{"id":102538,"date":"2026-04-13T09:09:45","date_gmt":"2026-04-13T16:09:45","guid":{"rendered":"https:\/\/artistsofutah.org\/15Bytes\/?p=102538"},"modified":"2026-04-26T13:39:09","modified_gmt":"2026-04-26T20:39:09","slug":"return-of-the-curator-jeff-lambson-and-utahs-next-phase","status":"publish","type":"post","link":"https:\/\/artistsofutah.org\/15Bytes\/return-of-the-curator-jeff-lambson-and-utahs-next-phase\/","title":{"rendered":"Return of the Curator: Jeff Lambson and Utah\u2019s Next Phase"},"content":{"rendered":"<div id=\"attachment_102543\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5032-3-1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102543\" class=\"wp-image-102543 size-large\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5032-3-1-1-1200x967.jpg\" alt=\"Man standing beside sliding art storage racks filled with paintings in a museum collection area.\" width=\"1200\" height=\"967\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5032-3-1-1-1200x967.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5032-3-1-1-350x282.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5032-3-1-1-768x619.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5032-3-1-1-1536x1238.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5032-3-1-1-100x80.jpg 100w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5032-3-1-1.jpg 1920w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><p id=\"caption-attachment-102543\" class=\"wp-caption-text\">The Nora Eccles Harrison Museum of Art&#8217;s new deputy director Jeff Lambson demonstrates NEHMA\u2019s visible storage system, where paintings can be accessed for study and research.<\/p><\/div>\n<h4>When curator Jeff Lambson first arrived in Utah in 2007 to become the first curator of contemporary art at Brigham Young University\u2019s Museum of Art, it felt like a moment. Contemporary art in the state was gaining momentum, and institutions that had not always been in conversation with one another suddenly seemed to be part of a shared project. \u201cIt was exciting,\u201d he says. \u201cThere was this moment \u2026 it felt like we were still a small community, but we\u2019d gotten big enough, and there was starting to be enough people and enough money. It felt like something could happen.\u201d<\/h4>\n<h4>Now Lambson has returned to Utah in a new role, as deputy director and contemporary curator at the Nora Eccles Harrison Museum of Art at Utah State University. He has come back to a different art landscape: one with bigger institutions, more developed programming, and a larger population, but also one that, in his telling, has lost some of the intimacy and interconnectedness that once made it feel possible for a few people to help shift the culture. At NEHMA, he is stepping into that changed landscape at a moment of expansion, helping shape not only exhibitions but the museum\u2019s next phase of growth.<\/h4>\n<h4>Museum work has defined much of Lambson\u2019s adult life. After studying Art History and Curatorial Studies at Brigham Young University, his first \u201creal, real job,\u201d as he puts it, was at the Hirshhorn Museum in Washington, D.C. His second day there was September 11, 2001. Six years later, he and his wife, Ann, who has also spent her career in museums, came west. He joined the BYU Museum of Art as its first contemporary art curator.<\/h4>\n<h4>The position itself was new. \u201c[Museum director] Campbell Gray really wanted to have contemporary art,\u201d Lambson says. \u201cThere wasn\u2019t. I had no budget, so Campbell said, \u2018Okay, let\u2019s\u2014profits from the gift shop\u2014we\u2019ll put that towards contemporary art.\u201d<\/h4>\n<div id='gallery-1' class='gallery galleryid-102538 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/return-of-the-curator-jeff-lambson-and-utahs-next-phase\/pam_bowman_2-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"233\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/pam_bowman_2-1-350x233.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/pam_bowman_2-1-350x233.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/pam_bowman_2-1-1200x800.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/pam_bowman_2-1-768x512.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/pam_bowman_2-1-1536x1024.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/pam_bowman_2-1-300x200.jpg 300w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/pam_bowman_2-1.jpg 1600w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/return-of-the-curator-jeff-lambson-and-utahs-next-phase\/jann_haworth_1-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"233\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/jann_haworth_1-1-350x233.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/jann_haworth_1-1-350x233.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/jann_haworth_1-1-1200x800.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/jann_haworth_1-1-768x512.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/jann_haworth_1-1-1536x1024.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/jann_haworth_1-1-300x200.jpg 300w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/jann_haworth_1-1.jpg 1600w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><em>Work to Do<\/em>, curated by Lambson for BYU in 2013, featured Pam Bowman&#8217;s large rope sculpture and an\u00a0 installation by soft sculpture pioneer Jann Haworth.<\/p>\n<h4>Even so, Lambson helped make BYU an unlikely contemporary destination. What mattered to him was not only bringing notable artists to Utah, but placing Utah artists in conversation with a broader art world. \u201cThe thing I loved is we were bringing in international big-name artists and showing lots of Utah artists too, to say, look, the art that\u2019s being made here stands up on the wall,\u201d he says. \u201cYou don\u2019t know the difference. You put an Oliver Herring next to an Adam Bateman, side by side. They\u2019re both really strong. They\u2019re both really part of this conversation, and what we\u2019re making is just as good as what\u2019s being made in New York and LA and all over the world.\u201d<\/h4>\n<h4>That ambition coincided with a period Lambson still remembers vividly. He names contemporaries at other institutions, recalls the sense of regular contact between museums, and describes a statewide community that was small enough to be collaborative. \u201cWe were all kind of working together and collaborating,\u201d he says. \u201cIf something big was happening, we sort of collaborated around it.\u201d That sense of shared momentum extended to audiences as well. \u201cFor the first time, people were coming down from Salt Lake to BYU,\u201d he says. \u201cAll of a sudden we\u2019re getting coverage for the shows that we\u2019re doing.\u201d<\/h4>\n<h4>After eight years at BYU, Lambson left Utah for Colorado, where Ann took a position at the Denver Art Museum. He continued curatorial and administrative work there, including at the Denver Botanic Gardens and the University of Colorado Denver. The move was, he says, \u201cbittersweet.\u201d \u201cWe didn\u2019t want to leave,\u201d he says. \u201cWe felt like we\u2019d done everything that we could do at BYU. Had a big impact.\u201d<\/h4>\n<h4>Colorado offered a different scale of arts support, and that comparison has shaped the way Lambson now sees Utah. Denver\u2019s institutions are larger, and public support for arts and culture is stronger and more systematized. But Colorado also gave him distance from Utah, and from there he watched both parallels and differences emerge. He stayed connected to artists here, brought Utah artists into exhibitions there, and noticed both how much Utah had grown and how its internal dynamics had shifted. \u201cIn some ways, we lost some of that momentum between the big museums in Utah,\u201d he says. \u201cThere was a connectedness between the institutions, and we met regularly, shared shows with each other.\u201d Then he pauses and offers a caveat: \u201cBut that might have been because you were so small you could still afford to do it. Now everyone\u2019s too busy.\u201d<\/h4>\n<h4>Still, he does not describe Utah\u2019s present art scene as diminished. If anything, he sees it as bigger, stronger, and more professionally developed. \u201cThere are more serious artists making good art now than there were 10 years ago,\u201d he says. \u201cThe question is, does it have the infrastructure for it, and how are they supported?\u201d That question, seems to be one of the central questions of his career.<\/h4>\n<div id=\"attachment_102546\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5048.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102546\" class=\"wp-image-102546 size-large\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5048-1200x900.jpg\" alt=\"Exterior of the Wanlass Center for Art Education and Research, a modern gray building with large windows at Utah State University.\" width=\"1200\" height=\"900\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5048-1200x900.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5048-350x263.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5048-768x576.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5048-1536x1152.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5048.jpg 1920w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><p id=\"caption-attachment-102546\" class=\"wp-caption-text\">The Wanlass Center for Art Education and Research, located just south of the Nora Eccles Harrison Museum of Art at Utah State University, expands NEHMA\u2019s capacity for teaching, storage, and public access.<\/p><\/div>\n<div id='gallery-2' class='gallery galleryid-102538 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/return-of-the-curator-jeff-lambson-and-utahs-next-phase\/img_5040\/'><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"263\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5040-350x263.jpg\" class=\"attachment-medium size-medium\" alt=\"Museum study room with paintings displayed on wall-mounted racks beside a long table and chairs.\" aria-describedby=\"gallery-2-102547\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5040-350x263.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5040-1200x900.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5040-768x576.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5040-1536x1152.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5040.jpg 1920w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-102547'>\n\t\t\t\tPaintings from NEHMA\u2019s collection line the walls of a study room, where works can be viewed outside of formal exhibitions.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/return-of-the-curator-jeff-lambson-and-utahs-next-phase\/img_5043\/'><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"263\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5043-350x263.jpg\" class=\"attachment-medium size-medium\" alt=\"Library area with bookshelves, desks, chairs, and stacks of books in a museum research space.\" aria-describedby=\"gallery-2-102548\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5043-350x263.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5043-1200x900.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5043-768x576.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5043-1536x1152.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5043.jpg 1920w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-102548'>\n\t\t\t\tThe Wanlass Center includes a research library, offering books and study space for students and visitors.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/return-of-the-curator-jeff-lambson-and-utahs-next-phase\/img_5036\/'><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"322\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5036-350x322.jpg\" class=\"attachment-medium size-medium\" alt=\"Framed painting of deer standing in a forest of aspen trees with green and blue tones.\" aria-describedby=\"gallery-2-102549\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5036-350x322.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5036-1113x1024.jpg 1113w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5036-768x707.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5036-1536x1413.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5036-1200x1104.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5036.jpg 1565w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-102549'>\n\t\t\t\tA painting by Mabel Frazer has been brought out of storage for a class.\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/artistsofutah.org\/15Bytes\/return-of-the-curator-jeff-lambson-and-utahs-next-phase\/img_5044-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"337\" src=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5044-1-350x337.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-102551\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5044-1-350x337.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5044-1-1065x1024.jpg 1065w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5044-1-768x739.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5044-1-1200x1154.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5044-1.jpg 1440w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-102551'>\n\t\t\t\tA checklist of works from NEHMA\u2019s Utah Westerners collection rests above a painting.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h4>At NEHMA, Lambson\u2019s new position reflects his concern with infrastructure. His role as deputy director is new. It comes along with the recently opened Wanlass Center for Art Education and Research, a new building that does more than add square footage. \u2028Lambson describes the building in terms of access, not architecture. The Wanlass Center houses visible storage, education space, and study areas that allow faculty, students, and community groups to engage the collection directly. \u201cThis is actually not exhibitions,\u201d he says while walking through the space. \u201cIt\u2019s art storage and education space.\u201d The distinction matters. For Lambson, the building represents a shift in how a university museum can serve its public.<\/h4>\n<h4>A large portion of the museum\u2019s attendance, he notes, comes through K\u201312 programming. The new space allows those educational efforts to happen more effectively, but it also broadens what research access can look like. Faculty can ask to see works tied to a specific classroom topic, and museum staff can pull pieces from storage for a temporary study installation. \u201cAny class from any background will work with [the museum],\u201d he says. \u201cThey\u2019ll tell Danielle [Stewart, Curator and Head of Academic Initiatives], my class topic is &#8216;this interesting topic,&#8217; and she\u2019ll say, okay, give me some time, and I will pull together works just for your class.\u201d It is, he suggests, something unusual for a museum to be able to do at this level. \u201cYou could never do this at another museum,\u201d he says.<\/h4>\n<h4>The new building also addresses a practical reality: the museum\u2019s collection has grown dramatically. Lambson says the collection began with around 500 objects and now numbers around 6,000. In just the last two years, he estimates, around 1,000 pieces have been added. \u201cWe ran out of space,\u201d he says simply. But he also sees the expansion as an opportunity to make the collection more active, more visible, and more useful. \u201cWe have one of the best funk art collections in the country,\u201d he says, pointing to strengths in California conceptual and postwar work. But he also wants to deepen the museum\u2019s relationship to artists working closer to home. \u201cWe are collecting Utah,\u201d he says. Then, more emphatically: \u201cI want to start collecting artists\u2014Utah artists\u2014who are in Utah too.\u201d<\/h4>\n<div id=\"attachment_102542\" style=\"width: 1210px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/UtahStateWanlessCenter_PhotoByBruceDamonte_24.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-102542\" class=\"wp-image-102542 size-large\" src=\"http:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/UtahStateWanlessCenter_PhotoByBruceDamonte_24-1200x900.jpg\" alt=\"\" width=\"1200\" height=\"900\" srcset=\"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/UtahStateWanlessCenter_PhotoByBruceDamonte_24-1200x900.jpg 1200w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/UtahStateWanlessCenter_PhotoByBruceDamonte_24-350x263.jpg 350w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/UtahStateWanlessCenter_PhotoByBruceDamonte_24-768x576.jpg 768w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/UtahStateWanlessCenter_PhotoByBruceDamonte_24-1536x1152.jpg 1536w, https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/UtahStateWanlessCenter_PhotoByBruceDamonte_24.jpg 1920w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><p id=\"caption-attachment-102542\" class=\"wp-caption-text\">Visitors engage with works in NEHMA\u2019s visible storage gallery, where the collection remains on view beyond curated exhibitions. Photo by Bruce Damonte.<\/p><\/div>\n<h4>That commitment feels consistent with the values Lambson articulated during his BYU years. Then as now, he is interested in placing local artists in larger conversations without losing sight of place. He talks about upcoming contemporary projects at NEHMA, including a Mike Whiting sculpture show and an installation by Colorado artist Nicole Banowetz, but he also mentions a developing exhibition that would bring together Utah and Colorado artists around questions of water and the desert. The challenge, he says, is to find an angle that avoids reheating a familiar topic. \u201cThat show\u2019s been done to death,\u201d he says. \u201cSo what is a unique contribution we can make?\u201d<\/h4>\n<h4>That question could apply more broadly to Lambson\u2019s return to Utah. He is not coming back to the same state he left. The cities are denser. Institutions are larger. Museums have expanded. \u201cYou come to Sugar House, and all the buildings are six stories tall,\u201d he says, laughing at the obviousness of the change. But he is also returning with a longer view, one that lets him measure growth not only in new buildings or bigger staffs, but in how a cultural community imagines itself.<\/h4>\n<h4>If there is a through-line in his career, it may be this belief that art scenes do not simply happen on their own. They are built\u2014through exhibitions, through collecting, through teaching, through infrastructure, through persistent advocacy, and through institutions willing to place local work in serious conversation with the wider world. At BYU, Lambson helped make that case in one way. At NEHMA, with a new role and a new building, he now has the chance to help make it again in another.<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>When curator Jeff Lambson first arrived in Utah in 2007 to become the first curator of contemporary art at Brigham Young University\u2019s Museum of Art, it felt like a moment. Contemporary art in the state was gaining momentum, and institutions that had not always been in conversation with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":102612,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20,14],"tags":[2582,4025],"class_list":["post-102538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art_professional_spotlight","category-visual_arts","tag-jeff-lambson","tag-nehma"],"jetpack_featured_media_url":"https:\/\/artistsofutah.org\/15Bytes\/wp-content\/uploads\/2026\/04\/IMG_5032-3-2-e1776792499762.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"publishpress_future_action":{"enabled":false,"date":"2026-05-31 18:59:16","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/102538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/comments?post=102538"}],"version-history":[{"count":5,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/102538\/revisions"}],"predecessor-version":[{"id":102689,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/posts\/102538\/revisions\/102689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media\/102612"}],"wp:attachment":[{"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/media?parent=102538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/categories?post=102538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artistsofutah.org\/15Bytes\/wp-json\/wp\/v2\/tags?post=102538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}