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<\/a>A Good View by G. Russell Case.<\/p><\/div>\n
G. Russell Case<\/a> is from Brigham City, where he learned to paint from his artist father before studying at Snow College and Utah State University. Case spends as much time as possible out of doors. He paints on-site exclusively and has been an avid fisherman and loves the hunt. This deep relationship with the land results in the gentle intimacy of Case\u2019s paintings. Although Case\u2019s palette might at times be bold and his shapes aggressive, there is a softness to his edges and a comforting warmth to the boldness of his colors.\u00a0 His approach to the land, in every case, creates a vision of gentleness imbued by a sensitivity and depth of relationship resonating from the land he paints.<\/p>\n Old Farm With Boat by Michael Workman.<\/p><\/div>\n Michael Workman hails from Spring City.\u00a0 He holds an MFA from BYU.\u00a0 He is what is termed a \u201ctonalist,\u201d an artist whose color palette is held within a limited range of tone.\u00a0 This does not mute the composition but creates one full of interesting nuance and character.\u00a0 The artist\u2019s \u201cOld Farm with Boat\u201d is one such image, where the limited palette creates expansive interest.\u00a0 The wispy wintery trees are highly nuanced with a fabric of branches yielding subtle and luxurious ambers and violets.\u00a0 The rustic quality of the farmhouse is emphasized as is the dividing wall and decaying fence against the arid field.\u00a0 The effect is nothing short of \u201cpicturesque.\u201d<\/p>\n Superstition Mountain by George Handrahan.<\/p><\/div>\n<\/a><\/a>