Articles published on historical Utah artists.
Though united in the creation and development of a state organization to promote the visual arts in Utah at the turn of the twentieth century, the artists in the state were not immune to the type of personal jealousies and aesthetic rivalries one would expect from a small […]
Among the list of highly talented Utah artists who passed on decades before reaching their potential is Donald Beauregard (1884-1914). Born in Fillmore, Utah to Mormon immigrant ranchers, he was an energetic and enthusiastic lover of nature and art. A posthumous reports says that at the age of […]
A couple of years ago, when I was a junior fledgling writer for 15 Bytes, I presented two conflicting stories in the June 2006 edition of 15 Bytes about Henri Moser (1876-1951) and his Logan Ninth Ward Mural. At the time I was a mortgage banker and frustrated thesis writer, […]
Part I: Alice Merril Horne’s Flower Power Alice Merrill Horne loved flowers, and she knew how to use them: as decor, as subjects for her paintings, and as tools for political persuasion. Though Horne is best known for her work as an advocate for Utah art, she was […]
We’ll start the Notes for Bob and Bill feature with a few corrections on our recent article on Louise Richards Farnsworth. We hope to soon be publish a full biographical sketch of the artist, culled from material discovered since the publication of our Alder’s Accounts article. But first […]
We are be introducing a new recurring feature, both in the pages of 15 Bytes and in our blog, Extra! Extra! Notes for Bob and Bill, named for the late Bob Olpin and Bill Seifrit, will be articles, notes, observations, questions and comments regarding Utah Art History. We invite […]
One of the monumental challenges in researching early Utah artists is that regardless of how talented the artist may have been or how many paintings he or she may have created during a lifetime, frequently there is precious little written about them. The researcher of primary material may […]
Those of you who have read these pages with any regularity will have noted that this column has typically dedicated itself to reporting on the history and art of early Utah artists. Earlier this summer, however, it occurred to me — after an extraordinary couple of hours with […]
Few sculptors have left their mark on the visual landscape of Utah to the same degree as Angelo Caravaglia, a longtime University of Utah professor who passed away early last month. Thousands of us pass by his work everyday; if shown an image of one, many Utahns would immediately […]
In Olpin/Seifrit/Swanson’s Utah Art, nestled between LeConte Stewart’s 1937 masterpiece, “Private Car,” and Lee Greene Richards’ well-known, “Dreaming of Zion,” is a painting entitled “Utah Hills, East of Springville.” This gem of a landscape was created by one of Utah’s most revered landscape and portrait artists, Gordon Nicholson Cope […]
“One evening he told us of a friend who came to him for advice. ‘Brother Lambourne, my son wants to be an artist.’ A pause, then a reply. ‘Oh my God; have you tried to dissuade him?’—’Yes, but he won’t listen.’ Another pause. ‘Then, my friend, take him […]
For a couple of years in the ’70s, I was known only as “Elder Alder.” I didn’t much like it, and, apparently, most of the residents of Montreal and Toronto didn’t either. But I can’t imagine being called “Mahonri.” Rather than having to spell that name for everyone, […]
Retro Furniture Changes Colors — Chroma Gallery
In the late ’80s, Erdmann ran the Salt Lake Contemporary Gallery in downtown Salt Lake where he showed minimalist and color-field art at a time when “Mark Rothko wasn’t a household word.” Reception to the gallery was not overwhelming and it eventually closed down. Since that time, abstract art has failed to achieve a pervasive presence in Utah. The Salt Lake Art Center has had more and more exhibits highlighting contemporary art and Phillips Gallery has survived showing abstract work, but few other venues for abstract art have proven viable…
