{"id":33559,"date":"2016-05-04T23:29:40","date_gmt":"2016-05-05T05:29:40","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=33559"},"modified":"2016-05-05T09:51:28","modified_gmt":"2016-05-05T15:51:28","slug":"terry-tempest-williams-mormon-songdog","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/terry-tempest-williams-mormon-songdog\/","title":{"rendered":"Terry Tempest Williams: Mormon Songdog"},"content":{"rendered":"

The Salt Lake Tribune reports today<\/a> that University of Utah professor Terry Tempest Williams has tendered her resignation after a dispute with the University over the nature of her courses within the Envrionmental Humanities Program. This seemed an appropriate time to post Camille Pack’s essay on the acclaimed author that appeared in our 2014 publication <\/em>Utah’s 15: The State’s Most Influential Artists.<\/p>\n

\"ttwilliams\"<\/a>

Terry Tempest Williams, photo by Zoe Rodriguez, 2014.<\/p><\/div>\n

I lit all the candles to write this piece. On Terry Tempest Williams\u2019 desk there would also be a bowl of water. She smiles and says it\u2019s about evaporation\u2014something actually happening when she sits to work, but if you\u2019ve read Williams\u2019 books or listened to her speak, you know that\u2019s a flip response.<\/p>\n

Terry shares with her audience like they\u2019re in the innermost circle, privy to the personal. She carries talismans\u2014turquoise tucked into a boot, sage in her pocket, red colored earth in a suitcase. In Leap<\/em> she describes sitting with Brooke, her husband, on the shore of the Great Salt Lake as they burned their marriage certificate, readying for new vows in front of a natural witness.<\/p>\n

Williams is ardently Mormon and equally unorthodox, treasuring the community at the same time she\u2019s admitted Salt Lake City can make you feel like there\u2019s a hand around your throat. She\u2019s hailed for transparency but can also be as private and impenetrable as the red rock cliffs she loves. Take, for example, the unexplained motives behind her destroyed marriage certificate, her mother\u2019s empty journals, or the blank pages added to When Women Were Birds<\/em>. Left to imagine the reasons, you generate your own, and so her intimacy ends up revealing you to yourself.<\/p>\n

Perhaps this partially explains her reach, how beloved she is by opposing camps, how skilled she is at bridging divides, and why, despite her internationally renowned status as an author, dozens of the people I spoke to think she is most powerful in person.<\/p>\n

\u201cI have known Terry off and on for more than 40 years now,\u201d says bookseller Ken Sanders, owner of Ken Sanders\u2019 Rare Books, \u201cand consider her to be a natural and national treasure . . . a magical human being. She acts as an example, a conduit and a catalyst for the way we know that we should behave. She is a force of nature and absolutely must be experienced in person.\u201d<\/p>\n

Williams is widely regarded as the heir to Edward Abbey and Wallace Stegner. \u201cShe\u2019s the undisputed queen,\u201d says Betsy Burton, writer, bookseller, and co-owner of The King\u2019s English Bookshop. \u201cShe combines spirituality and a deep, deep scientific knowledge and passion in a way that nobody else does who\u2019s writing today. I think she\u2019s right at the forefront and always has been.\u201d<\/p>\n

Mike Matz, Director of U.S Public Lands for the Pew Charitable Trusts confesses, \u201cI really think you\u2019d have to go back to folks who aren\u2019t around anymore to meet her match, like Mardy Murie, who similarly stuck her neck out. If I were President, I\u2019d nominate her in a heartbeat for Interior Secretary. Terry believes in the power of people and democracy.\u201d<\/p>\n

Even for former intimates who have largely lost contact over the years, like writer David Petersen, her presence remains profound. \u201cIt\u2019s one thing to read something on a page and another to hear an eloquent, expressive, passionate person evoke those things. People will wait two hours to speak to her for one minute. For that one minute, she\u2019s 110% with that one person, so she\u2019s worth waiting for.\u201d<\/p>\n

Petersen first met Williams at a memorial service for Edward Abbey in 1989; he would later edit Abbey\u2019s personal journals. \u201cShe was in a gingham dress and barefoot, the picture of youthful innocence. She could tell I felt a little awkward around famous people like Wendell Berry, and she just grabbed me and took me around and introduced me.\u201d<\/p>\n

\u201cShe\u2019s the universal mother,\u201d Petersen says. \u201cShe approaches people that way, and people respond to her that way. People come to her as a stranger and pour their hearts out to her; she\u2019s just a unique human being. One of a kind. Period. I can\u2019t think of anyone who comes close.\u201d<\/p>\n

As a child, Williams witnessed a nuclear explosion. It dusted her family\u2019s car with ash and turned into a recurring nightmare. \u201cI belong to a Clan of One-Breasted Women,\u201d she wrote in an essay. \u201cMy mother, my grandmothers, and six aunts have all had mastectomies. Seven are dead.\u201d She suspects the nuclear fallout from multiple tests led to the family\u2019s cancer. Operation Plumbbob<\/em> was essential to so-called national security in 1957. It easily trumped public health.<\/p>\n

In the same essay she compares nuclear policy to her religion. \u201cIn Mormon culture, authority is respected, obedience is revered, and independent thinking is not. I was taught as a young girl not to \u2018make waves\u2019 or \u2018rock the boat.\u2019\u201d<\/p>\n

\u201c\u2018Just let it go,\u2019 Mother would say. \u2018You know how you feel, that\u2019s what counts.\u2019\u201d<\/p>\n

\u201cFor many years, I have done just that\u2014listened, observed, and quietly formed my own opinions, in a culture that rarely asks questions because it has all the answers. But one by one, I have watched the women in my family die common, heroic deaths. We sat in waiting rooms hoping for good news, but always receiving the bad. I cared for them, bathed their scarred bodies, and kept their secrets.\u201d<\/p>\n

\u201cThe price of obedience has become too high.\u201d<\/p>\n

\u201cThe fear and inability to question authority that ultimately killed rural communities in Utah during atmospheric testing of atomic weapons is the same fear I saw in my mother\u2019s body. Sheep. Dead sheep. The evidence is buried,\u201d Williams writes.<\/p>\n

Florence Krall Shepard taught educational, environmental, and feminist studies to the undergraduate Williams at the University of Utah. Years later, they co-taught courses, and Shepard remembers watching her teach a segment on birds. Williams jumped and flapped her arms, popped forward, rocked back, and twirled around, \u201cdancing like a Sandhill Crane in courtship, showing the students\u2014like ballet in the classroom.\u201d Shepard says for as long as she knew her, Williams combined passion with questioning. \u201cTerry was, you can imagine, interested in everything that had to do with nature, and she always had something that made people laugh.\u201d<\/p>\n

\u201cBut as an inquirer, Terry had a lot of hard questions and did a lot of processing on her own. She didn\u2019t take too well to conventional assignments,\u201d Shepard laughs. \u201cShe interpreted them in her own way, and she read voraciously; she was always reading, and she wrote constantly. If we went on a weekend workshop, she\u2019d fill a journal, so she was very skilled and also very inquisitive.\u201d<\/p>\n

\u201cAfter her mother passed, and then her brother Steve,\u201d says Shepard, \u201cshe was absolutely heartbroken. I tried to bring her some solace, but it\u2019s impossible to soften such grieving. She was very brave and philosophical about death and continued to provide support for her family.\u201d<\/p>\n

In 1991 Williams published the story of her mother\u2019s cancer and the rise of the Great Salt Lake, an event that threatened \u201cthe Bear River Migratory Bird Refuge and with it the herons, owls, and snowy egrets that Williams had come to gauge her life by.\u201d The open-hearted vulnerability in Refuge<\/em> was bottled lightning to Williams\u2019 career.<\/p>\n

According to celebrated landscape writer Stephen Trimble, \u201cshe changed the course of nature writing in the West by her brutal honesty about her emotional life and her ability to weave that into her love of the land. Terry moved the line.\u201d<\/p>\n

Historian Jana Remy says Refuge<\/em> also \u201cemerged at an important moment for Mormon women who found themselves on the margins of their communities. At the time, the LDS Church was openly silencing its feminists and intellectuals, so Mormons who thought or behaved differently than the norm tended to do so very quietly.\u201d<\/p>\n

Williams\u2019 books, particularly Leap<\/em>, published in 2000, served as a spiritual model and lifeline for many LDS women, says Remy, giving them courage to tell their own stories and \u201clive with greater authenticity in the Mormon community.\u201d They couldn\u2019t celebrate Williams openly however \u201cdue to her heterodoxies, like drinking wine, eschewing temple rituals, and forgoing childrearing.\u201d<\/p>\n

\u201cShe\u2019s probably Mormonism\u2019s most famous [literary] writer,\u201d says George Handley, an environmental writer and humanities professor at Brigham Young University who thinks she is underexposed in the Mormon community because of apathy and ignorance, not antipathy.<\/p>\n

Michael Austin, provost and academic VP at Newman University and compiler of Williams\u2019 interview collection A Voice in the Wilderness<\/em>, says Mormon writers are often seen as parochial and insular. They don\u2019t penetrate the larger literary market, but \u201cWilliams is seen as one of the major explainers of Mormonism to the world,\u201d and in that role she\u2019s \u201clovingly critical.\u201d<\/p>\n

\u201cI was drawn to her because she spoke to my experiences as a Mormon in a somewhat hostile intellectual world,\u201d says Austin, \u201cand she was challenged on being Mormon, and she really responded professionally and compassionately. I saw her as someone who had really negotiated those landmines and created a path I could follow.\u201d<\/p>\n

Despite the praise, George Handley says Williams\u2019 extraordinary impact nationally and internationally far exceeds her impact on the Mormon community. Handley doesn\u2019t think Mormons read a lot of fine literature\u2014due to competing interests and entertainment obsessions\u2014just like the rest of American society. We aren\u2019t \u201cgeared to self-reflective exercises, and you can see that reflected in our relationship with the natural world.\u201d<\/p>\n

\u201cWe treat nature as a commodity, rush through it, own it, use it, but don\u2019t want to make it cause us to question who we are, our values, the purpose of life, and have existential crises.\u201d And if we\u2019re not doing that, Handley says, we\u2019re less likely to resonate with writers who are.<\/p>\n

\u201cIf Mormons read Wendell Berry and Edward Abbey, they\u2019ll read her, but the readership of nature writing in Utah is smaller than certainly I would like to see.\u201d<\/p>\n

Even so, when Williams did a reading at Brigham Young University a year ago, Handley says the students \u201ccame out in droves. They loved it, and she loved it. It was a great exchange, and she was very vocal about how proud she is to be a Mormon and how grateful she is for the people at BYU who care.\u201d<\/p>\n

\u201cShe wanted Mormons to see how much more she had to offer them than just a source of tension about feminism or controversial views, and many students, including my own daughter, were really touched\u2014touched by her writing and by her person. She\u2019s extraordinarily loving and generous,\u201d says Handley.<\/p>\n

For Betsy Burton, it\u2019s Williams\u2019 \u201cwonderful combination of gentleness and radicalism. She can work inside the local culture successfully as well as outside. Most people are in one world or the other; Terry has one foot firmly placed in each and can bring those worlds together.\u201d<\/p>\n

\u201cShe comes from a place of deeply rooted passion. In everything she says and writes, people believe in her utterly, and she inspires people to make change.\u201d Not because she\u2019s seeking a leadership position or starting a movement, Burton says, but because she\u2019s \u201ctrying to change people\u2019s lives in basic ways, in how they see the world and each other.\u201d<\/p>\n

Burton describes a luncheon last year for independent booksellers where Williams received one of five awards. Everyone said they loved indies. \u201cThey were gratifying and funny and some were impassioned, but Terry always manages to take it outside, to put you in the situation where you\u2019re empathizing. You\u2019re there understanding in that real way.\u201d<\/p>\n

When Williams stood for the award, Burton remembers her saying, \u201cI have to tell you a story.\u201d It was 9\/11. The streets were full of people, and she was in the Politics and Prose Bookstore in D.C. talking to co-owners Barbara Meade and the late Carla Cohen. They were reflecting, shocked, coming to grips, and a Muslim man walked in, frightened and at sea, and he said, \u201cThe world is turned upside down, and I don\u2019t know where to go. I don\u2019t feel like I\u2019m safe. I don\u2019t know what to do.\u201d<\/p>\n

And Barbara says, \u201cYou\u2019re safe here,\u201d and put her arm around him. Recounting it, Burton started to cry. \u201cThat\u2019s what we do,\u201d she said. \u201cWhen Rushdie was threatened, too. Independent bookstores are bastions of freedom, and Terry took that subject and reduced it to what everyone was trying to say and got to the heart.\u201d<\/p>\n

\u201cShe has a very unusual mind; it\u2019s her combination of global and humanistic thinking. There\u2019s horror and beauty at the same time.\u201d<\/p>\n

In Finding Beauty in a Broken World<\/em>, Williams describes helping genocide survivors in Rwanda to build a memorial and also working to preserve endangered prairie dogs at home in Utah. \u201cMost people wouldn\u2019t dare to put those together,\u201d says Burton.<\/p>\n

\u201cHer writing is very brave, and Leap<\/em> is just extraordinary. You really have to give it time. You have to think while you\u2019re reading it\u2014which is why it didn\u2019t sell well. Her ability to embrace the whole and honestly see the parts is what makes her work so extraordinary.\u201d<\/p>\n

Or take her most recent book, When Women Were Birds<\/em>, Burton offers. \u201cThere are multiple epiphanies from page to page. I would think, Holy Jesus. I never thought of it that way. It\u2019s meditative, deeply personal, and you learn by osmosis.\u201d<\/p>\n

With Stephen Trimble, Williams directly impacted the preservation of the Grand Staircase Escalante National Monument. They solicited and put into the hands of Congress the collected stories of 20 writers committed to landscape.<\/p>\n

When President William Jefferson Clinton protected the nearly two million acres, he held up a copy of Testimony: Writers of the West Speak on Behalf of Utah Wilderness <\/em>and said, \u201cThis little book made a difference.\u201d<\/p>\n

Phillip Bimstein, composer and former mayor of Springdale, Utah, remembers testifying with Williams before Congress on behalf of America\u2019s Red Rock Wilderness Act. \u201cShe speaks from the heart with soul and spirit. She definitely brings a spiritual gravitas to the table,\u201d he says. One of her stories transformed his life. It\u2019s a Navajo legend she tells about a coyote, a \u201csongdog,\u201d says Bimstein. \u201cThe songdog came out of a hole in the ground and sang the world into existence. It\u2019s a metaphor for our personal creativity. We all have that ability. We can all sing our world into existence.\u201d He put the reminder on his license plate: SONGDOG. \u201cIt always keeps coming back.\u201d<\/p>\n

In 1998, Bimstein wrote a string quartet based on Refuge<\/em> and recorded Williams speaking selected phrases. \u201cI just want to listen to the silence with you by my side,\u201d says Williams in refrain with the strings. The words were first spoken by her mother on her deathbed. \u201cI just want to listen to the silence with you by my side. I just want to listen to the silence.\u201d<\/p>\n

In the last piece, in counterpoint to repeating chords, Williams says, \u201cI pray to the birds because I believe they will carry the messages of my heart upward.\u201d Even if it\u2019s a message that only reaches a subset, even when entertainment culture dominates great literature, George Handley doesn\u2019t think it\u2019s a big issue.<\/p>\n

\u201cGreat literature only needs the right readers to transform and be transformed, and then they transform others. It may always be a small minority,\u201d he says, \u201cbut those people matter a great deal.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

The Salt Lake Tribune reports today that University of Utah professor Terry Tempest Williams has tendered her resignation after a dispute with the University over the nature of her courses within the Envrionmental Humanities Program. This seemed an appropriate time to post Camille Pack’s essay on the acclaimed […]<\/p>\n","protected":false},"author":848,"featured_media":33575,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[69,35],"tags":[921],"class_list":["post-33559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-daily-bytes","category-literary-arts","tag-terry-tempest-williams"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/05\/ttwilliams2.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-05-13 13:45:14","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/33559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/848"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=33559"}],"version-history":[{"count":10,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/33559\/revisions"}],"predecessor-version":[{"id":33581,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/33559\/revisions\/33581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/33575"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=33559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=33559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=33559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}