{"id":32491,"date":"2016-02-25T18:23:25","date_gmt":"2016-02-26T00:23:25","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=32491"},"modified":"2018-10-09T14:26:16","modified_gmt":"2018-10-09T20:26:16","slug":"32491","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/32491\/","title":{"rendered":"Call of the Local: Ten Sanpete Printmakers at Spring City Arts"},"content":{"rendered":"<p><a href=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5807-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-39279\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5807-1-1200x900.jpg\" alt=\"\" width=\"1200\" height=\"900\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5807-1-1200x900.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5807-1-350x263.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5807-1-768x576.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5807-1.jpg 1800w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<div id='gallery-1' class='gallery galleryid-32491 gallery-columns-5 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/40-8\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/40-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/40-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/40-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/40-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/56-4\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/56-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/56-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/56-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/56-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/a_tilla_and_his_hun_abekimball\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/A_Tilla_and_His_Hun_AbeKimball-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/A_Tilla_and_His_Hun_AbeKimball-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/A_Tilla_and_His_Hun_AbeKimball-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/A_Tilla_and_His_Hun_AbeKimball-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/can-o-worms\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Can-O-Worms-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Can-O-Worms-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Can-O-Worms-1-350x350.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Can-O-Worms-1-768x768.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Can-O-Worms-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Can-O-Worms-1.jpg 800w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Can-O-Worms-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/coneofvision20140927no6small\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/ConeofVision20140927no6Small-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/ConeofVision20140927no6Small-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/ConeofVision20140927no6Small-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/ConeofVision20140927no6Small-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/guckandequerry-abekimball\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/GuckandEquerry.AbeKimball-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/GuckandEquerry.AbeKimball-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/GuckandEquerry.AbeKimball-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/GuckandEquerry.AbeKimball-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/img_5818\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5818-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5818-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5818-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5818-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/img_5821\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5821-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5821-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5821-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/IMG_5821-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/larsen_overprotective_1\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Larsen_Overprotective_1-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Larsen_Overprotective_1-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Larsen_Overprotective_1-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/Larsen_Overprotective_1-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/32491\/ovisariesafterm-andz_11x15\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/OvisAriesAfterM.andZ_11x15-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/OvisAriesAfterM.andZ_11x15-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/OvisAriesAfterM.andZ_11x15-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/OvisAriesAfterM.andZ_11x15-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Before artists had ample opportunity for travel, their styles were usually associated with specific regions, towns or royal courts. As a new exhibit of printmakers in Spring City suggests, Sanpete County continues, in a way, this sort of regional identity, with many of these works by area printmakers revealing stylistic and thematic resemblances; but there is pleasant variety on display as well, with prints that technically range from lithographs to woodcuts and thematically from the simple to the surreal.<\/p>\n<p>One style on display here is that (as yet) unnamed but popular school of Utah art that is flat, figural and frequently domestic. Lee Udall Bennion and Kathy Peterson are two of the better-known practitioners of the style (Brian Kershisnik is perhaps the best known). Both live in Sanpete and each displays here etchings\/aquatints that reflect in a different medium the aesthetic qualities that have made their paintings well-loved and in high demand. A pair of Peterson\u2019s etchings, in which Pacific Islander women fill the frame, appear beguilingly simple, but the patterns in the women\u2019s dresses and in the foliage surrounding \u201cMalia\u201d create dynamic forces that push and pull the seemingly flat surfaces carved out by Peterson\u2019s elegant line. In the pair of etchings that depict female readers, her line is less sensual and the patterns more uniform, achieving a more subdued and stately if less exciting effect. This handful of etchings is rounded out by a horizontal view of five sheep in a nondescript, chiaroscuro setting, a work in which Peterson shows her skills at creating dynamic works with reduced means, even when depicting the ubiquitous fauna of the region.<\/p>\n<p>Bennion\u2019s engravings, done in 2013 and accentuated with watercolor, display two of her cherished subjects: her horses and her children. \u201cThe Bath\u201d is a delightful etching in which the study in contrasts, between the straight lines of the wainscoting and the curving lines of a sloping shoulder and freestanding tub, serve to guide the viewer\u2019s attention to the finely wrought detail in the bather\u2019s splayed fingers. The subject is presumably Adah, the artist\u2019s daughter and frequent model, who also appears in \u201cAdah @ 21,\u201d framed by gladiolas and looking wistful, and in \u201cHorse Girls,\u201d lovingly caressing two horses.<\/p>\n<p>The mother\u2019s model has become an artist in her own right, evidenced here by four woodblock prints. It is intriguing to see the model so often depicted by her mother now depicting herself in a work like \u201cSelf at 26.\u201d\u00a0The similarities are apparent\u2014the flat frontal look, the engaging gaze, a penchant for patterns and pets\u2014but the daughter\u2019s indebtedness to Art Nouveau, to which the mother\u2019s work is related though more distantly, is evident\u2014especially in her \u201cMeasuring,\u201d where the subject\u2019s flowing tresses, about to be cut, form a half moon around her body.<\/p>\n<p>Though once common, it is rare these days to see artistic lineages follow such genetic lines. More often we see artistic DNA passed from teacher to pupil, an artist\u2019s alma mater frequently evident in their postgraduate work. Snow College Professor Adam Larsen\u2019s woodcuts are immediately recognizable, both for their striking graphic quality and for their inventive narrative play, and they must be a tempting source for students to copy when working out their own artistic chops. He likes blending a nostalgic style (his prints frequently have a carnival quality to them, something out of the \u201830s and \u201940s) with visuals that are driven by the wordplay of his titles. They can be disarmingly cute even when the issues they explore are multilayered and difficult. In one print on display, the adverbial part of the title \u201cOverprotective\u201d becomes a preposition when it is placed above a mezzotint image of nestlike folds of cloth enwrapping two unopened gumball-machine prizes\u2014a blue airplane and a pink shoe. The piece admonishes the helicopter parents of this generation generally, but can also be read from the more nuanced angle of gender politics. His print \u201cA Party Favor,\u201d in which the donkey and elephant of the two dominant political parties are joined at the hip, ready to collapse together at the push of a button, has been exhibited previously (the first time we reviewed it was in 2008), but it takes on new relevance in this election cycle, in which voter dissatisfaction with both parties has propelled two fringe candidates to center stage.<\/p>\n<p>A teacher with such a strong graphic style would be hard for emerging artists not to mimic, and \u201cEye Winker, Tom Tinker,\u201d by former student Holly Hooper, displays a definite influence. Two small rabbits, one holding a spool of thread, look up at a doe-headed housewife who, bent at the hip, seems momentarily dazed. The title comes from a Mother Goose nursery rhyme full of nonsense words, which aptly evokes the look of the worn-out, wind-up mother encircled by the thread of her duties. Hooper is now an art teacher at Wasatch Academy in Mount Pleasant, and one assumes that the markedly different etchings also on display\u2014an unfortunately pedestrian view of a barn but also a delicate examination of a bird\u2019s nest\u2014are more indicative of the style she is pursuing now that she\u2019s out of school.<\/p>\n<p>Zane Anderson also studied at Snow College and a title like \u201cFood for Thought\u201d could easily have been lifted out of one of Larsen\u2019s notebooks, but the strange aquatic figure in this piece, and the surreal figures of his \u201cWhite Noise\u201d and \u201cTongue and Fly 2,\u201d are more likely indebted to Brian Hoover at SUU, where Anderson finished his education in 2015. To note an influence is by no means meant to dismiss an artist: Hoover and Larsen are both fine artists and one could do worse than be influenced by either. One looks, then, for what direction the artist will take this influence, and Anderson brings to his pieces a lively sense of humor and a narrative flair. The fat pink tongue reaching out of a bleached jawbone in \u201cTongue and Fly\u201d will make you both laugh and think twice the next time you come across an old carcass in the hills; and the wheel-drawn head in its counterpart, \u201cTongue and Fly 2,\u201d creates plenty of narrative intrigue.<\/p>\n<p>Abe Kimball, the man responsible for bringing all these artists together, announces some of his influences in the title of his hand-colored lithograph \u201cOvis Aries, after Zurburan and Van Gogh.\u201d He borrows a sacrificial lamb from the Spanish artist and a starry sky from the Dutch, but there\u2019s also something about the vertical format and the tablecloth that calls to mind a more local artist: Ron Richmond. This association is abetted in no small part by the inclusion of three of Richmond\u2019s prints, hung next to Kimball\u2019s work. Two are versions of Richmond\u2019s recurring \u201cRobe\u201d motif\u2014a pile of folded cloth hanging off a table\u2014executed through different techniques, the hand-tinted drypoint coming much closer than the woodblock to mimicking the ethereal light of the artist\u2019s paintings. It doesn\u2019t take much to see Kimball\u2019s lamb in the place of the robe. All artists borrow, and every artist is in conversation with others, and it may be no less interesting if that happens with someone down the street rather than across the world; and when our fetish for \u201coriginality\u201d persuades us to dismiss artists working in a similar vein, we deprive ourselves the pleasure of enjoying the nuanced differences and similarities that arise in these conversations.<\/p>\n<p>Kimball also shares with Larsen and Anderson a penchant for play between visuals and titles. \u201cRelics of A\u2019Tilla and His Hun\u201d is a rural Utah riff on Grant Wood\u2019s \u201cAmerican Gothic\u201d (with Kimball opting to age the female character sufficiently so there\u2019s no doubt she\u2019s the farmer\u2019s wife and not daughter). \u00a0Lest we miss the joke, a tiller has been superimposed on the image and left uncolored so it pops out of the piece. This is a technique Kimball uses in other works, whether it be in a classical still life, to call attention to the \u201cEmpty Bread Basket\u201d of the work\u2019s title and purposefully break the illusion of realism, or to make iconic the farmer and hound in \u201c Guck and Equerry.\u201d<\/p>\n<p>For the viewer looking for them, the exhibit offers other connections. Animal motifs abound and overlap in this exhibition of rural artists. Karin Jones shares Bennion\u2019s love of horses. In a 1961 lithograph (when she was Karin Nelson), a light horse and a dark horse prance about in a wooded scene where the encircling branches mimic the swishing tails and curved bodies of the two \u201cCompanions.\u201d An even earlier woodcut (1957) \u00a0shows a much more graphic approach to the subject, with long negative lines carving out the equine figure. Kimball also celebrates the equine in his \u201cKanthanka,\u201d where Siddhartha\u2019s favorite horse is represented by four variously colored lithographs of a horse\u2019s skull against a Pop-inspired background. Look across the room and the jawbone of Anderson\u2019s \u201cTongue and Fly\u201d might easily fit into these skulls. But these are more coincidences than relationships of consequence and certainly not all the artists on display fit neatly into a narrative of influence.<\/p>\n<p>Robert De Groff\u2019s masterful etchings and mezzotints call to mind the magical age of bookmaking, when delicately rendered prints like these illustrated books printed on luxurious linen paper, and his steam punk aesthetic that blend past and future.\u00a0 In \u201cInsulae Parvae\u201d a man on the shore frames the view of the island of the title, a large spiraling structure not unlike Brueghel\u2019s Tower of Babel, but made of concrete that is falling apart, so that it feels like both an ancient and a contemporary ruin. \u201cLighter than Air\u201d blends elements of Egyptian or Arabian fantasies with a futuristic feel, as if we are witnessing the mysterious building project from some Jules Verne novel. \u00a0\u201cCone of Vision\u201d does something similar, though closer to home, where a mysterious object is being investigated by men in contemporary western clothes against the backdrop of the type of \u00a0Lombardy poplar that dots the central Utah landscape that De Groff calls home.<\/p>\n<p>The entire exhibit has a pervading sense of home, of the rootedness of place and the call of the local. That call continues to be felt by many Utah artists, who flock to Spring City and the surrounding communities. They are places to work with few distractions, but as this exhibit demonstrates, the artistic conversations can still be plentiful. And fruitful.<\/p>\n<p>&nbsp;<\/p>\n<p><em>The exhibit is the first in <a href=\"http:\/\/www.springcityarts.com\" target=\"_blank\" rel=\"noopener\">Spring City Arts<\/a> newest gallery, a space formerly used by Douglas Fryer as a studio and which is adjacent to their current gallery in the Strates Garage building at 79 S. Main, through March 11.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Before artists had ample opportunity for travel, their styles were usually associated with specific regions, towns or royal courts. As a new exhibit of printmakers in Spring City suggests, Sanpete County continues, in a way, this sort of regional identity, with many of these works by area printmakers [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":32493,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,14],"tags":[2820,928,2821,285,1048,2819],"class_list":["post-32491","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition_reviews","category-visual_arts","tag-abraham-kimball","tag-adam-larsen","tag-kathy-peterson","tag-lee-udall-bennion","tag-spring-city-arts","tag-zane-anderson"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2016\/02\/OvisAriesAfterM.andZ11x15.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-06-06 10:24:15","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/32491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=32491"}],"version-history":[{"count":6,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/32491\/revisions"}],"predecessor-version":[{"id":39292,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/32491\/revisions\/39292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/32493"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=32491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=32491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=32491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}