The current controversy over art’s funding, precipitated by the apparently politically-motivated firing of Utah Division of Arts and Museums director Lynnette Hiskey, exposes two fundamentally different ideals of how art should operate in modern society. To be fair, it’s not that the Tea Party-types don’t like art; […]
The right title can do a lot to empower an exhibition. The best name on a show in recent memory belongs to Lizze Määttälä’s exhibit in the Artists-Working-in-Utah gallery at UMOCA, which she calls Uphill / Both Ways. Of course the phrase isn’t original, having started life in […]
Aesthetic theory has always been a subset of Philosophy, a body of human thought that modern science has essentially rendered obsolete. The problem is that philosophers, be they Plato or Kant, want to legislate reality: to say, not Is this beautiful? but rather, What is beauty? The process […]
Perhaps the most important question that should be asked of any new work of art is this: So What? A work can do all sorts of things, some of them even unprecedented, but unless doing so serves a purpose, the accomplishment may be no more than a stunt. […]
Contemplating Karin Hodgin-Jones’ two remarkable machines, both titled “Tug,” what may well come to mind are the unquenchably popular inventions of Leonardo da Vinci: the ornithopter and the aerial screw that couldn’t fly, the parachute and the diving suit that would almost certainly have killed their users. […]
The work in Levi Jackson’s Bushwacker exhibition now on display at the Utah Museum of Contemporary Art has a conflicted and ambivalent view of the West. This is in part due to two distinct and pervasive notions that permeate such depictions. The first is the West as an idealized and […]
In a technologically vibrant world, it is increasingly difficult to separate ourselves from our digital appendages, as screens, wires and gadgets serve as tangible reminders of the more complicated, invisible networks that surround us. History demonstrates that episodes of great progress like ours are met with a […]
Utah is often spoken of as a cultural monolith, even a theocracy, where church and state are inexorably intertwined. While recent legislation reminds us of the enormous sway the hierarchy of the LDS church does exert over state politics, it should not be forgotten that there has also […]
Water is one of art’s great subjects, and why not? One of four indispensable elements known to the Greeks, it’s the one that comes closest to being unique to our planet. Water makes life possible, but also shapes and even transports it. We know far more about water […]
Heliography, the 2013 solo exhibition at Finch Lane Gallery that introduced Matthew Allred to a wide Utah audience, was both revealing and limiting: it revealed an engaged mind with the ability to physically encapsulate abstract spatial and temporal concerns; but that single exhibit could not possibly begin […]
The fight is on to become the geekiest city in the country, and in just one year Salt Lake City has become a major contender for the title. Since it began in 2013, Salt Lake Comic Con has become the third-largest comic convention in the country, trailing behind […]
For her inaugural project as associate curator at the Utah Museum of Contemporary Art (UMOCA), Rebecca Maksym envisioned an exhibition that sheds light on a nationality of immigrants not commonly referenced in American migrational history. Rather than a strictly historical chronology, Maksym preferred to think about migration in […]
Not many filmmakers receive solo exhibitions in art museums. Trent Harris, however, is unlike most filmmakers. The Utah native is best known outside of his home state, where he maintains a cult following around the globe. As opposed to more traditional filmmakers, his work is highly experimental, allowing […]
Unlike most traveling exhibitions, the pieces on display as part of do it did not arrive at the Utah Museum of Contemporary Art (UMOCA) in large wooden shipping crates to be unpacked and installed. Instead, the do-it-yourself project, curated by Hans Ulrich Obrist and organized by Independent Curators […]
“Money doesn’t talk; it swears” — Bob Dylan Money does a lot of things, and like swearing, they can be good or bad. Consider twenty-first century art, for example. Money attracts talent, and with unprecedented amounts of money flowing into the art market, there is so much wonderful […]
There’s an old rule-of-thumb in galleries, more applicable than ever these days: ‘The more text on the wall, the worse the art.’ Without an injection of extraneous text, much of today’s art would offer viewers little for their trouble. But the rule cuts both ways, and Fifteen, the […]
In the recent issue of City Weekly, Brian Staker reviews Stephanie Leitch’s Untitled Apogee, which opened at UMOCA on Friday. Artworks tend to include the imprint of the personality and social development of the artist, on some level or another. For installation artist Stephanie Leitch’s new work “Untitled […]
RDT, in partnership with (UMOCA) considers José Limón’s “Missa Brevis,” a dance for 22 that will appear in both Salt Lake at the Rose Wagner Performing Arts Center and later this winter at Brigham Young University, by hosting a symposium on the nexus of faith, art and war.
