{"id":33651,"date":"2016-05-11T00:44:24","date_gmt":"2016-05-11T06:44:24","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=33651"},"modified":"2016-08-25T11:20:00","modified_gmt":"2016-08-25T17:20:00","slug":"rosie-trumps-fill-in-the-blank-at-sugar-space","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/rosie-trumps-fill-in-the-blank-at-sugar-space\/","title":{"rendered":"Rosie Trump’s Fill in the Blank at Sugar Space"},"content":{"rendered":"

\"Fill<\/a><\/p>\n

In Fall 2013, loveDANCEmore<\/em> published a performance text by Rosie Trump, a Nevada- based choreographer. Since that time, the text has become fully realized as a performance, Fill in the<\/em> Blank, <\/em>to be presented at Sugar Space this month.<\/p>\n

When asked to describe the performance text in context, Trump says the idea was to have a text that could function as a reading or as instructions for making a dance. After seeing the essay in publication, Trump says she \u201cknew I had to make the dance myself, as well. I wanted the essay to be read and recorded and that that would be the sound score [read by Reno-based artist Dana Miller] for the dance. The viewer gets to both see and hear the dancers receiving the choreographic score as it\u2019s happening. This creates a layering effect and gives the audience insider information of what will happen right before it happens.\u201d<\/p>\n

Trump knew she wanted to bring the work to Salt Lake City because of the thriving dance scene here that contrasts to the more isolated town of Reno where she\u2019s working. While the work seeks to share the social and political pressures facing women at large, audiences can also look for nods to a more specific lineage of entertainment in the West (think showgirls).<\/p>\n

Trump’s \u201c28 More or Less\u201d text, written in 2013, is below and the performance is May 20-21 at Sugar Space in Salt Lake City.<\/p>\n

\n

A BRIEF CHRONOLOGY
\nChoreographic directive: Dance your life history in 28 seconds.<\/p>\n

28,000 years ago artistic achievements of the Gravettian period include the Venus figurines, statuettes of nude female figures with exaggerated abdomens, hips, breasts, thighs and vulvas.<\/p>\n

2,800 years ago the first record of a solar eclipse, caused when the Sun and the Moon are in conjunction as seen from Earth, is made in China.<\/p>\n

Popular dances 280 years ago: minuets, allemandes, and hornpipe, “country” dances, and jigs. Popular dances 28 years ago: the Moonwalk, the Thriller dance, moshing and break dancing. A popular dance 28 months ago: the \u201cParty Rock\u201d shuffle featured in a
\nmusic video from pop group LMFAO.<\/p>\n

LUNA
\nChoreographic directive: Make one small step for women.<\/p>\n

The moon has been cycling around the Earth for 4.527 billion years. When you divide the year up by Moons, you get 13 moons of 28 days each, plus one extra day.<\/p>\n

CYCLE OF LIFE
\nChoreographic directive: List everything you have ever and will ever want.<\/p>\n

The average menstrual cycle is 28 days long. A woman will spend approximately 2,800 days menstruating during her lifetime.<\/p>\n

The fastest sperm will travel from the penis to a fallopian tube in 28 minutes. 28 days after conception the amniotic sac is forming and the fetus is smaller than a grain of rice. 28 weeks after conception fetus is 10 inches long, weighs 2 pounds and can open its eyes. In medical terminology, newborn refers to an infant in the first 28 days after birth.<\/p>\n

The NATURAL NUMBER
\nChoreographic directive: Accumulate 28 movements seen in nature.<\/p>\n

28 is the second occurring perfect number. It is a positive integer that is equal to the sum of its proper positive divisors? 28 = 1 + 2 + 4 + 7 + 14. The Earth’s velocity is 2,800 miles per day. 28 is the atomic mass of silicon; 28 is the atomic number of nickel. It is 2,800 km from the Earth\u2019s mantle to its core.
\nThere are 28 grams in an ounce.<\/p>\n

AGE IS JUST A NUMBER
\nChoreographic directive: Make a dance for the ideal age.<\/p>\n

At Age 28:<\/p>\n

Martha Graham was studying at the Denishawn School. She performed one of Ted Shawn’s Egyptian dances in a short silent film that attempted to synchronize a dance routine on film with a live orchestra.<\/p>\n

Pearl Primus finished a national tour, danced in a revival of the opera The Emperor Jones<\/em>, presented several new works at Jacob’s Pillow Dance Festival andchoreographed a Broadway musical.<\/p>\n

Yvonne Rainer choreographed Ordinary Dance<\/em>.<\/p>\n

Trisha Brown choreographed Target <\/em>and Rulegame 5 <\/em>as a member of the Judson Dance Theater.<\/p>\n

Pina Bausch choreographed her first piece, Fragment, <\/em>as a member of Kurt Jooss\u2019 Folkwang ballet company.<\/p>\n

Judith Jameson premiered her famous solo, Cry, <\/em>choreographed by Alvin Ailey.<\/p>\n

Monica Bill Barnes choreographed From My Mother’s Tongue <\/em>and Home<\/em>.<\/p>\n

Rosie Herrera was commissioned by the American Dance Festival to create Dining Alone <\/em>for its 2011 season.<\/p>\n

REPRODUCTIVE RIGHTS
\nChoreographic directive: For every two steps forward, take eight steps backwards.<\/p>\n

28 years ago, PLAN, the Pro-Life Action Network, proclaimed “a year of pain and fear” for anyone seeking or providing abortion. During a PLAN event at a motel in Appleton, Wisconsin, held to celebrate a wave of abortion clinic bombings and arsons, the motel\u2019s marquee read, \u201cWelcome Pro-Life Activists\u2014Have a Blast.\u201d<\/p>\n

In 1985, 28 years ago, violent acts against abortion clinics included 2 bombings and 8 arsons.<\/p>\n

28 days passed from when Texas Senate Bill 5 was created to when the bill was passed with a 96\u201349 margin, sending the measure to the Texas Senate on July 10, 2013. The bill places restrictions on abortion rights and will lead to the closing of all but five abortion clinics in the state. This will make it virtually impossible for an incredibly high number of women to obtain an abortion.<\/p>\n

POLITICAL DANCES
\nChoreographic directive: Take a stand.<\/p>\n

A short, partial showcase of recent choreography:
\n
\nThe Marching Dance<\/em>: The SlutWalk protest marches began on April 3, 2011, in Toronto, and quickly spread to the United States and globally. Participants protested against explaining or excusing rape by referring to any aspect of a woman’s appearance and called for an end to rape culture.<\/p>\n

The Flip Flop Dance<\/em>: On Jan. 31, 2012, Susan G. Komen for the Cure, the world\u2019s largest network of breast cancer activists, stopped funding Planned Parenthood. In the 24 hours after the news broke, Planned Parenthood received more than $400,000 from 6,000 donors. Four days later, following a massive outcry by supporters, Komen’s Board of Directors reversed the decision.
\n
\nThe Vocal Dance <\/em>: In response to Missouri Rep. Todd Akin’s comments on Aug.19, 2012 about the female body’s ability to “shut that whole thing down” in the event of “legitimate rape,” the Renegade Raging Grannies write and perform “Legitimate Rape,” a three-verse protest song. It received nearly 500,000 views after just four days on YouTube.
\n
\nThe Standing Dance<\/em>: On June 25, 2013, State Sen. Wendy Davis held a 10-hour-long filibuster to block Senate Bill 5, legislation that would have created new abortion regulations in Texas. She took no bathroom breaks, wore tennis shoes and a back brace (to keep her from the prohibited activity of leaning on anything.)
\n
\nThe Throwing Dance<\/em>: On July 12, 2013, the confiscation of feminine hygiene products by Texas Capitol police from attendees entering the Texas Senate gallery was coined \u201dtampon-gate.\u201c However, individuals with concealed carry licenses were permitted to bring their guns into the Senate gallery that day.<\/p>\n<\/blockquote>\n

Fill in the Blank<\/em>, Rosie Trump Dance Company, Sugar Space, Salt Lake City, May 20-21, 8 p.m. Tickets: 888-300-7898, www.thesugarspace.com<\/a>.<\/p>\n

This article is published in collaboration with loveDANCEmore.org<\/a>.<\/p>\n

This article appeared in the May 2016 edition of 15 Bytes.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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