Malachi Wilson’s gallery card initially challenges the viewer who seeks an explanation of his art’s purpose. With careful reading, however, eventually it does make sense. “These works use distinct mediums to approach the footprints and forms of different natural objects, including the human body,” it says. Meaning what? […]
A pair of photographs give an idea of the large size and high quality of the homestead. “Casa” captures several buildings, a large tree, and a couple of late-model cars parked in a yard. Another, “Second Floor,” looks out into a central courtyard bounded by stairs rising to […]
On a bookshelf a few feet from where I’m writing this sits a volume that claims to contain “the complete paintings of Vincent van Gogh”—(it should say “surviving,” his mother having burned half his work when she became discouraged). It’s a large and rather heavy book. Nearby, a […]
Explosive colors surround Elisa Gomez. From blues so deep they almost look black to rich yellows and bright scarlet reds. Gomez’s works reach out, inviting their viewers to step closer and take in the stirring colors, compositions, and textures found on their canvases. Like her works, Gomez’s life […]
Any art is at its best when it’s new, when there are no rules as yet and everything waits to be done, rather than everything having been done already. Whether that is also true of the career of the artist is another matter. David Raleigh, whose Push and […]
Plain white canvas frames a small rectangle of paint at its center. The painted portion features a viewpoint that looks out over a landscape of red and white rock. A bronze-looking plaque centers itself at the forefront of the work. The viewer is placed as if looking at […]
Camouflage clothing, tactical vests, dirt, men hidden among trees laid flat along the earth in an army crawl, fill the room of Jesse Meredith’s So That We May Fear Not currently on display at Finch Lane Gallery. At first glance, one might assume that this show focuses on […]
In Finch Lane’s west gallery, past Casey Lou Miller’s intricate wood cutouts of desert plants, Elpitha Tsoutsounakis’ exhibition, Unknown Prospect: Body, Pigment, Swatch, creates a space for the expansion of thoughts and ideas concerning earth. Throughout the space, Tsoutsounakis explores and ponders the multifaceted roles and forms of […]
Wood cutouts of desert plants — mainly agave — colored with oil paints and accented with carved details fill the first room at Finch Lane Gallery. The work in Casey Lou Miller’s Intrinsic Nature is inspired by her experiences exploring the desert landscape of southern Utah. She celebrates […]
Since retiring from a career working as a graphic designer for KUED-TV, Doug Wildfoerster has given full rein to his personal artistic vision. The self-taught watercolorist has had his work featured in solo shows at Alpine Art, the Chapman Library, the Day-Riverside Library and the Duchesne County Library, […]
Bea Hurd’s Devour Digest Devote and Lucy Fairchild’s Enveloping Calm awaken the carnal instinct of consumption and desire in a journey that resolves itself. The exhibitions bridge the material and spiritual worlds respectively, through independent journeys that divulge the viewer’s assumed self-indulgent narcissism. Hurd’s grotesque presentation of material is literal, reinforced by […]
Stepping into the basement of the Finch Lane Gallery this past week was a surreal experience. First, due to COVID-19 restrictions, the gallery is currently open only by appointment, so the whole space was profoundly silent. Second, Kasey Lindley’s exhibit has transformed the industrial environment of the cinder […]
The works in Vertical Obedience, Nolan Flynn’s upcoming exhibition at Finch Lane Gallery, bring together two ends along the timeline of contemporary abstraction, mixing Jason Craighead’s ephemeral mark making and exposed canvas with the subconscious notes scribbled within the compositions of Jean-Michel Basquiat’s paintings. In Flynn’s raw […]
Relationships build us up and tear us down. Our dealings with family members, teachers, romantic partners, and even people we meet in fleeting interactions mark us, sometimes for the rest of our lives. Family members and others, loved ones or not, give us the syntax to interpret the […]
“Part of what artists do is call attention to things that have been overlooked, and do so in a way that causes people to start noticing on their own,” Jim Frazer said in early 2018 while working on a project in which he transformed the trails of bark-beetle […]
