Samuel Hanson was born in Salt Lake City in 1988. His recent work has been seen in NYC at Triskelion, the Reckless Theater, Weis Acres, Green Space, at Danspace through the Movement Research Festival, and in Utah at the Rose Wagner and the Masonic Temple. He has performed for an eclectic mix of artists including Simone Forti, Isabel Lewis, Yvonne Meier, Ishmael Houston-Jones, Mina Nishimura, Alexandra Pirici, Ashley Anderson, Diana Crum, and Yve Laris Cohen.
Before I ever saw Dishy Collective’s performance Fine China, I saw their instagram campaign, which was prodigious. I hate social media, but I keep it on my phone because it seems like I need it to keep up with what’s happening. When I started editing this journal (for […]
If you’re looking for an at-home dance experience this week, the Salt Lake Film Society is screening Can You Bring It, a new film about Bill T. Jones’ 1989 dance D-Man in the Waters. The film tells two parallel stories. The first is the tale of Jones’ early career, his romantic and […]
Last week I had the pleasure of sitting down over Zoom with Bijayini Satpathy, a dance artist from India, who recently finished staging a new show, Pranati, An Obeisance, commisioned by Utah’s Chitrakaavya Dance, whose artistic director Srilatha Singh is a frequent contributor to loveDANCEmore. Satpathy has been […]
This month we speak with Christina Hughes and Angela Vecchione, who founded Hughes and Vecchione Dance Projects during the first few months of the pandemic. This platform has brought our community and viewers across the country online screenings, classes and other opportunities to stay connected to dance. I […]
This month, we bring you a look at Dancing Earth’s new digital performance, BTW US CYBERSPACE, from Kathryn Machi, an independent dance writer who has followed the company’s work for a long time. To buy tickets to the UtahPresents presentation, November 20, click here. All photos are courtesy […]
Dan Higgins’ new work Speak, which opened Dec. 12 at the Rose Wagner Performing Arts Center, looks like it might have been made for his employer, Repertory Dance Theatre (it was sponsored by RDT, as part of the company’s Link Series for independent choreographers). The seventy-minute dance, in […]
For loveDANCEmore’s August digest, editor Samuel Hanson sat down with Brooke Horejsi, Assistant Dean in the University of Utah’s College of Fine Arts and Executive Director of UtahPresents. They discussed the subtleties of dance presenting, the future of the arts in Utah, and UtahPresent’s upcoming season. Samuel Hanson […]
Dancing is this big ongoing thing. More than anything else, it continues – past the blackouts, wings, and curtain calls – far beyond where the bodies come in and out of view. I think about such ongoingness when I see a show like Forge, presented at Westminster College […]
On Sunday June 2, ChitraKaavya Dance presented Manubhuti – Being Human at the Jeanne Wagner Theater. The program’s five offerings brought together a multigenerational cast of performers steeped in classical Indian dance forms. It struck me how elucidating it can be to see young dancers and older dancers […]
There are countless frames in this dance, walls that rearrange themselves, curtains and doors that close — a hazy story about a hotel where tall tales are told. Memories of an audition. A history lesson. Ponce de León and the Fountain of Youth. There’s definitely a heroine: Gertrudine, […]
Duets abound in Repertory Dance Theatre’s fall season, Portal, in which four choreographers’ voices configure and reconfigure a company in transition (RDT has four new dancers: Jaclyn Brown, Lauren Curley, Dan Higgins and Lacie Scott). The evening is quite a curatorial feat, uniting four diverse pieces that […]
The new crop of co•da dancers this season at Sugar Space are the tightest batch yet. In “Cause a Decision” they seemed determined to show off technical prowess and cohesiveness as a company. They succeed at that and took some notable risks along the way. In particular, they […]
Retro Furniture Changes Colors — Chroma Gallery
In the late ’80s, Erdmann ran the Salt Lake Contemporary Gallery in downtown Salt Lake where he showed minimalist and color-field art at a time when “Mark Rothko wasn’t a household word.” Reception to the gallery was not overwhelming and it eventually closed down. Since that time, abstract art has failed to achieve a pervasive presence in Utah. The Salt Lake Art Center has had more and more exhibits highlighting contemporary art and Phillips Gallery has survived showing abstract work, but few other venues for abstract art have proven viable…
