Utah Exhibition Reviews published in 15 Bytes, Utah’s art magazine, including reviews of local Utah artists, regional artists, group exhibitions and traveling exhibits of national and international artists.
When Alice took a bite from a cake labeled “Eat Me,” or drank from the bottle tagged “Drink Me,” terrifying changes overcame her: she grew to the size of a house, then shrank to that of a mouse. It’s not hard to see those permutations, which artist Jennifer […]
The first thing to say about the 20th Biennial Juried Exhibition of the AAUW Utah Women Artists is that it should not be an exhibition. Instead, it would make a fine museum collection, something both permanent and available on a continuing basis. That way, when we tire of […]
What would happen if an artist decided to practice her signature by writing it over and over again on a painting that didn’t work out, then forgot to destroy it? Would those signatures, with their aura of the artist’s presence, make up for the work’s rejection? How many […]
Bernard Meyers has shown original and evolving approaches to photography at the Alice Gallery and now at UMOCA, but he always has something useful to say about it, as well. At his 2014 exhibition in the Alice, his statement began, “I love ambiguity.” In a medium where most […]
Any art is at its best when it’s new, when there are no rules as yet and everything waits to be done, rather than everything having been done already. Whether that is also true of the career of the artist is another matter. David Raleigh, whose Push and […]
Walking into Ogden Contemporary Arts (OCA) your eyes immediately turn to a large piece at the center of the room. Detailed floral designs wrap and bend, creating pieces of furniture. The top of a chair sticks out at the viewer, its legs disappearing into the solo standing wall. […]
“Here” is always “between there,” just like now is always between then and anyone is between others. Whoever seeks an explanation of what John Sproul’s art says is making a categorical error. It doesn’t render judgments; it illustrates possibilities. Not what is but what could be. Not all […]
To contemplate “Waniya,” or any part of Excess, Kathryn Knudsen’s mixed media show at Bountiful Davis Art Center, is to see clearly just how far art has come since the Abstract Expressionists put America on the world art map in the years following World War II. Then, the […]
Tobias Fike has filmed what it feels like … not to die, but a related experience we never have for ourselves. Most of us know what it is like to lose a loved one, a dear friend, or even a stranger we admired above all others. We know […]
We expect art to do a lot of things: be visually stunning, yes, please; express something meaningful, hopefully; teach us something important, possibly. We also hope art can change the world. And the world needs a lot of changing: institutional inequities, catastrophic climate change, terrorism and torture, the […]
Surgeons and airline pilots probably shouldn’t pretend to know more than they do. But is it wrong when an art critic does? After all, what we do is hardly dangerous, or even, for that matter, important. But it may still matter, if for example an artist knows something […]
One thing 15 Bytes editor Shawn Rossiter neglected to mention in his recent and invaluable introduction to the medium of silkscreen was that the highest price ever paid for a 20th-century “painting” — $195 million paid in May for Andy Warhol’s “Shot Blue Marilyn” — was actually paid for […]
To approach the figure portraits of Pamela Beach, on view in the main gallery at Bountiful Davis Art Center until September 10, you must pass a crowded assortment of colorful and often familiar-looking objects drawn from the era of Pop art, which can distract and detain the casual […]
Where mountains stretch across the canvas, clouds roll across the ridgeline, dissipating into whispy streaks of white. A full moon rises through the clouds in the delicate hours before darkness takes over. Filling the foreground of the painting, Great Salt Lake’s blue tones reach out to the viewer, […]
If there’s such a thing as a leading strategy among Utah artists in the 21st century, it most likely has to do with working in layers: physical, metaphorical, conceptual. For some it’s the traditional array, from primer coat to underpainting and so on through glazing. For others, it’s […]
