"><\/a> project in the mountains around Park City.<\/p>\n<p>Devin grew up in New Jersey playing percussion. He played in community orchestra and bands. He was talented, but more importantly, he was quick. He learned his songs in the morning and recorded them in the evening. After high school he found himself going to the University of Cincinnati College \u2013 Conservatory of Music not really knowing what a conservatory was. Because percussionists don\u2019t have a lot of music written for them, he started composing. He arranged the first movement of Mahler\u2019s 5th Symphony for xylophone, French horn, piano, and percussion; he also arranged \u201cWelcome to the Jungle\u201d from the Guns N\u2019 Roses album \u201cAppetite for Destruction<em>.<\/em>\u201d<\/p>\n<p>Katie grew up in Utah, playing the guitar and writing songs. She learned the clarinet in school and participated in several local youth orchestras and ensembles including Utah Youth Orchestra and the Granite District Youth Orchestra.<\/p>\n<p>The pair met at CalArts, where new and experimental music was their passion\u2014writing music, playing music, and commissioning music. They knew if they wanted to follow their dream, they had to subsidize it, so when a friend of Devin\u2019s who had just started a game company invited him to write the music, they moved to Philadelphia to work for Ternary Studios. Devin says he learned a lot about game architecture working for Ternary and how to put sound design and music in a game design document. Unfortunately, the company went south, so the couple decided to pursue the game audio business on their own and founded the LoudLouderLoudest Music Production Company.<\/p>\n<p>\u201cIt was a very strange time for video games,\u201d Devin explains. \u201cThe industry wanted to elevate game audio. They saw film composers and orchestras coming to write music, but what they really wanted was more specialized, interactive music with very high production quality.\u201d At a video game party, Devin was introduced to Konstantin (Konny) Zsigo, president and CEO of the Wireless Developer Agency, who was looking for arrangements of music specifically for the mobile industry. He had heard Devin\u2019s CD with Guns N\u2019 Roses songs. \u201cHe was deep in the wireless industry,\u201d Devin says. \u201cKonny helped build the platforms content could be distributed on. No one had any content to distribute and all the phones at the time had different hardware and operating systems.\u201d Basically, if you knew how to code, create images for wallpaper and write music, Konstantin Zsigo needed you. Devin had the perfect intersection of skills: he was conservatory trained, he knew electronic music, and he had already done video game work. He had written original music, he understood the technology and how to apply it. The couple worked on interactive music for games like Hangman and Gumby and scored some of the first mobile films and animations. But making music for mobile phones was only the beginning.<\/p>\n<p>The couple ended up in Brooklyn and it wasn\u2019t long before their mobile game music career morphed into creating ringtones. \u201cWe met all the record labels within a week,\u201d Katie says. \u201cKonstantin was feeding us really hard work and we did it really well.\u201d This trained them for the real work which was to come. \u201cWe started going to meetings but we didn\u2019t know ringtones,\u201d Devin says. \u201cI happened to be the de facto expert on all of the audio capabilities of the phones out there. And then Katie got a phone call from Warner Music Group.\u201d The company challenged them to write Coltrane\u2019s \u201cGiant Steps\u201d in two days and, with the help of their music friends in New York, they made it happen. While everyone else was bringing music on software emulators, Devin brought an actual phone to present the product. That meeting put them in business overnight. They didn\u2019t know the technology, but they bought all the different cell phones they could find off the gray market and taught themselves everything they could about the cell phone industry. They called themselves LoudLouderLoudest and added about thirteen 13 employees.<\/p>\n<p>LoudLouderLoudest distributed music to all the carriers on behalf of Warner Music Group. Each ringtone sold for up to $4.00. The company worked with labels contracted with big name bands and artists, and those artists had a heavy hand in how the clip sounded, how it looped, which 15 seconds of their song was chosen, etc. The ring tones were being made before the albums were released. There was a lot of money on the table, and their company did well.<\/p>\n<p>The ringtone work was tedious, but Katie and Devin balanced it with making their own music. This whole time they were still performing, Katie playing in a couple orchestras for fun, playing live for a theater company, and in a band she formed called Lady Lucille (named after her grandmother) \u2014 one of the songs she wrote, \u201cYou\u2019re a Fool,\u201d ended up on a BBC show called \u201cEssex Bangers\u201d; and Devin playing at Carnegie Hall and a church at Columbia University. They were collecting a lot of musician friends who composed, and also collecting a lot of revenue from the ringtone business \u2014 so much so they bought a former funeral home in Williamsburg and built a venue where they could champion new music. They called it Listen\/Space. \u201cI didn\u2019t even have to program it,\u201d Katie says. \u201cI just opened the doors and people wanted to play.\u201d<\/p>\n<p>Eventually the ringtone world imploded. Since they weren\u2019t selling the music, only making it, LoudLouderLoudest wasn\u2019t hit too hard, but in October 2010, Katie and Devin sold their company and exited the wireless industry. They now had two little kids they didn&#8217;t want to raise in the city, so they decided to move to Park City, where a year earlier they had bought a cabin. They would be near Katie\u2019s family; Devin could delve back into academia and earn a Ph.D. at the University of Utah. \u00a0That move marked the end of what Katie affectionately calls \u201ca silly time.\u201d<\/p>\n<p>New York remains an important part of their life. They go back about 30 times a year and it took them a year and a half to pack up their stuff at Listen\/Space and bring it to Utah. Listen\/Space became a nonprofit and Katie moved the venue to their cabin on the mountain. Last year they played six commissions. Katie simply asked her musician friends in New York to come out to Utah for a week. \u201cI didn\u2019t care what the ensemble would end up being,\u201d she says. \u201cIt was a very strange band. It was more about people; who do I want to work with.\u201d They ended up with a saxophone, trumpet, violin, flute, drums, and clarinet. And they asked composers to write for those instruments. \u201cThe idea was to just work and record these pieces as a legacy project, but it turned out to be a performance.\u201d Their audience was made up of their children\u2019s friends\u2019 parents and their neighbors in the mountains. \u201cThey came out with their chairs and coolers and beer and they just loved it. They were so excited something was happening that they didn\u2019t even realize the music was weird.\u201d<\/p>\n<p>Katie maintains that it\u2019s not about putting on shows; it\u2019s about creating new works. The mission is to incubate hand-selected composers to create works called the Listen\/Space Commissions. Katie and Devin don\u2019t believe in the current commission model for composers, and they don\u2019t necessarily believe in competition. \u201cWhat happens is composers keep writing the same piece over and over again; they end up with different iterations of the same thing,\u201d Devin explains. \u201cThere\u2019s no growth. What we want to do is say, \u2018Listen, we have some stability, we\u2019ll be here for a while, and we\u2019ll do it wherever we are.\u2019 It just doesn\u2019t seem healthy the way music is working. I hear very safe music that fits into this box of what made this person in the first place. So their music doesn\u2019t change much from when they were in their 20s. We want to encourage risk by giving them a little bit of stability. We\u2019ll see if it works.\u201d<\/p>\n<p>They expect to see an evolution year after year from these composers they commission. This year the program will sponsor 13 new pieces. Their goal is eventually to publish the pieces so anyone can perform them.<br \/>\nKatie believes the project has potential. Last August she attended Ostrava Days outside of Prague in the Czech Republic. \u201cIt\u2019s new music and orchestra music you never get to hear,\u201d says Katie. \u201cThere was a piece for three orchestras by Karlheinz Stockhausen that you never get to hear live. The audiences were huge.\u201d She couldn\u2019t help but think, \u201cWhere are all these people coming from?\u201d She knew that all you have to do is facilitate a venue for this music, and people will come.<\/p>\n<p>Another Listen\/Space project of theirs is a symposium that will take place a week after the commissions in early July. <a href=\"http:\/\/www.vusymposium.org\">VU Symposium<\/a> provides a forum for people to read their papers and perform their experimental, electronic, and improvised music. \u201cThere are a lot of people thinking about this stuff, but there aren\u2019t a lot of festivals or symposiums championing experimental and improvised music,\u201d says Devin. The symposium will take place in Park City. They currently have 40 people coming in from all over, and 15 concerts planned. The attendees will read papers in the morning and there will be concerts in the afternoon and early evening. Devin says they designed it that way so the evenings would be free to break out into small discussion groups, and also, they would break free from the hierarchy of who got the coveted 8 p.m. performance spot, or which ensemble got the headliner. Many of the composers are from New York and L.A., but there are some with strong Utah ties such as Jake Rosenzweig and <a href=\"http:\/\/artistsofutah.org\/15Bytes\/index.php\/tag\/jesse-quebbeman-turley\/\">Jesse Quebbeman-Turley. <\/a><\/p>\n<p>Devin also has been working with Utah Youth Orchestras to get their young<br \/>\nplayers to write music. Barbara Scowcroft is the music director for UYO and she was looking to do a composition contest for the young kids in the orchestras who write music. She met with Katie who encouraged her to consider doing a workshop instead of a contest and to have the orchestra read the young composers pieces. Katie introduced Barbara to Devin and together that\u2019s exactly what they did. They had six workshops on Saturdays after their rehearsals. The Utah Youth Orchestras Young Composers Project has been Barbara\u2019s dream for over a decade. \u201cDevin\u2019s teaching and guidance of the students was spot on and he helped facilitate the emergence of 10 really fine new compositions,\u201d says Barbara. \u201cDevin has great patience, deep love and commitment for what he does \u2014 and that really came across.\u201d Devin said people were worried composition was too hard for kids and it would never work, but he knew better. \u201cThey didn\u2019t have to worry if it was good or bad,\u201d Devin says. \u201cThey just did it.\u201d There was no competition involved. Any kid that came and wrote their music and made their parts got to have the orchestra read their piece. The kids just had to stick it out through all the workshops. The Young Composers Project is the first workshop of its kind for Utah\u2019s youth. Katie and Devin believe that\u2019s the way to facilitate growth.<\/p>\n<p>As for the future, the couple plans to stay atop their mountain outside of Park City for awhile. Devin just finished his doctorate and has a job teaching electronic composition at the University of Utah next year, but first, he and his family are headed to New York for the release of his CD. It\u2019s called \u201cWorks: 2011-2014\u201d and includes pieces Devin wrote for orchestra, electronics, and other mixed chamber ensemble. One of these pieces features Katie and Devin\u2019s duo, Red Desert: Katie on clarinet and Devin on drums. Katie is putting her professional energy into Listen\/Space and performing. In May, she performed a new piece by <a href=\"http:\/\/artistsofutah.org\/15Bytes\/index.php\/making-music-morris-rosenzweig\/\">Morris Rosenzweig<\/a> on the NOVA Chamber Music Series. It was just what she needed to get back in musical shape after giving birth to their third child in April. What lies ahead is still unknown. If their past proves anything, it\u2019s that they have the skills, talent and gumption to do anything that\u2019s thrown at them. But the important thing is they\u2019re doing exactly what they set out to do.<\/p>\n<p><span class=\"byline\">VU Symposium, July 5-7, Park City Library, Park City, 15 concerts, 6 paper sessions,10:15-1 p.m. papers; 2-8 p.m. concerts. FREE, <a href=\"http:\/\/vusymposium.org\" target=\"new\">vusymposium.org<\/a><\/span><\/p>\n<p>This profile appeared in the<a href=\"http:\/\/artistsofutah.org\/15bytes\/16june\/page1.html\" target=\"_blank\" rel=\"noopener\"> June 2016 edition of 15 Bytes.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The year was 2003. Hundreds of sound designers, composers, and musicians were gathering at the Game Developers Conference in San Jose to network and share ideas on the gaming industry and, specifically, game audio and interactive music. The Game Audio Network Guild was hosting its first annual awards [&hellip;]<\/p>\n","protected":false},"author":781,"featured_media":33975,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[26,58],"tags":[2933,2932,2934],"class_list":["post-33974","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-15-bytes","category-music","tag-devin-maxwell","tag-katie-porter","tag-listenspace"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/06\/devinkatie.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-05-05 23:05:31","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/33974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/781"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=33974"}],"version-history":[{"count":4,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/33974\/revisions"}],"predecessor-version":[{"id":50046,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/33974\/revisions\/50046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/33975"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=33974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=33974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=33974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}