Dance

Utah Dance articles published in 15 Bytes, Utah’s Art Magazine.

Dance

Daughters of Mudson in review

by Danell Hathaway In its second installment, loveDANCEmore’s Daughters of Mudson proves to be a viable resource for artists who not only value the investigative nature of choreography, from inception to presentation, but who dare to reexamine and refine their work, allowing the audience to be privy to […]

Dance | Performing Arts

15 Bytes Dance Editor

15 Bytes started out as a visual arts publication. And it still is. But over the past year or so we’ve expanded our coverage to include some of our friends and colleagues in other fields. Earlier this year, we announced the addition of a literary editor, and this […]

Daily Bytes | Dance

ONE at Ririe Woodbury

After a season of counting down to their 50th Anniversary year and anticipating the departures of both Artistic Director Charlotte Boye-Christensen and veteran dancer Jo Blake, Ririe-Woodbury Dance Company premiered ONE Thursday evening. ONE is, in a sense, one of the most diverse and international shows the company […]

Daily Bytes | Dance

RDT’s Women of Valor

  This weekend’s performance of Women of Valor is the latest in a long line of community outreach efforts by Repertory Dance Theater (RDT). From educational programming to the recent “Green Map Project,” which considered environmental efforts through art-making, making dance accessible to nuanced groups within the general […]

Dance

Jo Blake: A Final Curtain Call

  photos by Will Thompson As the Ririe-Woodbury Dance Company’s (RW) current season draws to a close, the company is bidding farewell not only to Artistic Director Charlotte Boye-Christensen, but also to dancer Jo Blake, who has been with the company since 2003. Originally from Georgia, Blake traveled […]

Dance

Micro-Dance this weekend

by Ashley Anderson Salt Lake audiences have always carved out support for concert dance. The model of multiple subsidized theaters featuring large scale repertory has been successful at gathering patrons but has not always left room for experimental choreography. Many local organizations have addressed this deficit over the […]

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