Utah Exhibition Reviews published in 15 Bytes, Utah’s art magazine, including reviews of local Utah artists, regional artists, group exhibitions and traveling exhibits of national and international artists.
The Art of Obsession, a duet for gallery by sculptor Julie Lucus and painter Jeannie Hatch, will have closed by the time this review goes to pixels, though according to director Scott Waters some of the sculptures will remain in the Sugarhouse Gallery during the next month’s show […]
A year ago 15 Bytes writer Ehren Clark profiled Emmanuel Makonga, a watercolor painter and graphic artist who grew up in the former Zaire and who has been living in exile since 1993 because of his controversial work as a political cartoonist. In the article Clark mentioned Makonga’s […]
“Raama . . . lived like a common man, but ordinary men did not live like Raama.” Tantalizing legend: around 1470 the Florentine master Andrea del Verrocchio undertook to paint the baptism of Christ for the Church of San Salvi, assisted by two apprentices. One, Alessandro Filipepi, […]
Cristin Zimmer’s MFA final exhibition Surface . . . ing opens today at the Gittins Gallery, on the University of Utah campus. The exhibit, which runs through May 27 and features figurative ceramic works, was mentioned in the PasteUps feature of the May edition of 15 Bytes and […]
by Amanda Moore Nic Tucker’s From the Door Series, at UVU’s Art of our Century. For this month’s column on Higher Ed, I headed to Orem to visit with the people of Utah Valley University. The changeover from UVSC to UVU has had a major impact on the […]
by Lane Bachman My first impression of Jenevieve Hubbard’s series Narrow Passage is that it seemed to have taken a tedious amount of time to execute each piece. The tedium is always thwarted, however, by the artist considering the act of process as being an integral part of the work. Narrow Passage, unveiled […]
“Fiber Trials” by Colour Maisch. To the Greeks, character was fate. More than accident, and certainly more than willpower, his inborn pattern of action and response determined how a man’s life turned out. The equivalent influence in an art gallery is architecture. At the A Gallery, for example, […]
by Melissa Smolley There are places that invoke a type of deep seeded serenity within us. They aren’t necessarily the most picturesque, or even the most inhabitable, yet something about these places resonates stillness within. Such places invite inquiry and encourage exploration, both intrinsically and externally. When […]
Wading in Context A response to Ernesto Pujol’s Awaiting. On Thursday, April 8th, Ernesto Pujol led dozens of participants through a 12-hour, site-specific performance called Awaiting, a project he discussed in the recent edition of 15 Bytes. I suspect the local Mormon audience found resonance in Pujol’s mission […]
Jamie Wyeth Gluttony (Seven Deadly Sins), 2005 Combined mediums on hand-wove, toned paper mounted on archival board 34 1/2 x 24 1/4 inches Private collection Courtesy Adelson Galleries, New York Growing up in Southern California, my summers were spent at the beach, where the menacing call of its […]
As Art Access celebrates its twenty-fifth year as a force in Utah’s art community, they could pick no better show than their current one, Outside is In!, to highlight the aim of their exhibition space: as director Ruth Lubbers says, their two galleries are there to “provide a voice to relevant […]
Poetry readings are tricky things. At a reading you are a prisoner to the artist in ways you rarely are at exhibitions. A poet’s reading of a poem can give thunder and lightning to the written word (Dylan Thomas reading a credit card contract could make it a […]
Friends of Friends, an exhibition of contemporary works that use paper as a medium or surface, opened at the GARFO, on February 26. I spoke with participating artist Amber Heaton in early February as she was designing and constructing a paper sculpture to be installed in the exhibition space. […]
As much as the quality of paint, or the illusion of depth, the relationship between art and viewer is a fundamental element of what we call art. So what happens when an artist denies their viewer this essential relationship, cutting off the dialogue that is the product of […]
To be effective, satirical artworks must closely resemble the objects of their satire. Doing so successfully is both a weakness and a strength. The same flaws that mar the original and inspire criticism must inevitably appear in the mocking version. But then recognition comes quickly to the audience. […]
