Phoenix Ostermann
A profile of Phoenix Ostermann, who, as Reclaimed Sentiment, is exhibiting a collection of collages inspired by “mid-century” illustrations at Nox Contemporary.
Ehren Clark studied art history at both the University of Utah and the University of Reading in the UK. For a decade he lived in Salt Lake City and worked as a professional writer until his untimely death in 2017.
A profile of Phoenix Ostermann, who, as Reclaimed Sentiment, is exhibiting a collection of collages inspired by “mid-century” illustrations at Nox Contemporary.
A review of Dave Hall and John Collins’ exhibit of landscapes, now up at Williams Fine Art.
You stand in the center of four large screens. Angled to surround you, each screen offers a different perspective of a rocky desert landscape. From a single perspective of rock emerge, one by one, four women dressed in Old West, 19th-century costume: a spirited, blue-clad pioneer, a fierce […]
A review of Troy Hunter’s light-enfused photography at uaf gallery.
“Newton” In Deficient, his current exhibit at Nox Contemporary, Tyler Spurgeon presents a series of semi-abstract paintings that probes the question of “who or what determines an individual’s value” in relation to a “societally imposed sense of inadequacy,” and does so in a frank and compelling way that challenges […]
“Victorious 08 (Al-‘Aziz)” Andrew Kosorok is an extraordinarily gifted artist and teacher whose passion and talent with glass and design, and his zeal for authentic personal spiritual enlightenment and truth, are essentially linked and manifest in all of his artwork. Kosorok’s current display of work at West Valley’s […]
Ehren Clark takes an alternate look at LeConte Stewart’s Depression era paintings now on exhibit at the Utah Museum of Fine Art.
Joint exhibits at the Utah Museum of Fine Arts and the Church History Museum present the largest ever assembled collection of works by LeConte Stewart. This month we look at the exhibit of rural landscapes.
A look at House Gallery’s exhibit of Charles Fresquez, which comes down on March 26.
Some art is as concrete as the arranged objects it depicts or as prosaic as the theories it attempts to illustrate. But there is another type of art; one that revels in exploration of meaning and metaphor, its abstracted motifs and iconography lacking clear subjects or narrative purpose. […]
The natural landscape may be the primary subject for Paul Vincent Bernard and Sherman Bloom’s exhibitions at the Gallery at Library Square, but their abstracted works transcend traditional representations of the genre to investigate essential meanings and structures. Bernard’s series of painted iconic forms, abstracted from geologic elements, […]
Painted representations of Jesus Christ have been a primary subject of Western art, morphing in style and content according to individual artistic style but also the role of commissioning patrons: Roman Catholic imagery can contrast heavily with the art of Eastern Orthodox Christianity, each having a distinctive […]
Becoming Pablo O’Higgins is a study of character that questions identity, integrity, authenticity and ultimately loyalty. This newly released biography by Susan Vogel, published to accompany the exhibit of O’Higgins’ work now at the Utah Museum of Fine Arts, gives us a compelling portrayal of Paul Higgins, a young […]
As Art Access celebrates its twenty-fifth year as a force in Utah’s art community, they could pick no better show than their current one, Outside is In!, to highlight the aim of their exhibition space: as director Ruth Lubbers says, their two galleries are there to “provide a voice to relevant […]
As much as the quality of paint, or the illusion of depth, the relationship between art and viewer is a fundamental element of what we call art. So what happens when an artist denies their viewer this essential relationship, cutting off the dialogue that is the product of […]
Conrad Buff (1886-1975), Canyon Land, L2009.40.1, ca. 1935, oil on masonite, collection of Edenhurst Gallery, Palm Desert, Calif. The Continuing Allure: Painters of Utah’s Red Rock brings to us a unique set of artists who, early in the 20th century, used their skill and visionary perspective to seal the magnificence […]
How does an Orange County boy, a homosexual with a growing reputation as a painter in Paris, become one of Utah’s most known and venerated painters? By obeying the rules. These days, that is exactly what Randall Lake is not doing. Lake grew up in affluent circumstances. In the ’60s […]