Al Denyer came here from England, a place celebrated for its paradigmatic topography: hills and dales, lakes and rivers, cliffs and footpaths. Since she departed that small country — physically for the expanses of Utah and cognitively for even larger landscapes, like the Amazon rain forest — her […]
Colour Maisch says she loves artists “who are able to distill an idea down to a primary form or space and allow some breathing room.” It’s the kind of art that provides a break “from a constant barrage of meaningless chatter.” Martin Puryear is just such an artist. […]
Stepping outside of the more common gallery route is beneficial anywhere, but our offerings in Salt Lake City have often been few and far between. Luckily, opportunities for exploration have been on the rise recently, offering more diverse work and experiences for those willing to seek them out. […]
Albedo | Nigredo , the collaborative exhibit by Colour Maisch and Gary Vlasic at Finch Lane Gallery, takes an attentive sculptural approach to exploring the mystical way that everyday materials are transformed by artists’ creative processes and the unique environment of gallery space. The gallery creates a space […]
The problem with contemporary art, post-modern art, call it what temporary label you will, the problem with new art is always that it doesn’t look like art. Two of the signature schools of late modernism—found art and assemblage—exemplify this dilemma. How can a jumble, not just of familiar […]
Technically the MFA Maisch is finishing at the University of Utah is in ceramics, but clay makes up just a portion of her work. The objects in Maisch’s studio are a combination of organic and industrial materials, with a mixture of created and found elements. All share a […]
“Fiber Trials” by Colour Maisch. To the Greeks, character was fate. More than accident, and certainly more than willpower, his inborn pattern of action and response determined how a man’s life turned out. The equivalent influence in an art gallery is architecture. At the A Gallery, for example, […]
a photo essay by Kelly Green Considering her given name, one might find it ironic that Colour Maisch’s studio is full of pale hues. A touch of peeling red paint, or the bright packaging of an aging commercial product stand out amidst the mounds of clay, tufts of hair, concrete […]
There seem to be two ways in which I understand the world: through my head and through my gut. While both modes have their place, I am drawn to the lush, animal nature of the gut. From this vantage point, I am free to make connections and construct […]
