Sunni Brown Wilkinson says Joseph Stroud’s Of This World is one of the best poetry collections she has ever read. “Joseph Stroud is a remarkable but less well-known poet, mainly because he purposely shuns the spotlight,” Wilkinson says. “He lives part of the year in a cabin in […]
In their citation for the 15 Bytes Book Award for Poetry, the jurors of the 2018 prize wrote: In her brilliant new collection, “The Worrier,” Nancy Takacs has presented her readers with her most finely nuanced and psychologically sophisticated collection of poetry to date. Each piece is an […]
During this month of April, 2021, we return to Poets in Pajamas, an audio series celebrating National Poetry Month launched last year at the beginning of the pandemic. In this series, we ask Utah poets to read one of their own works, as well as a work by […]
Gray is known for crumpling paper into balls and throwing them behind him. The papers contain love notes or apologies. “I have fallen in love and apologized so often,” he says. We are proud to present four of his poems here.
In the second of a series of three audio interviews on art making during the pandemic, Halie Bahr discusses the ongoing work of Queer Spectra, an arts festival in Salt Lake City. Bahr speaks with the festival’s founders and organizing committee: Aileen Norris, Max Barnewitz, Emma Sargent and […]
Turtles are homed wherever they go. But the desert turtle is also subject to the particular rigors of its environs: water is tight, the vistas are endless, and the temperatures, dramatic. Mitsu Salmon’s recent Butoh workshop, held virtually through Rogers Art Loft in Las Vegas, led participants through […]
One Hundred Years Hence was a production of Deseret Experimental Opera (DEXO, currently helmed by Peter C. Larsen and Carly Schaub), with a libretto by Max Barnewitz. The opera follows the lives of M, living in the present day in the Marmalade neighborhood of Salt Lake City, and […]
“Out of characters struggling between religious convictions and emotional contradictions, Peterson manages to create an intense vision of Mormon life in the Mormon West.” —Page Stegner In the 19th century, Utah communities collaborated to send their most promising artists to Europe to be trained to the standards of […]
As a previous student under the direction of Srilatha Singh, the director of Chitrakaavya Dance, it was an honor to be able to view their new production, Aabhaaram. Precise, direct pathways of arms, combined with their vibrantly clear hasta mudras, or hand positions, are signature expressions of their […]
An embracing couple is captured in front of a narrowing, leaf-covered path. Slightly off-center in the composition, we see one figure’s back, while the other figure is facing us, gazing confidently in our direction, one arm cradling the lower back of her partner, while the other hand just […]
The combinations seem perverse, unholy — Claude Monet’s “Poppy Field at Giverny” and a plastic manufacturing plant; a delightful landscape painting by LeConte Stewart and a decomissioned chemical agent disposal facility in Tooele; a Georgia O’Keefe and the Facebook Data Center in Eagle Mountain. But the results are somehow mesmerizing.
The drawings pictured here, on the desk in Alison Neville’s studio, are only days or weeks old, but they belong to a stack of small, quick work spanning almost fifteen years. “Initially they started as a low-anxiety response to keeping a daily sketchbook which I could sketch or doodle on during lunch or other downtime,” the artist says. “The newest problem I’m taking baby steps towards addressing is my fear of using color. Cue sharpies, looking at retro ’60s floral sheets, and slightly bigger paper. I imagine I’ll continue to add to the pile until a conceptual piece gets my attention again but I will always return to drawing as a sort of home base (forgive the sports metaphor, please).”