{"id":24697,"date":"2014-02-06T15:05:11","date_gmt":"2014-02-06T21:05:11","guid":{"rendered":"http:\/\/artistsofutah.org\/15Bytes\/?p=24697"},"modified":"2025-11-09T11:53:48","modified_gmt":"2025-11-09T18:53:48","slug":"spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/","title":{"rendered":"Spirit of Place: Darryl Erdmann, Paul Vincent Bernard and Mark Knudsen"},"content":{"rendered":"<p><a href=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/spiritofplace.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-24761 aligncenter\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/spiritofplace.jpg\" alt=\"spiritofplace\" width=\"576\" height=\"342\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/spiritofplace.jpg 640w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/spiritofplace-300x178.jpg 300w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/spiritofplace-500x296.jpg 500w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id='gallery-1' class='gallery galleryid-24697 gallery-columns-5 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/6_greatbluecirque\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/6_GREATBLUECIRQUE-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/6_GREATBLUECIRQUE-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/6_GREATBLUECIRQUE-1-350x350.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/6_GREATBLUECIRQUE-1-1024x1024.jpg 1024w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/6_GREATBLUECIRQUE-1-768x768.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/6_GREATBLUECIRQUE-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/6_GREATBLUECIRQUE-1-360x360.jpg 360w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/6_GREATBLUECIRQUE-1.jpg 1080w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/deepbend\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/DeepBend-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/DeepBend-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/DeepBend-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/DeepBend-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/ice_bound\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/ICE_BOUND-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/ICE_BOUND-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/ICE_BOUND-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/ICE_BOUND-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/les_matins\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/LES_MATINS-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/LES_MATINS-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/LES_MATINS-1-350x350.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/LES_MATINS-1-1024x1024.jpg 1024w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/LES_MATINS-1-768x768.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/LES_MATINS-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/LES_MATINS-1-360x360.jpg 360w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/LES_MATINS-1.jpg 1080w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/moab_rim_in_winter\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Moab_Rim_in_Winter-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Moab_Rim_in_Winter-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Moab_Rim_in_Winter-1-120x120.jpg 120w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/swell_season\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Swell_Season-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Swell_Season-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Swell_Season-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Swell_Season-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/stansbury_jetty\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"206\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Stansbury_Jetty-1-290x206.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/timpanogas_the_blue_period_lr\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Timpanogas_the_Blue_Period_LR-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Timpanogas_the_Blue_Period_LR-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Timpanogas_the_Blue_Period_LR-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Timpanogas_the_Blue_Period_LR-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/whats_mined_is_yours\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Whats_Mined_is_Yours-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Whats_Mined_is_Yours-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Whats_Mined_is_Yours-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Whats_Mined_is_Yours-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/spirit-of-place-darryl-erdmann-paul-vincent-bernard-and-mark-knudsen\/lake_effect\/'><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Lake_Effect-1-290x290.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Lake_Effect-1-290x290.jpg 290w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Lake_Effect-1-120x120.jpg 120w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/Lake_Effect-1-360x360.jpg 360w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p>Place is not a thing, it is not even a space, it is an experience.\u00a0 An experience that, through the artist\u2019s hand, can be shared.\u00a0 This is the concept that drives \u201cSpirit of Place,\u201d featuring works by Darryl Erdmann, Mark Knudsen and Paul Vincent Bernard, currently up at Phillips\u2019 Dibble Gallery. These artists are tied to the landscape of the west, though in varying degrees of literalness, and for the exhibit, each artist chose two locales, for a total of six locations, which each artist set about exploring to provide their individual interpretation of place.<\/p>\n<p>Seen out of this context, Darryl Erdmann\u2019s paintings would be the least likely to be identified with specific place. In his work, Erdmann takes us on metaphorical abstract journeys, showing to the viewer the truth that \u201cplace\u201d need not be a thing or even a space. For Erdmann, place is something so metaphysical, so specific to the individual that that state of mind, the elemental foundation, simply cannot be described and for Erdmann, the result is a range of abstractions, from the most boldly explosive in \u201cOuter Marker\u201d to the more resolutely controlled in \u201cDefining Moment.\u201d<\/p>\n<p>\u201cThis whole show for me was a composite,\u201d Erdmann says of the idea of exploring place. \u201cI stayed true to this throughout. For example, Alpine Loop was my choice.\u00a0 Every time I have been up there it has been proportionately in my mind green to black.\u00a0 I wanted to stay true to this subjectivity. It always seemed so contemplative and vast.\u201d Interestingly, Bernard\u2019s painting for the same subject shares Erdmann\u2019s palette of greens and yellows \u2014 though his forms more directly suggest the mountain peaks of the Alpine Loop, peaks rendered in crisp detail in Knudsen\u2019s view of the backside of Mt. Timpanogos. Interestingly, Erdmann\u2019s \u201cDefining Moment,\u201d is also very structural and geometric, suggesting that he sees harmony in nature not as unbridled elements thrown to the wind but as a cognitive sensibility that can be grasped by the rational mind and contemplated, pondered.<\/p>\n<p>By contrast, his \u201cWhat\u2019s Mined is Yours\u201d is a response to another kind of inner sensibility that reacts to the natural environment in a way that is entirely different than the orderly structure Erdmann found in Alpine Loop. \u201cWhen I visited Kennecott I wanted to show the textures of the shovels and the mining and the process, a very different kind of painting, a man-made painting, wrought with digging and mining,\u201d says the artist.\u00a0 Kennecott has presented Erdmann with unnatural upheaval of the land, in fact just after a massive landslide, so the chaos and debris is immense. The inner sensibilities are most certainly not at ease with this sense of place and this is reflected in the canvas, where disorder and artificial use of the natural are in conflict with what it no longer is and the sensibilities struggle with this canvas.\u00a0 It is an inner frame of mind that makes this reality of \u201cplace.\u201d This feeling of the place, imbued with elements that are not always visible, is contrasted by the linear emphasis of the mine\u2019s characteristic strata that are apparent in Bernard\u2019s and Knudsen\u2019s works.<\/p>\n<p>To say, though, that the work of Bernard, and certainly Knudsen, is more \u2018literal\u2019 than Erdmann\u2019s is not to suggest that they are remote or devoid of sensibility. Looking first at \u201cMoab Rim in Winter,\u201d one might get the idea that Mark Knudsen is another \u201cred rock painter,\u201d and maybe he is, but a singular biographer of the landscape of Utah is a more accurate title for Knudsen and those who know the land of Utah and know the art of Knudsen know that there is a whole lot more to these \u201cred rocks\u201d than meets the eye.<\/p>\n<p>The view in \u201cMoab Rim in Winter\u201d is one Knudsen has seen numerous times, as it sits outside the front door of his second home \u2014 a visiting friend once said about the view, \u201cI think I would just rather stay here in Never Never Land\u201d \u2014 but one that took Knudsen a long time to paint. \u201cI had never expected that I could ever paint the Rim,\u201d he says, \u201cit looks just too chaotic. I walked out of the door in early morning, the melting snow had revealed the rim in such a way that I realized I could paint it.\u00a0 The particular conditions made it possible to look at this and make a painting out of it.\u201d\u00a0 It is apparent that the magnificence of this land is more than just its physicality for Knudsen, who is awed by its immense splendor; it is also about time, about changing conditions, how light and the elements can transform place from one day to the next.<\/p>\n<p>The Great Salt Lake is another such place. It doesn\u2019t have the grand vistas of the Moab Rim, or the Grand Canyon\u2019s South Rim (also explored in this exhibit) but that\u2019s what intrigues Knudsen about it. \u201cI like to think that I am looking for beauty that is sometimes overlooked,\u201d he says, \u201cand the landscape of the lake is often overlooked.\u201d The Great Salt Lake, according to Knudsen, is an optimal subject, because without the inner artistic vision to transcend physicality and to see the massive presence of beauty, it would simply be salt, mud, and acerbic water where only brine shrimp can live.\u00a0 \u201cStansbury Jetty\u201d is an ethereal painting seemingly of some unearthly landscape and Knudsen has used his artistic intelligence to project various elements so the viewer might see this. Firstly, there is no human context.\u00a0 The area is broad and flat and appears limitless.\u00a0 The water is rendered as a reflecting mirror, giving it an unearthly quality, and the island seems untouched by time, older than time, resistant to time.\u00a0 It is this transcendent vision of a landscape not too many miles outside of Salt Lake City that qualifies the inner perspective as a factor of \u201cplace.\u201d<\/p>\n<p>Paul Vincent Bernard\u2019s representation of the same area shows the artist at his Minimalist best. With a simple \u2014 in this case monochromatic \u2014 palette, the printmaker-cum-painter, uses his tooler to incise lines, building up texture and form, so that \u201cIce Bound\u201d is a massive white form that pushes against a black background, creating a delicate haze at the point of collision.\u00a0 The resulting work reads beautifully as both reference to real space and form, and as a matter of built up abstract lines.<\/p>\n<p>With his seemingly simple methods, Bernard is able to create a variety of effects, from the stillness of \u201cIce Bound\u201d to the glow of \u201cLes Matins.\u201d Bernard\u2019s \u201cSwell Season\u201d is an apparently monumental structure with line that, unlike most of Bernard\u2019s work, has pattern and rhythm. \u201cThat\u2019s the first time I used the line to contour,\u201d he says. \u201cIt was the San Rafael Swell that pushed me into that mode, to use the line instead of the strata. I wanted to follow the form, becoming more sculptural. It\u2019s not a dark looming thing it\u2019s a bright curvaceous thing, the form opens and pulls you in and up.\u201d<\/p>\n<p>By contrast, but appearing almost as a purposeful counterpoint, \u201cDeep End,\u201d Bernard\u2019s response to the Grand Canyon, is a great vacuous void engulfed between two rises and is created of line that is for the most part vertical following the drop in this gulf. In this case, \u201cplace\u201d is defined by what it is not. \u201cI was inside looking towards the back wall,\u201d Bernard says of the inspiration for this work, \u201cand you can see more sky but it is the deep end, and instead of the Swell pulling you up, you sink deeper and deeper.\u201d In \u201cDeep End\u201d the focus is on the presence of \u201cplace\u201d and in this relationship to absence the viewer feels a sinking sense of being driven deeper, and deeper, not by the void, the absence, but by the bottomless pit that is the presence of \u201cplace.\u201d<\/p>\n<p>These three artists, working from inspiration of six chosen locations, have each presented their own artistic visions of their response to that \u201cplace\u201d using their own artistic methodology, and in doing so, have each contributed to a sizable exegesis on the comprehensibility of the \u201cSpirit of Place.\u201d\u00a0 Whether states of mind, perception, or fundamentals of being, all artists agree that \u201cplace\u201d is not simply a thing, it is not only about space, it is an experience.<\/p>\n<p><span class=\"byline\"><em>The Spirit of Place,\u00a0<\/em>featuring works by Darryl Erdmann, Mark Knudsen and Paul Vincent Bernard is at Salt Lake City\u2019s<a href=\"http:\/\/phillips-gallery.com\/\" target=\"new\">\u00a0Phillips Gallery<\/a>\u00a0through February 14.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; Place is not a thing, it is not even a space, it is an experience.\u00a0 An experience that, through the artist\u2019s hand, can be shared.\u00a0 This is the concept that drives \u201cSpirit of Place,\u201d featuring works by Darryl Erdmann, Mark Knudsen and Paul Vincent Bernard, [&hellip;]<\/p>\n","protected":false},"author":850,"featured_media":24761,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,14],"tags":[394,538,289,157],"class_list":["post-24697","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition_reviews","category-visual_arts","tag-darryl-erdmann","tag-mark-knudsen","tag-paul-vincent-bernard","tag-phillips-gallery"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2014\/02\/spiritofplace.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-05-31 22:00:34","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/24697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/850"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=24697"}],"version-history":[{"count":6,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/24697\/revisions"}],"predecessor-version":[{"id":98129,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/24697\/revisions\/98129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/24761"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=24697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=24697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=24697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}