What are prints? In a way, they’re coinage: capable of being drawn, or pulled, as printmakers say, from a belabored crucially important original art surface, in potentially endless number. Unlike coins, a print has a stated and limited run. And a good printmaker does an almost horrific thing […]
Ansel Adams, the first photographer to insist that photographs are artworks, blurred another boundary when he compared the making of a photograph to the composition of music. The negative, he said, was like a score, and the print was like a performance. Marcel Duchamp, the pioneering gender-bender who […]
Joey Behrens is a Salt Lake City painter and printmaker who graduated from the University of Utah.
Betty Friedan’s The Feminine Mystique was published on February 25, 1963. Though controversial at the time, in 2010, I hope we all agree with Friedan’s sentiment that, “It is ridiculous to tell girls to be quiet when they enter a new field, or an old one, so the men will […]
Artist Profile of Salt Lake artist Joey Behrens.
One of the more accessible yet intimate places to encounter new and innovative art is the adamantly casual, dependably irregular gallery that winds among the workspaces and between the furniture at Saltgrass Printmakers. On Friday, May 8, with live music during the Sugarhouse Gallery Stroll, and again Saturday afternoon, […]
When Poor Yorick Studios was uprooted from its original downtown home and moved to its permanent location in South Salt Lake, painter and printmaker Joey Behrens followed along with her brushes, canvas and etching tools. The new space has installed skylights, washing Behrens’ working space in a bright, […]
Abstract art is like an inflammation: concentrated at various art market hotspots, but fading in influence with distance from the site of the infection. In Utah — a conservative state, yes, but also the home of a thriving school of narrative figuration — it’s a particularly tough sell. […]
Laura Boardman recently invited some of her fellow artists to participate in an informal experiment to find out whether women as artists differ from men, and what the differences might be. Those invited were full-time painters with BFA or MFA degrees. Experience ranged from five to twenty-five years, […]